Jul 26, 2020
It's just Banes, Tantz and me today, chatting about the important topic of continuity! How do you maintain it, what continuity errors have you made, what continuity errors have you noticed in media? What's the difference between character continuity, story continuity and chronological continuity? - Something you notice when you watch or read a series in chronological order that was were NOT produced or meant to be viewed that way.
Topics and Show Notes
A good example of that is the Discworld novels by Terry Pratchett. If you read those in the series order, say all the Witch books, Wizard books, Guard books etc as concurrent series then the “Discworld” stops making any sense because Pratchett's writing and the character of the world changed radically over the time that he was writing it. The Discworld was a massively different place in his later books from the wild, chaotic, sexy sword and sorcery spoof it started out as… in later novels it becomes a far more serious and ordered, well defined place that's basically a fantasy steampunk version of Dickensian 19th century London, with a taste of Northern England, Greece, Italy and Egypt and other places thrown in for flavour. It covers serious topics in a philosophical and humorous way, a little left wing and a little righteous. In earlier stories the world leans more to spoofs of popular fantasy tropes from Fritz Leiber's famous Fafhrd and Grey Mouser books, Robert E Howard's Conan, Anne McCaffery's Pern, JRR Tolkien's Lord of the Rings and so on.
So that if you read them in any order than which they were published the continuity of the world won't make sense.
Similarly if you watch the Star Wars Prequels before the original trilogy you run into the same sorts of issues… Then of course there are the continuity errors you make as a creator. Usually it's because you took too long to make a page and failed to read forward over the new scripted pages and back over what you'd already done. I run into that all the time! What are your worst continuity mistakes?
Special mention of Marvel's Mark Gruenwald who looked after continuity from them in a big way back in the day (Apparently).
This week Gunwallace has given us the theme entitled “How to Half Ass a Theme to How to Half Ass Porn Webcomics”
For: How to Half Ass Porn Webcomics the Tanza Late Way - This one is a slow started but as soon as it takes off it lets its full groovy glory show, dancing to the sounds of a wiry electric guitar dressed in a batik kaftan and brown corduroy fares, incense smoke swirling around, noxious and enveloping like the sounds of this cool little tune .
Topics and shownotes
Banes Newspost on Continuity - https://www.theduckwebcomics.com/news/2020/jul/22/continuity/
Goddard and Grey - https://www.theduckwebcomics.com/news/2020/jul/21/featured-comic-goddard-and-grey/
How to Half Ass Porn Webcomics the Tanza Late Way - https://www.theduckwebcomics.com/How_to_Half_Ass_Porn_Webcomics_the_Tanza_Late_Way/, by Arspitzer, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Mar 1, 2020
The nature of online communities and making connections with people you meet in them is quite different from what happens with “social media”. The connections are deeper and longer lasting while social media is more about communication, staying in contact, and finding out what's popular at the time rather than sharing creations and forming strong bonds.
Feb 23, 2020
The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as.
Nov 24, 2019
This week we look at the famous quote by respected film director Martin Scorsese that “Marvel movies aren't Cinema” and also the quote by fellow director Francis Ford Coppola that Marvel films are “despicable”. We try and look at the proper context of these remarks outside of the twitter garbage and social media outrage to see if either had any point or whether they're way off the mark and deserving of criticism.
Nov 11, 2019
Storytelling styles change over time for various reasons: fashion, audience expectations, competition for audience attention due to increased choice and availability of media, technological limitations and abilities, and culture. We chat about the reasons for the changes and how styles have changed.
Oct 14, 2019
Continuing on our focus on movie franchises for the month of October, THIS time we focus on the king of them all: STAR WARS! This was a genre defining series, not only for movies but for space opera, “SciFi”, and science fantasy on all media! The original trilogy was quite a milestone. Predictably further instalments weren't quite as well received but it still remains popular even so! Currently it's having a resurgence in popularity once more.
May 13, 2019
Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right.
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.