Apr 5, 2021
Sexual tension between characters is a great way to augment the conflict that drives a story. The audience really wants that to resolve into a relationship or at least an assignation of some sort… The longer it goes on though, the bigger they want the coming together to be, which can be dangerous for the creator because it's so easy to disappoint. it's usually better to resolve the tension earlier than later, OR keep it going forever but keep it interesting and don't ever sour it or make it turn stale.
Topics and Show Notes
Some noted and classic examples: Moonlighting was famous for its great sexual tension and the terrible way they flubbed it, The X-files did the same sort of thing, basically they both left it too long before getting a resolution to it and ended up disappointing viewers. Tenchi Muyo is one of the originators of the classic “harem” anime genre, but unlike later copies it generally handles the concept well, not favouring a pairing between any of the characters over much. Cheers and Friends are classic American sitcom versions of this style of story telling. The cover image is from the music video for Genghis Khan by Miike Snow where a James Bond and supervillian style characters are depicted as suffering the throws of sexual tension in a beautiful piece of comic story telling.
This week Gunwallace has given us the theme to Golden Spiral: This reminds me of the start of Forever autumn from Jeff Wayne’s The War of the Worlds. It has the same sort of energy… a beautiful melancholy tune with a slightly threatening, unsettling feeling… maybe a use of tritones?
Topics and shownotes
Genghis Khan by Miike Snow - https://www.youtube.com/watch?v=P_SlAzsXa7E
Hungry Heart - https://www.theduckwebcomics.com/news/2021/mar/29/featured-comic-hungry-heart/
Golden Spiral - https://www.theduckwebcomics.com/Golden_Spiral/, by Kumako, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Jan 14, 2019
The topic we discussed in this Quackcast was looking for symbolism, meaning and intention in comics: The English literature approach! Deeper meanings and all that. It's fun to do actually and sometimes you really can hit upon the intentions of the creator, uncover NEW meanings, or just do it to entertain yourself. We used our own comics for an example and talked about things beyond the superficial for a change. For example: Banes' comic Typical Strange is a sitcom set in a video rental store, staffed by a group of characters that make up the cast. Why is it set in a place that is clearly decades out of date and relevance? A video rental place is an anachronism in this time. Is it saying that the characters themselves are stuck in time? It's a sitcom comic so situations often reset or rewind back to the status Quo, so that interpretation would seem to fit… Of course that wasn't Banes' deliberate intention but it's fun to think about that way.
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
Jan 29, 2018
Covers are a very important part of books and comics! They entice us to pick them up and read them, they encourage us to BUY them. But how much are they really needed for webcomics? You hardly ever look at the front cover and what you really want in a webcomic is the meat of it, not the packaging, they're not waiting on racks outside a shop… and yet we still make them anyway, not just for the front cover but also chapter covers as well! This was the idea behind a thread Pitface came up with in the DD forums and we thought it was an interesting topic. Personally I love drawing covers, they give me a chance to break out of the comic format and be all arty and play with title text. How about you? What's your position on webcomic covers? This week Gunwallce has given us the theme to Kawaiidolia: A dreamy journey into a world of green shade, damp, fresh air, and dapple golden sunlight. This is a pretty track , full of beauty.
Dec 11, 2017
n this Quackcast we cover a few different things! FIRST up is our latest campaign to give YOU comment and reply notifications so that you can see who has commented on your comic pages easily, you can respond to them right away, then they'll KNOW you replied and they can respond back and so on. But before we can do that we need to raise money via Indiegogo to pay for it. YOU will be helping to pay for a feature that you want. That's how the site works these days, it's our site: yours and mine. In the next part of the Quackcast we have a series of short plays that we act out. They're based on comics here at DD. We start out with custom scripts written by Tantz Aerine for Without Moonlight and Brave Resistance. And then we have a go interpreting comic pages of The Epic of Blitzov, Bottomless Waitress, Typical Strange, and Pinky TA. Which brings us to our next thing: One of the perks you can pay for to help us out with our campaign will be a custom script based on your comic. WE will write it and act it out. YOU don't have to do anything but donate. Finally we have a note from KAM that we read out, informing us of the experience of adapting his comic into a script structure and we talk about that ourselves. If you'd like to write a script for us to act out on the Quackcast, just PQ me and I'll tell you where to send it. :) This week Gunwallce has given us the theme to Bram and Vlad: Welcome to the mysterious, echoing notes of a celestial funhouse. Then settle down to a demonic, yet friendly game of cards accompanied by a jaunty, yet cheeky tune on the piano!
Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Aug 29, 2016
Do you worry about offending specific people with your writing? Where's your line between honest expression and regard for other people's feelings? This was Bane's brilliant idea for a Quackcast. We touch a little on the idea of a “culture of offence”, where it seems that people look for things to be offended by, perhaps on behalf of others, but also about things that really CAN cause offence and how to avoid that. On one hand you have people complaining that everything is too “PC” these days, but on the other it's really not OK to be a dick to people just because you like to cling to the old days when it was fine to put down people on the basis of ethnicity, skin-colour, gender, or sexuality… But we can also cause offence accidentally, unintentionally, unknowingly… Should you compromise your vision to appease people, or should you forge ahead regardless? Keep in mind that some things that are fine for SOME audiences are offensive to others, so rather than fight with your audience or appease them perhaps it's better to try and actively direct your work at the CORRECT audience it's intended for? - speaking in terms of sex scenes, politics, etc. Listen to the theme Gunwallace concocted for us THIS time! Geminni: Get down to the bad sounds of this classic funk rock tune! Danceable!
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!