Jul 15, 2019
We're discussing spin-offs in this one. Why do them? There are many very different reasons for doing a spin-off as opposed to a sequel, prequel or a totally new story:
Topics and Show Notes
- Spin-offs make promotion and marketing of the work easier because it has an existing audience who are invested in its world.
- It gives you as a creator more freedom because you're not as strongly constrained by the existing cannon of the parent stories, unlike sequels etc. and you don't have to do any new world building!
- For big commercial comic publishers it makes it easier to keep their universes fresh and their audiences connected by spinning side characters off into their own stories .
Indeed, because of their long-running nature, the investment involved and the shifting structures of their creative teams there's a VERY strong commercial imperative to keep birthing new stories through spin-offs rather than create totally new ones.
Webcomics have very different pressures so spin-offs are a lot more rare, but they Do happen. Do you know of any webcomic spin-offs?
This week Gunwallace has given us the theme to The Great Khan: Happy, fun, jollity! This one bounces through your door with glee and excitement, happy to see you and wanting no more than a snack and a belly rub! A happy little dance number.
Topics and shownotes
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Android Blues - https://www.theduckwebcomics.com/news/2019/jul/08/featured-comic-android-blues/
The Great Khan - https://www.theduckwebcomics.com/The_Great_Khan/, by Gr8k4an , rated E.
Tantz Aerine's fantasy novel spin-off from her Art of Veiling series:
Becoming a Healer - https://www.amazon.com/gp/product/B00D0UJ8SM/ref=dbs_a_def_rwt_bibl_vppi_i0
Spin of story in Pinky TA - https://www.theduckwebcomics.com/Pinky_TA/5044382/
Epic of Blitzov, spin-off from Putrid Meat - https://www.theduckwebcomics.com/The_Epic_of_Blitzov/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Jul 1, 2019
Today we chat about a furore on Twitter focussing on a artist who made a tutorial about the differences between the line work of beginners and advanced artists. Many people identified their art style with the work described as “beginner” and took extreme offence at that characterisation. It's the contention of Tantz that “beginner” is not a dirty word. We're all beginners at something. We can all stand to learn things.
Jun 24, 2019
Just Banes and I for this one! Today we have 3 topics: 1. Being positive and how that really helps us in online communication and social networking, as well as giving a boost to those we talk to- very important in comic communities. 2. How to get more eyes looking at your work. We always need to build our audiences! 3. Updates for drunk duck to modernise the site… We're going to have to raise a lot of money for this! How is the best way?
Jun 10, 2019
At the beginning of a story how do you grab and KEEP your readers? This comes from the Friday newspost by Emma Clare. Her advice was pretty brilliant. From my own perspective it's generally characters that grab me first before anything else. Great art and a fantastic cover can hook your eyes, but without a great story or interesting characters there's zero to keep you there.
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.
Apr 29, 2019
On one side we have creators of content and on the other we have the consumers. The consumers number in their billions and they're voraciously hungry for constant stimulation! Pretty much all creators are consumers too… So why don't they want the beautifully made, clever, spicy, artisanal dish you're selling? Why do they prefer the nice, bland, familiar mass-market high in fat, sugar and salt fast-food of the mainstream instead?