Aug 10, 2020
DD member Furwerk Studios posted in our forum about how annoying it was that movies try and do an 80s retro thing often get things totally wrong and end up looking dumb because of it: Not just superficial looks-wise but stylistically too in terms of the kinds of shots they do, lighting and story structure. I thought that'd make an interesting topic for a cast! Why do people often mess up retro stuff? We're not talking about historical accuracy here, that's slightly different, what we're talking about is setting something in an era and getting the “feel” of that era right. It pays off hugely when it works, but when it doesn't it comes off as superficial, disappointing and ignorant.
Topics and Show Notes
This happened a LOT recently with stuff set in the 80s because 80s fashions came back and people thought it'd be fun to capitalize on the nostalgia. Some do it right and some do it wrong. The important thing to remember when going for a retro feel is NOT to treat an entire decade as a “thing”. Decades are made up of many different fashions across many different countries! During the 1980s for example the styles at the start of the decade were much more like the late 70s and at the end they were similar to the early 90s, and in places further away from the fashion capitals older fashions lasted for longer. The 1980s weren't a decade of pink hoodies with loud patterns, shoulder-pads, big hair, denim jackets, and “momjeans”, it was a lot more varied than that and not all those things were done at the same time. Jeans are a good example: They changed shape a LOT during the 1980s, from flares at the start, straight legs, boot-legs, skinny jeans, stonewash jeans, tapered jeans with slim waists baggy legs and slim ankles, and baggy 501s. All of those cropped up at different times in the decade.
Aside from compressing entire decades just down to one “look” the other issue people run into is projecting modern styles onto the past: Mullet hairstyles in the 1980s are nothing like what they are now for example: you didn't typically shave the sides of your head or have a crewcut with long hair at the back for a mullet. Mullets existed previously, even in the 1970s, but only started to become an 80s thing in the mid 80s. Hair would be slightly longer at the back. if you wanted to highlight that you'd use gel or hairspray or something to slick down the sides of your hair to make them flat. Towards the end of the 80s mullets grew longer at the back and shorter at the front, but shaving the sides wasn't popular. Tattoos, baldness, body piercings, and facial hair were not as common in the decade either, all of them had heavy symbolism and said something about the person who had them, while today they're mainly just aesthetic choices of the individual. Tattoos meant a person was tough or had a rough life or profession. Beards were hyper masculine. Baldness meant you were tough or had an alternative lifestyle. Multiple piercings was much the same.
That said, you don't always have to go for authenticity, as long as you understand what you're doing and know how to have fun with it. Kung Fury is a good example of this. It sardonically uses an 80s retro feel while winking at the audience with its tongue in planted in its cheek. Napoleon Dynamite has a weird indeterminate 1980s feel to it while NOT actually being set in the 1980s.
Do you know any examples of retro done wrong?
This week Gunwallace has given us the theme to Gumshoe - Groove on into this black and white world of cool. Lazy coiling blue smoke floats out and leads the way down to this underground world of jazz and sophisticated glitz. Let the bass walk you through, take a twirl with the glittering piano keys, high-five those highhats, and take your place at the bar in the coffee lounge. Make your’s black, no sugar. You’re staying up all night for this one!
Topics and shownotes
Forum thread about bad retro attempts - https://www.theduckwebcomics.com/forum/topic/178445/
Fave retro comic on DD, Satan Ninja 19X https://www.theduckwebcomics.com/Satan_Ninja_198X/
Hel's Ferrywomen - https://www.theduckwebcomics.com/news/2020/aug/04/featured-comic-hels-ferrywomen/
Gumshoe - https://www.theduckwebcomics.com/Gumshoe/, by Pencilz, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Feb 2, 2020
I recently had to upgrade my main computer because Windows isn't supporting Windows 7 any longer and I don't want to install Windows 10 on the perfectly functioning old one in case it ruins it and my main programs can't run any longer… SO I had to get a new PC. This got me thinking though: The barrier to getting into digital art is lower now than ever!
Jan 20, 2020
Today we have a special guest! Jessica Schab. Jessica works for Mainframe entertainment in Canada, one of THE premier digital animation companies! Before things like Pixar they were THE CGI animation people! Behind the Video for Dire Straights' Money for Nothing video back in the 80s, Transformers Beastwars, Octonaughts, Babrie, and my personal fave: Reboot!
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.
Feb 11, 2019
It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.
Sep 25, 2017
In this Quackcast we chat about how objectification can rob the humanity from a character and turn them into a meaningless object which can in turn alienate your audience by making your work less relatable, but with things like porn where character is less important than the on screen action objectification is more acceptable. We chat about the development of porn and why it became so objectified, from the early beginnings where story, setting and character were always a factor, till the days of home video and the internet and how that changed the balance due to various factors, and the way higher production values, better acting and story is actually making its way back in some instances. We also chat a bit about the differences between porn aimed at women and that aimed at men. “Sexposition” in mainstream entertainment like Game of thrones is possibly an interesting outgrowth of the acceptability of pornography and the idea of mixing story and onscreen (simulated) sexuality. The theme Gunwallace has given us this week was for Tomb Busters! It's compelling, regal, atmospheric, steel guitar country rock, this is a triumphant epic that will swallow you whole and leave you gasping for air. This is my new fave!
Sep 19, 2016
This time we're talking about the weird notion of managing your online brand: what name do you publish your creative works under and how do you go about curating that? It's an idea I had after a great artist friend of mine known as Hyena Hell lost her online presence on Facebook, the main venue for publishing her artistic projects. Both her her private and public creative lives had been merged into the persona that is known as “Hyena Hell” because the act of creation was very personal to her, it was her brand as well as herself. But after a nasty little scum sucking piece of excrement loser arsehole rectum faced coprophagiac reported her name she lost her right to have that as her personal account. Rather than challenge it or compromise she retired her creative persona from Facebook, and it was a shame because we lost a vibrant artistic, thoughtful presence from there. But many of us also have an online brand/persona/nom-de-plume of some sort that our work is collected under and that's the topic of discussion! Gunwallace's theme this week is for Urthe, featuring lashing cymbals and electric guitar that blasts out like a deadly raygun! This is hard rockin’ goodness!
Nov 23, 2015
Characters you would love in media but hate in real life! In this Quackcast, once again we have an ensemble cast of Banes, Ozone, Pitface, and Tantz Aerine, but THIS time we were also joined by the talented and studious kawaiidaigakusei! We wanted to talk about fictional characters we love in fiction but would hate if they were real. It was sort of an extension of last week's Quackcast topic, with that fiction VS reality vibe. Gunwallace's gospel themed theme for Jesus 2016 is hilariously great!