Aug 24, 2020
First up… HAPPY BIRTHDAY TO TANTZ! This Quackcast is about the topic of whether it's right to change an established character just to fit with the ideas and styles of a new creator or change them in accordance with an idea or political position you want to explore, OR should you instead create a whole new character or story to do that with? Bane's newspost gave the example of the ersatz justice league created for The Boys, where Homelander =/= Superman. The series was made to look at the dark side of superheros, but it doesn't ruin established and much loved heroes to do that…
Topics and Show Notes
Changing an established character or story to fit with what you want to do with them is tricky. Frank Miller did it well with Batman, going back to his dark, gritty noir beginnings and changing him from the campy, light character he'd evolved into. This was done poorly with Thundercats, the most recent adaption changing them into a stupid stylised cartoon. Another interesting example is James Bond Vs Austin Powers. Austin Powers is a James Bond spoof and it works, it makes fun of the character and the genre without ruining that character. Contrast that with the first Casino Royal film which was a spoof made using the character of James Bond, It's terrible and harms the IP.
I think the conclusion we came to is that generally when you want to go in another direction with things it's best to make a new character or story to do that with rather than piggyback on existing IP. You can use an existing IP to do it with but it's a lot more difficult to do a good job and most people fail at it.
This week Gunwallace has given us the theme to Mousetrap - Bass leads the way, stomping through and leading this down-beat rock sound, Another bass guitar burrs in to take the mantle of the Melody and keyboards do their thing with a fun, driving sound, even the drums try and take over the rhythm, but no one can usurp the mighty bass! It’s a clash of the bass.
Topics and shownotes
Banes' newspost on the subject - https://www.theduckwebcomics.com/news/2020/aug/19/expies-fandoms-disappointment-and-hope/
Gumshoe - https://www.theduckwebcomics.com/news/2020/aug/18/featured-comic-gumshoe/
MouseTrap - - https://www.theduckwebcomics.com/MouseTrap/, by Onoi, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.
Aug 10, 2020
DD member Furwerk Studios posted in our forum about how annoying it was that movies try and do an 80s retro thing often get things totally wrong and end up looking dumb because of it: Not just superficial looks-wise but stylistically too in terms of the kinds of shots they do, lighting and story structure. I thought that'd make an interesting topic for a cast! Why do people often mess up retro stuff? We're not talking about historical accuracy here, that's slightly different, what we're talking about is setting something in an era and getting the “feel” of that era right. It pays off hugely when it works, but when it doesn't it comes off as superficial, disappointing and ignorant.
May 4, 2020
Today on this glorious date we chat about that part in stories where everything turns to crap for the protagonists, just before the run up to the climax where they find their inner strength again and regain their powers so that the climax is even more effective than it would normally be… just BEFORE that moment. Everything is finally going well for our characters, their relationship is amazing, they have all the money they need to keep the clubhouse open, they're going to win the big game, they have the magic sword to kill the dragon with, they have the fastest car in the race, the bombs are all set to destroy the alien mother-ship, and the band is finally going to make it to the big time! ...BUT...
Apr 5, 2020
In this Quackcast we talk about the differences between genre and setting and what genre really is. For instance: Fantasy and SciFi aren't genres, they're settings… Mostly. It's complicated but they both pretty much USED to be genres, now they're mainly just settings for genre stories to take place in. What does that mean? Well, Fantasy wasn't even considered a genre back in the day, not really till after the success of Tolkien. Later on a lot of writers began using that same style and consumers really wanted it, so it became a “genre”. It was only later on when it graduated out of that to become a setting that has genre stories set within it.
Mar 9, 2020
We're talking about the cartoons that made us! This was inspired by kawaiidaigakusei's newspost from last week about Daria. Daria was a really cool cartoon from the late 90s. It was influential to her, to me as well, and I thought it would be a great idea for a Quackcast to talk about the other cartoons that were influential to us at certain points in our lives.
Feb 16, 2020
What happens to characters after the big action scene or climactic moment? This could be anywhere in the story but it's usually close to the end. Do they process any of the things that have happened to them to lead them up to that point or do they just forget about everything and simply act as if nothing except the last 4 seconds matter? The later seems to be the trend in a lot of badly written fiction, and it's a notable trope in 80s style action films. Death of family members or lovers are irrelevant when you have a hot action star standing next to you!
Dec 2, 2019
We're talking about how religion is portrayed in fiction and a bit about WHY. This was a surprisingly fascinating topic. I came up with the idea while watching the old 2000s SciFi series Andromeda: one of the alien characters there is sort of a space Buddhist, and I felt like that was a pretty common thing in American TV Scifi, so I wondered about what other kinds of religious tropes exist in contemporary fiction, fantasy and other SciFi worlds.