Sep 28, 2020
This week we're talking about cultural appropriation, cultural adaption and adoption, also stereotypes and all sorts of related stuff. It was inspired by a newspost from Tantz discussing the recent live action Mulan movie by Disney. Cultural appropriation is when you take an aspect that is sacred or important to one culture and own it yourself: decontextualising it, stripping it off it's meaning, making a cartoon version of it, commodifying it, commercialising or cheapening it in some other way.
Topics and Show Notes
But not all borrowing from cultures is “appropriation”. Cultures mix and share things all the time quite freely and a lot of things that were once appropriated have long been mixed into a made a part of the adopting culture so they're as much of that culture now as anything else… Things like Yoga, which was a part of scared religious practices, was long ago appropriated and turned into an exercise fad. It's part of western culture now.
There's a power relationship involved: a community in a more dominant cultural position doesn't generally mind others “appropriating” aspects of their culture because their culture is everywhere. A community in a less dominant role usually does mind a lot because that's usually the only cultural identity they have, so stealing and misrepresenting it becomes an attack on their existence.
It's also extremely important to remember that you shouldn't really speak for another culture about appropriation. We can inform people that their cultural borrowing could possibly be an issue but it's not our place to criticise someone for appropriation and appoint ourselves as guardians and protectors of another group for two reasons: 1. That's paternalistic an dis-empowering to the people you're speaking for, 2. It might not be a case of appropriation at all, only they can speak for themselves whether it is or not.
The musical feature this week that Gunwallace has given us is theme to the Good Words with Sako, the Beautiful Heart of a Steggo Girl - A quiet, thoughtful, toe-tapper. This is a jazzy little techno number, bouncing away with a cool repeating theme. It’s gentle, intelligent, and elegant in its simplicity. Very Gorillaz.
Topics and shownotes
Tantz's newspost on cultural appropriation and Mulan - https://www.theduckwebcomics.com/news/2020/sep/25/cultural-significance/
The Impossible Family - https://www.theduckwebcomics.com/news/2020/sep/22/featured-comic-the-impossible-family/
Good Words with Sako, the Beautiful Heart of a Steggo Girl - https://www.theduckwebcomics.com/Good_Words_With_Sako__The_Beautiful_Heart_of_a_Steggo_Girl/, by KaijuKid, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Mar 5, 2018
All the planning and set up in the world will never count for anything if you never start your webcomic, so just put your own to paper and begin! “Getting started on a webcomic” is what we chat about here. I was inspired by PitFace's newspost about a crappy horror film and how the creators just went for it. As a webcomicer that is what you HAVE to do! You can plan, research and gather resources for years, but the reality is that it just makes you more and more scared to take the plunge. You'll develop a LOT faster as a webcomicer if you throw caution to the wind and go for it. I'm not saying that research and planning are uneeded, it's just that most if it can be done while you're actually working. Do not worry about putting out a perfect piece of genius work from the getgo- your comic WILL get there regardless if you're dedicated and put the work in AS you work, but the first few pages or chapters don't have to be there. Your audience will appreciate the chance to grow with you a lot more than if you put out a polished gem to begin with. Starting out at a place like Drunk Duck is your best bet. It's a nurturing, easy to use, creator run platform, focussed around promoting webcomics. So what are you waiting for? This week Gunwallace has given us the theme to Flesh and Wires: Dirty and distorted electric guitar and determined fuzzy bass, weaving together over a haunting synthesized Melodica. Portentous and evocative, this music tells a story in it’s own runtime! The main riff reminds me a little of my fave part for We don’t Need Another Hero from Tina Turner.
May 1, 2017
We titled this one “Cafecast” on the suggestion of Pitface! Instead of chatting about a subject, we took ourselves off to a metaphorical cafe and all started drawing, working on sketches, our latest comic pages, and chatting as we did. We're all comic artists after all and we talk about doing comic all the time, it's only fair that we actually WORK on them from time to time! Gotta “walk the walk”, not just “talk the talk”. We were also inspired by the video Pitface made of herself drawing her latest page of Putrid Meat for the 10th anniversary (vid linked in the notes). Watch it while you listen to this! So this is just a nice, informal chat from us as we draw. Next week we'll get back to more structured stuff when banes and I talk about how to do comedy and how to make comedic characters in comics. The music for this week by Gunwallace is for Half Hearted Headache. The theme fits very well with the comic title! It brings to mind a desolate wasteland in a post apocalyptic techno future, haunted by cyborgs and the hulks of burnt out military battle robots… Which is not what the comic is about but that’s what it paints for me: Jean Michel Jarre, meets knight Rider!