Apr 15, 2019
The entire gang comes together today for two topics that were taken from recent newsposts: Emma Clare's Positive self promotion, and Tantz Aerine's Handling Controversial Characters. First up we chat about why it's always a great idea to sell yourself positively, NOT be arrogant or douchey, but rather by talking enthusiastically about what you genuinely love about your work and using that REAL and SINCERE enthusiasm to infect others with your love of what you do. Emma was mainly talking about the way you introduce your comics to friends and family but it definitely applies more broadly to self promotion in general: Don't try and get sympathy through self depreciation (oh, it's not very good…), and don't be an arrogant ass (My stuff is AWESOME!), rather you should just be honest about what you love about it (This story was so FUN to write!).
Topics and Show Notes
There are exceptions. “READ HARKOVAST” become a great catchphrase for the author of that comic ;)
Next up we talk about Tantz's subject of handling controversial characters: Real controversial characters and established characters in fiction that have very different interpretations and views about them can be tricky to use in fiction. WHICH of the popular interpretations do you choose? - The one that says they were an insane dictator or the one that says they're a hero of their people? Whichever you do you'll have audience members who're angry about it in some way. Examples are characters like Jesus (comics linked bellow), and Mother Theresa. Jesus obviously means a lot of things to different people, there's around about 2000 years of culture focussed on him and people during the time he was meant to have lived would have regarded him very differently to the later worshippers. Mother Theresa during her lifetime was almost universally regarded as a living saint, her name was common shorthand for being extremely caring. After her death opinions changed and fractured desperately. To many she was either a monster, a scheming witch, or a stupid naive backwards woman who was used as a promotional tool. Which approach do you as a writer take?
This week Gunwallace has given us the theme to Tusk. Fast tribal beat that makes you want to shake your hips, stamp your feet, wiggle, twitch, and vibrate all over! A nice, stompy, vibrating rhythm booms into the centre and slows things down for a change of pace. This is the ultimate dance track. Get hot, sweaty and show off your crazy moves as best you can. Put the other dancers to shame!
Topics and shownotes
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Breached - https://www.theduckwebcomics.com/news/2019/apr/09/featured-comic-breached/
Tusk - https://www.theduckwebcomics.com/Tusk/, by Fallopiancrusader, rated T.
Positive promotion newspost by Emma Clare - https://www.theduckwebcomics.com/news/2019/mar/30/talking-about-your-comic-to-others-and-why-you-should/
Controversial characters newspost by Tantz Aerine - https://www.theduckwebcomics.com/news/2019/apr/12/handling-controversial-historical-characters/
READ HARKOVAST - https://www.theduckwebcomics.com/Harkovast/
Holy Bible the Albino Ginger version - https://www.theduckwebcomics.com /Holy_Bible_the_Albino_Ginger_version/
Jesus 2016 - https://www.theduckwebcomics.com/Jesus_2016/
Look who's back (movie) - https://www.imdb.com/title/tt4176826/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pit Face - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Dec 2, 2018
This Quackcast was inspired by a newspost by Tantz. There seems to be this prevailing idea at the moment that serialised storytelling is better than episodic style stories. Tantz informs me that it's one of the many Twitterverse controversies! So let me explain what I mean here: Episodic story telling is when most of the story you're telling can be parcelled into the course of an episode: you can have a strong beginning, middle and satisfying conclusion in the course of your episode, whether that takes the form of a comic chapter, a page, a strip, or a half hour TV show. The Serial style has things stretching over multiple chapters or TV episodes. What we talk about in this Quackcast is that it's an utterly false dichotomy: You do not have to have either or, in fact most projects have elements of BOTH at the same time and it's a little foolish to think that one style could possibly be inherently superior to the other since they're just tools for telling a story. It is up to the creator to pick which one is right for their own work and the context in which it's going to be shown.
Nov 19, 2018
This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Nov 17, 2014
The idea for this Quackcast came from a newspost by HippieVan. She had just read a comic version of Frankenstein and was disappointed at the simplistic way that the character's inner turmoil was rendered. She wondered about the different ways that "inner turmoil" is portrayed in comics. The lovely and highly intellectual duo of Tantz Aerine and Pitface join Banes and I to discuss farts... and after that we tackle the subject of portraying inner turmoil in comics. Each person brought some rather interesting examples to the table, and we all talked about the many different ways such internal emotional and intellectual changes can be visually depicted on the page for the reader without being stupidly obvious about it.
Apr 7, 2014
We join our heroes attempting an ill-conceived hiking holiday on the surface of the sun... While they're getting over their stupidity let's talk about Quackcast 161! We asked people to contribute their own notions about what's cool and interesting in SciFi, as well as what they don' like and what they do not think works well. We had so many great contributions that we decided to split it into two parts, so you'll be able to catch another instalment of our space faring heroics!
Apr 10, 2012
A super special epic saga soap special! We have ALL stories ALL the time here with a pseudo-comedy overdose of silliness! Over an hour of stupidity and nonsense held together by the soap character versions of Ironscarf, Macattack Kroatz, Harkovast, "the Narrator", and two strange teenage "girls" who think everything is totally gross. Now is your chance to try and catch up on the last few episodes, 6 to 11. Marvel at Hippievan's crash and resurrection, Kroatz's out of body perv-fest, the drunken quest for ouzo, Skoolmunkee's butt-sister, lots of Harkovast. the sexily armoured Pit Face, and the infamous kiss.I dare you to listen to this and retain your sanity!!!! There's even a special bonus track at the very end...