Episode 680 - Intelligence in Fiction
Mar 25, 2024
Today we're talking about the depiction of “intelligence” in fiction! There are a lot of ways this shows up: the genius detective who can understand any clue and uncover any lie, the amazing doctor who can understand any disease, the computer nerd who can do ANYTHING with computers, the genius savant with Asperger's, the crafty serial killer with plans within plans…
Topics and Show Notes
Mostly though these depictions are absolutely fictitious, simply based on tropes, like the action-man James Bond/Jason Bourne type “spy” trope which doesn't exist in reality and yet that's how we always think of spies. They're generally exaggerated to the point of silliness. The depiction of an “intelligent” person in fiction often involves wearing glasses; dropping quotes (usually Shakespeare); an obvious odd quirk that makes them not fit in well with others- being nerdy, dressing badly, talking weirdly, shyness, meanness; and they're almost always a polymath, in that they know about EVERYTHING, not just the field they specialise in.
Recently I've been binging the series Bones. It's about a group of scientists who perform special forensic tasks for the FBI. They're all super geniuses, especially the main character “Bones”, Temperance Brennan, who all the other charters frequently acknowledge as super brilliant. The dumbest person in their team is Angela, the artist, who's main role is to do sketches and reconstructions of the dead and provide an intuitive counterpoint to the cold scientists. Ironically she'd have to be by far the most intelligent person in their group and one of the most intelligent people in the world because while the others have very narrow specialties she's a genius at computer programming, mechanical engineering, code breaking, and and makes intuitive leaps that are impossible for normal people. It's a very silly show in its depiction of and understanding of intelligence, with the “smartest person” (Bones) actually being the dumbest in the group while the dumbest one (Angela) is the smartest.
Two of the main bulwarks of intelligence in fiction are Sherlock Holmes and serial killers, which are actually related. Sherlock is from a late 19th century stereotype of an intellectual superman. He's aware of the smallest detail, has a clinical, analytical mind, he drops quotes, he's classically educated, he has “no time for fools”, doesn't relate well to others, and is prone to obsession. His relationship to the modern depiction of the fictional serial killer is his rivalry with the character Moriarty, on which serial killers tend to be based- not on the character but the battle of wits. In reality serial killers and psychopaths are never very intelligent, the trope seems to be based on Ted Bundy and Jeffrey Dalmer having reasonably high IQs but neither ever came up with fiendish plans or devised clever clues or plots, their crimes are simply gross, evil. and absolutely selfish, but in no way clever. This has resulted in the fictional serial killers typically matching the intelligence of detectives in an evil, dark reflection.
The trouble with depicting intelligence in fiction is usually that the writers don't know very much about it so they trick us by having other characters react to their genius character as if they're amazing, or showing the genius by having the character perform some massively exaggerated act like solving an incredibly hard puzzle, or creating one, dropping random quotes, or just telling us that the character is smart.
Some of my favourite intelligent characters are Abby from NCIS, Egon from Ghostbusters, Nero Wolfe from the Nero Wolf Mysteries, Daria, Sherlock Holmes, the Villain behind glasses from Log Horizon, John Crichton from Farscape, Doctor Who, and Mr Spock from Star Trek.
What are your faves? The characters from Big Bang Theory? House? Lisa Simpson?
This week Gunwallace has given us a theme inspired by Gamma Blue Smoldering of Creel - Heavy rocking fire. This is a hammer forging red hot steel on an anvil, rhythmically pounding it into shape, slamming into it with thunderous blows,drawing out the metal into a brutal sword of pure rock!
Topics and shownotes
Links
Featured comic:
Cafe Strange - https://www.theduckwebcomics.com/news/2024/mar/19/featured-comic-cafe-strange/
Featured music:
Gamma Blue Smoldering of Creel - https://www.theduckwebcomics.com /Gamma_Blue_Smoldering_of_Creel/ - by Odebear, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 666 - Evil
Dec 18, 2023
We're up to number 666 Quackcasts so our topic this time is evil! Evil is a complicated subject, we all think we know what it is but we really don't, there are just so many aspects to it so it's very hard to fully encompass. Broadly “evil” can be something very subjective: anything that runs counter to our own well-being as individuals- people, things and situations that do us harm. You can expand that to your property, your family, friends, acquaintances, pets etc. As that definition gets bigger though to encompass your neighbours, street, suburb, city, state, and country it becomes more objective bit by bit, till we come to the idea that “evil” is something that runs counter to human rights, or the existence of life in general, or the right to self determination etc. A more objective view of evil.
Episode 664 - Parody and satire
Dec 4, 2023
We're talking about parody and its evil twin satire. There are good parodies and bad ones but we feel the better parodies are the indirect ones that make fun of and exaggerate the theme or the vibe of something rather that simply doing a direct copy but with jokes; For example, Austin Powers and Kingsmen are indirect parodies of spy films, Blazing saddles is an indirect parody of Westerns, The Princess Bride and Shrek are indirect parodies of fairy tales, Galaxy Quest and the Orville (first season) are indirect parodies of TV SciFi shows etc.
Episode 662 - Drunkduck tales
Nov 20, 2023
Webcomic communities have different cultures, but why and where do they come from? DD's culture is pretty chill, we're reasonably neutral and accepting of a wide range of ideas and perspectives, we're egalitarian to a very high degree, we don't do cliques, we don't exclude, we don't tend to jump on culture wars… We don't like tribalism of partisanship. So why are we like that?
Episode 654 - tropes vs character growth
Sep 25, 2023
Today we're chatting about characters who're mainly based on tropes VS those that grow. You see this difference quite clearly in a lot of British comedy VS American comedy where characters are set up in certain ways, e.g. the nerd, the sassy one, the mature one etc- in British stuff they tend to revert to type, which is their most important trait, while in American stuff they tend to change and grow based on interactions and experiences. There are MANY exceptions though and one way isn't inherently better than the other.
Episode 620 - losers are human too
Jan 30, 2023
My idea was to talk about social pariah characters, people who it's socially acceptable to laugh at, despise, or even hate. They can be the uncool people, the dorks, the dags, the idiots, the overweight, the ugly, the old, the out of touch, the over the hill… On the extreme end they could be monsters and criminals. Generally they're written pretty two dimensionally as a collection of cliches, but when the writing goes beyond that to lend them humanity is when it goes to the next level.
Episode 614 - Super groups!
Dec 19, 2022
Inspired by Banes we did a Quackcast on SUPER TEAMS! You know those groups like the Justice League, the Avengers, the Suicide Squad, or even Monkey, Pigsy, and Sandy from The Journey to the West (Monkey Magic is my fave version). These are super powerful characters on their own but together they're even more awesome because their strengths and weakness complement each other in interesting ways. DD had its very own super team in the form of the Heroes Alliance, where a lot of DD creators got together to work on a shared universe. And back in the 2000s DD had a “Civil War” even with Keen Space (AKA Comic Genesis), where a huge number of our creators and theirs participated in something like a DC Vs Marvel crossover battle.
Episode 585 - Adaptation
May 30, 2022
Adaptations of one thing into another is an interesting process. What's lost, what's gained, what modifications do you have to do to make it happen? As webcomicers we do it all the time in many ways, we have to adapt our influences into ideas, adapt those to stories, and adapt those to images and comics, which isn't trivial! It's often quite difficult to transform the written word into narrative sequential art- what portion of the writing gets directly turned into images, what's cut, and what becomes dialogue? For me about 20% is cut, 78% becomes art and 2% becomes dialogue or captions.
