Jul 15, 2019
We're discussing spin-offs in this one. Why do them? There are many very different reasons for doing a spin-off as opposed to a sequel, prequel or a totally new story:
Topics and Show Notes
- Spin-offs make promotion and marketing of the work easier because it has an existing audience who are invested in its world.
- It gives you as a creator more freedom because you're not as strongly constrained by the existing cannon of the parent stories, unlike sequels etc. and you don't have to do any new world building!
- For big commercial comic publishers it makes it easier to keep their universes fresh and their audiences connected by spinning side characters off into their own stories .
Indeed, because of their long-running nature, the investment involved and the shifting structures of their creative teams there's a VERY strong commercial imperative to keep birthing new stories through spin-offs rather than create totally new ones.
Webcomics have very different pressures so spin-offs are a lot more rare, but they Do happen. Do you know of any webcomic spin-offs?
This week Gunwallace has given us the theme to The Great Khan: Happy, fun, jollity! This one bounces through your door with glee and excitement, happy to see you and wanting no more than a snack and a belly rub! A happy little dance number.
Topics and shownotes
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Android Blues - https://www.theduckwebcomics.com/news/2019/jul/08/featured-comic-android-blues/
The Great Khan - https://www.theduckwebcomics.com/The_Great_Khan/, by Gr8k4an , rated E.
Tantz Aerine's fantasy novel spin-off from her Art of Veiling series:
Becoming a Healer - https://www.amazon.com/gp/product/B00D0UJ8SM/ref=dbs_a_def_rwt_bibl_vppi_i0
Spin of story in Pinky TA - https://www.theduckwebcomics.com/Pinky_TA/5044382/
Epic of Blitzov, spin-off from Putrid Meat - https://www.theduckwebcomics.com/The_Epic_of_Blitzov/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Jun 24, 2019
Just Banes and I for this one! Today we have 3 topics: 1. Being positive and how that really helps us in online communication and social networking, as well as giving a boost to those we talk to- very important in comic communities. 2. How to get more eyes looking at your work. We always need to build our audiences! 3. Updates for drunk duck to modernise the site… We're going to have to raise a lot of money for this! How is the best way?
May 27, 2019
What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from as well as your age and experience… but some obvious things are determined by our physiology: sex sells, but there are slight differences based on gender. I wasn't interested in the “why” (genetic predeterminisim or evolutionary psychology), just the “what”.
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.
Feb 11, 2019
It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.
Nov 19, 2018
This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.
Nov 4, 2018
How many characters is too many? Ensemble casts can be fun and the interaction between characters can be more interesting than the actual plot of a story! But keeping track of characters from the audience point of view or even from the creator's perspective can be hard when you have a lot. Characters can copy each other and just become bad clones or you can forget what some are meant to be doing and create plot holes, audiences can stop caring about some of them or just become really confused. So how do you keep track? I think breaking them into small groups can be one good way to do it… What are some others?
May 21, 2018
In this Quackcast we chat about the categorisation of work by specific genres and how it makes it easier to promote your work to people, while for fans it makes it easier to find what you're into, but it can also be a bad thing when people categorise too specifically and narrow their audience to nothing or just pointlessly confuse the crap out of people. I came to this topic because I saw a post on Facebook which was very badly explaining “Steampunk” and “Dieselpunk” while introducing the two utterly superfluous sub-genre names of “Ray-punk” and Atom-punk“.