Nov 24, 2019
This week we look at the famous quote by respected film director Martin Scorsese that “Marvel movies aren't Cinema” and also the quote by fellow director Francis Ford Coppola that Marvel films are “despicable”. We try and look at the proper context of these remarks outside of the twitter garbage and social media outrage to see if either had any point or whether they're way off the mark and deserving of criticism.
Topics and Show Notes
We've linked to the video where you can hear the full quote from Scorsese in its proper context. It was an industry focused discussion about his latest project “The Irishman” and the challenges involved in getting it produced and promoted. He was asked about the future of movie-making and the platforms for movies and narrative cinematic storytelling. In the conversation, as an aside he mentioned what he thought of as “cinema”: something that is a defined, encapsulated, curated narrative experience is what he seemed to mean, as opposed to a long form TV series where the audience chooses how many episodes they watch at a time (his example), so the experience of the overall story isn't as fully guided by the creator. It was in exactly THIS context that he mentioned Marvel films, thinking of them more as an experience, like a “theme park”- NOT that they are facile and lessor things than a traditional movie, more that it's not really a contained story that's offered but more of an immersive world that you visit. I don't entirely agree but I can see his viewpoint and it's valid.
We are all emotionally connected and invested in the Marvel films so we mistakenly took his remarks too personally and out of context, turning it into a very stupid old vs young argument that it never was. It seems it was in the spirit of this that Francis Ford Coppola waded in and offered his rhetorical firebrand defence to his good friend, using a value judgement and actually calling Marvel films “despicable”. This was again blown up into something huge and headline grabbing. It really was a stupid thing to say, but in the context of defending a friend that was wrongly attacked it becomes more forgiveable, especially since its obviously just rhetoric and not a considered, thought out, personal viewpoint. We can't forget that both men know cinema inside and out and helped create the modern blockbuster film industry of which Marvel is a part. They started out with Lucas and Spielberg. They don't deserve to be ignored, the targets of childish Ad hominems, or casually dismissed because they're not big fans of the same things we are.
We on the Quackcast are huge fans of the Marvel films and all forms of storytelling.
This week Gunwallace has given us the theme to Inner Enemy: Time races ever onward. As the piano keys play note after note, step by inevitable step we move closer and closer to uncovering the mystery at the heart of this world… it teases at the edges like the disturbing, haunting background melodies in this track.
Topics and shownotes
Martin Scorsese quote - https://www.youtube.com/watch?v=fyZcEZsFXkk
Francis Ford Coppola quote - https://www.indiewire.com/2019/10/francis-ford-coppola-marvel-1202183238/
Feint - https://www.theduckwebcomics.com/news/2019/nov/19/featured-comic-feint/
Inner Enemy - https://www.theduckwebcomics.com/Inner_Enemy/, by Sabin, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Sep 2, 2019
How about having it so anyone in your story can die? Let me explain: It's fake. NOT just anyone can die OK? Your main character will still survive until the end and all that, but what you do is set things up so it really truly looks like they're vulnerable and can die, this way it gives the story bigger stakes. If all the other characters are obvious redshirts then who cares? You KNOW the main character or characters will make it to the end so the threat of death or even injury isn't that important… But if you set things up right and have some clever fakeouts then the story will have much more impact!
Jun 17, 2019
This Quackcast is about having political agendas in your work and expressing them well! We're talking about deliberately putting in ideas that you want to get across to people, NOT the idea that all work has agendas and ideas no matter what. That's not relevant to this discussion. When you want to want to get your ideas across there are good ways to do it and poor ways. When you do it poorly your work either has the opposite effect (people will laugh at your agenda or despise it), or it becomes propaganda. Propaganda is for preaching to the converted, it's terrible for changing minds. The only thing it's good for is motivating people who are already on-board with you.
Jun 10, 2019
At the beginning of a story how do you grab and KEEP your readers? This comes from the Friday newspost by Emma Clare. Her advice was pretty brilliant. From my own perspective it's generally characters that grab me first before anything else. Great art and a fantastic cover can hook your eyes, but without a great story or interesting characters there's zero to keep you there.
May 20, 2019
Betrayal is an interesting thing to use in fiction. You can have betrayal of your nation, your organisation, friends, lovers, religion, beliefs, self. In stories it can be used to add a nasty twist or completely change the flow of events and alter the balance of power in a dramatic way! It can be devastating in relationships. The story of Judas betraying Christ for 30 pieces of silver is one of the most famous betrayal stories and became so iconic that the phrase “30 pieces of silver” or just the word “Judas” became synonymous with the act. Of course the inspiration for the best treachery and betrayal comes from real life and the names of the betrayers often echo down through history. IFrom Rome we have Brutus, in the USA the name “Benedict Arnold” has a similar meaning to “Judas”, the 20th century gave us the term “quisling” after the Norwegian political leader Vidkun Quisling who sold his country out to the Nazis.
May 6, 2019
In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.
Apr 15, 2019
The entire gang comes together today for two topics that were taken from recent newsposts: Emma Clare's Positive self promotion, and Tantz Aerine's Handling Controversial Characters. First up we chat about why it's always a great idea to sell yourself positively, NOT be arrogant or douchey, but rather by talking enthusiastically about what you genuinely love about your work and using that REAL and SINCERE enthusiasm to infect others with your love of what you do. Emma was mainly talking about the way you introduce your comics to friends and family but it definitely applies more broadly to self promotion in general: Don't try and get sympathy through self depreciation (oh, it's not very good…), and don't be an arrogant ass (My stuff is AWESOME!), rather you should just be honest about what you love about it (This story was so FUN to write!).
Mar 11, 2019
What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.