Apr 5, 2021
Sexual tension between characters is a great way to augment the conflict that drives a story. The audience really wants that to resolve into a relationship or at least an assignation of some sort… The longer it goes on though, the bigger they want the coming together to be, which can be dangerous for the creator because it's so easy to disappoint. it's usually better to resolve the tension earlier than later, OR keep it going forever but keep it interesting and don't ever sour it or make it turn stale.
Topics and Show Notes
Some noted and classic examples: Moonlighting was famous for its great sexual tension and the terrible way they flubbed it, The X-files did the same sort of thing, basically they both left it too long before getting a resolution to it and ended up disappointing viewers. Tenchi Muyo is one of the originators of the classic “harem” anime genre, but unlike later copies it generally handles the concept well, not favouring a pairing between any of the characters over much. Cheers and Friends are classic American sitcom versions of this style of story telling. The cover image is from the music video for Genghis Khan by Miike Snow where a James Bond and supervillian style characters are depicted as suffering the throws of sexual tension in a beautiful piece of comic story telling.
This week Gunwallace has given us the theme to Golden Spiral: This reminds me of the start of Forever autumn from Jeff Wayne’s The War of the Worlds. It has the same sort of energy… a beautiful melancholy tune with a slightly threatening, unsettling feeling… maybe a use of tritones?
Topics and shownotes
Genghis Khan by Miike Snow - https://www.youtube.com/watch?v=P_SlAzsXa7E
Hungry Heart - https://www.theduckwebcomics.com/news/2021/mar/29/featured-comic-hungry-heart/
Golden Spiral - https://www.theduckwebcomics.com/Golden_Spiral/, by Kumako, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Feb 22, 2021
In the year 2020, the world had been devastated by a global pandemic, life had changed forever… It's 2021 and our 4 unlikely heroes have banded together, a topic borrowed from the wise and gracious Emma Clare… My fave “infodump” in fiction is the narration by Nicholas Cage in Raising Arizona. My least fave is the massive long description of fish and how submarine equipment works in 10,000 leagues under the sea by Jules Verne (the novel). What are you most fave and least fave infodumps?
Feb 8, 2021
Weird one this week! A monneyless system in a working Scifi utopia. This was based on an idea Banes came up with talking about Star Trek and how the federation has “evolved beyond money”, We discuss if this is possible, why it is and how it is. That means no need for money substitutes like credit or barter either. It's a really interesting topic and a brave choice for a world setting. The most common type of scifi world by FAR is a dystopia so the fact that Star Trek is a working utopia (at least in the original and 1990s series) is a very brave and unique choice and the idea that it functions without money is even more clever and interesting.
Dec 21, 2020
This is the time of year you typically spend your money on other people… but we wanted to talk about what we spend our money on when we're spending on ourselves and indulging our own passions… just because this is the time of year we can digress and get a bit less serious about things. I talk about my passion for collection unusual vintage hats and antique sabres from the Napoleonic era and on. Tantz talks about her vintage 1940s era newspapers and the history behind them. Pitface talks about her stainglass window skills and her warhammer figures. Banes gives us the lowdown on the amazing muppet band playsets and figures he collected!
Nov 15, 2020
Character trajectories are really interesting- in terms of character alignment, like a good guy that slowly turns into a bad guy through a whole bunch of bad decisions and incidents. A great example from popular media is Walter White from Breaking Bad. He starts out as an ordinary guy, but soon sets out on a path that takes him down the road to becoming a super-villian. Characters can start out bad and go good or even good, go bad and then redeem themselves…
Aug 31, 2020
Does a story always need an antagonist embodied in the form of an active character? I don't think they do! We chat about examples of stories without antagonistic characters that work just as well, if not better than the reverse! This is based on Bane's newspost from last Thursday (link in the notes). Tantz and I have a long argument about what the main antagonist in Wall-E was! I think that a lot of the better Pixar movies don't have their main antagonising force embodied in characters- Inside Out, Moana, Coco, Wall-E etc, and we they do they're not quite as strong or as touching. Even in Up the villain in that only plays the main antagonist for a short time. What d you think?
Aug 24, 2020
First up… HAPPY BIRTHDAY TO TANTZ! This Quackcast is about the topic of whether it's right to change an established character just to fit with the ideas and styles of a new creator or change them in accordance with an idea or political position you want to explore, OR should you instead create a whole new character or story to do that with? Bane's newspost gave the example of the ersatz justice league created for The Boys, where Homelander =/= Superman. The series was made to look at the dark side of superheros, but it doesn't ruin established and much loved heroes to do that…
Aug 10, 2020
DD member Furwerk Studios posted in our forum about how annoying it was that movies try and do an 80s retro thing often get things totally wrong and end up looking dumb because of it: Not just superficial looks-wise but stylistically too in terms of the kinds of shots they do, lighting and story structure. I thought that'd make an interesting topic for a cast! Why do people often mess up retro stuff? We're not talking about historical accuracy here, that's slightly different, what we're talking about is setting something in an era and getting the “feel” of that era right. It pays off hugely when it works, but when it doesn't it comes off as superficial, disappointing and ignorant.