Aug 19, 2019
Today we compare and contrast two ways of making characters: starting with a pure archetype and building it with tropes, or creating a character organically through circumstance and interaction with other characters.
Topics and Show Notes
Quackcast 440 has the full crew of Ozoneocean, Banes, Pitface and Tantz! Our description of the two types of characterisation are are probably artificial extremes but it helps to see the advantages and disadvantages of both.
Some advantages to starting with archetypes and building traits with pre-defined tropes are that it's very quick, very easy and you can create something you know for sure your audience will understand and resonate with! Disadvantages are that you risk making stale characters: either by creating a cliché or by sticking too closely to your archetype (as you're always tempted to do when you make a character this way), and not allowing the character to evolve, change out of it and escape it. You generally want to return them to “true”.
A good use for this approach are quickly made side characters who won't be around long, characters in a short-form or one-off story, or sitcom characters where you have to quickly get the audience to like them.
building a character organically over the course of a story through interaction and circumstance is harder and takes longer, but give you a changeable character that grows with your audience and who your audience grows to love! …if they can invest the time. The disadvantage here is that often you can't afford that time. This is better for long-form stories, dramas and novels.
In reality most of the time you'll use a mixture of the two approaches, often starting out with a reasonably defined character with a few traits in place, who grows as the story progresses and is changed by what happens to them and around them. That's a good, balanced way to do things, though short stories and side characters benefit from tropes.
This week Gunwallace has given us the theme to Ice Massacre: A quiet, contemplative meditation on the vastness of space and time. Gentle ripples of sound lap against and wash over you… building slowly and then receding back into the ocean of time. Percussive tinkles glitter within the flow, like unusual seashells or sparkling pieces of colourful coral. For a moment they catch your eye, only to disappear again forever in the wash of sound.
Topics and shownotes
The Mystic from Wanzerbe - https://www.theduckwebcomics.com/news/2019/aug/13/featured-comic-the-mystic-from-wanzerbe/
Ice Massacre - - https://www.theduckwebcomics.com/Ice_Massacre/, by Icemassacre, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Oct 10, 2016
This is the Awkardcast! Another take on the sexcast idea but this time we're looking at sex and sexual situations in strictly NON-adult comics. Sex performs a very different role in non-adult comics… You have a much wider audience with comics at the rating, but there are things you can not show, so of course you use sex for other reasons than the way you do in an adult rated comic. In an adult comic you can show all details of the entire act, all the genitalia in all their glistening, gory, gooey, hairy splendour, going in and out and around here and there and all over the place! Oh my! In Mature comics and bellow though, you simply can't, though you CAN have some non-sexual full frontal nudity in Mature comics and you can show bottoms in Teen rated comics. The ratings are similar to what you have with film ratings. In adult comics, like adult film, sex acts are more of the focus, they can still have a story but the sex acts are supposed to be enjoyed in their own right. In non-adult comics the sex has other purposes- subtle titillation is a part of it, comedy, teasing the viewer, furthering the plot, a culmination of a relationship or the establishment of one, etc- there's generally always another purpose to it, unlike adult comics where there sometimes is but doesn't need to be. And unlike adult film there's not much purpose to softcore non-adult rated porn in comics. That type of censored porn is done in film in order to get a wider audience on media that will otherwise not show porn, but on the net porn it's super easy to come by so there's not much reason to do softcore. There are a lot of challenges entailed in depicting non-adult rated porn! Certain positions don't work in well with the limits on nudity (we talk about this in the cast), but there are tricks you can use; symbolism (popping champagne corks, trains going into tunnels etc), strategic positioning of sheets, clever camera angles, fading out before the act and fading in again after, characters with mussed hair and uneven clothing, using dialogue to refer to what they just did, “off-screen” shenanigans, or shenanigans in the dark etc, it can be a lot of fun! Have a listen to how Tantz, I and Banes tackle the idea. The music by Gunwallace for his week was Firefly cross! A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing!
Jul 25, 2016
The Quantum theory of comics! Sound adds a whole new dimension to comics, enriching and enlarging the atmosphere, giving your mind a whole new path of stimuli to explore and queue you into things you just would not have been able to consider without them! Thanks to Ironscarf for his beautifully sexy and punny intro into the wonderful world of SFX, We made liberal use of his newspost in this Quackcast!. Indeed, SFX can be very tough to master in a lot of ways, it can be hard to make yourself use them too because they seem a little twee and unnatural, but once to get over that natural reticence they add a whole lot more to your work and give you many more options to explore. They're a very useful tool in your comic making toolkit! The theme this week was for Planet Chaser, you'll agree that it's bouncy, techno, mystical and danceable!
Nov 2, 2015
Yet ANOTHER Halloweenie cast! This time we used Banes' newspost for inspiration and we talk about the difference between horror, terror, and revulsion in horror themed media along with examples of that in our own comics. We dressed in costume AGAIN, this time Tantz is Zoe from her comic Wolf, I'm Jack the Ripper, Pit is a mouth-head mutant and Banes is the invisible man! Gunwallace's theme this week was for Steel and Manitou. It's a haunting cowboy, desert night, mystical piece that perfectly matches with the theme of the comic.
Jul 28, 2014
Guess who we had on THIS week? It was Amelius and Evil Emperor Nick! The husband and wife powerhouse behind some very popular comics on DD including Charby The Vampirate and Cwen's Quest. We haven't had them on since Quackcast 10 and 11 which have unfortunately been totally wiped from the interwebs... But that doesn't matter so much since you can hear them both afresh now and they have some goo stuff to say, including talking about the newly revamped version of Charby on charbythevampirate.com that's only up to 50 or so pages as well as the new related project Here there be monsters. We apologise for some slight technical difficulties, but Amy and Nick were good sports anyway and it was a an enjoyable interview!