Sep 2, 2021
There seemed to be a lull for a while after the 1990s and the massive sequel craze of the 80s, but nowadays we're back in full swing again with sequels, reboots and reinvisioning of film and TV franchises. Banes noticed a distinct pattern of behaviour that occurred around bad or failed franchises: The makers would chose to go against what existing fans liked about the property in the fist place, usually in order to appeal to new fans. When both new fans and old ones dislike what they do, they attack the fans and blame the fans for failure of their version. Then they'll search and find a new franchise to mess up. It's rare that people own up to or admit to failures anymore, it's usually always the fault of the fans for being too “toxic”.
Topics and Show Notes
The 2016 Ghostbusters reboot is a great case in point: a film reboot of a hugely popular and successful franchise staring tried and tested popular comedy actors, it turned into a failure. One popular narrative was that it was caused by “toxic” fans and their sexist online campaigns… while those people certainly did exist, a simple viewing of the movie is enough to see the real reasons it failed: They weren't sure what audience it was intended for. The story and storytelling style, the costumes, the sets, effects, lighting, toy-like props, and many of the jokes were specifically aimed at young children, while many of the situations and most of the other jokes were extremely sexual and adult in nature. So what we got was a young kids movie that wasn't for kids- this means adults watching it feel bored or patronised and groan over the childish humour and the kids that could appreciate that content either aren't allowed to watch it, or if they do they're also bombarded with very problematic and gross adult sex jokes: none of this was the fault of the fans.
Compare that to the original 2 films:
They were never intended for a very young audience. Nothing in them was aimed at young children. These were bawdy, young adult comedy fantasy “horror” films. In keeping with the context of the time they had adult humour disguised with double entendres, or hidden with tropes and metaphor. They gained a following from young audiences anyway because the adult content was subtle enough to pass, and the story and style was broad enough that it didn't need to be dumbed down to be understood by younger audiences, in this way they appealed equally to all ages.
This week Gunwallace has given us a theme to Phantasos: Hot, dry desert. Orange sun. warm winds blowing. Shimmering mirages…. Electric arabesque. This is a gloriously distorted riff filled trip into an exotic world of sand and dunes, with beautiful minarets rising out of the distance, sparkling in the harsh light.
Topics and shownotes
Bane's franchise fail newspost - https://www.theduckwebcomics.com/news/2021/aug/18/franchise-follies/
Follower - https://www.theduckwebcomics.com/news/2021/aug/31/featured-comic-follower/
Phantasos - https://www.theduckwebcomics.com/Phantasos/ - by Phantasos by Jslongstreet, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
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Apr 12, 2021
Mary Sues are always a fun topic! There are some misconceptions about them though… Mary Sues aren't all female, they can be any gender. Being super powerful or super popular or super pretty etc doesn't equal a Mary Sue, not even if your character super stands out next to all the others, those things ONLY indicate they might possibly be one. What equals a Mary Sue is a character that doesn't have to struggle very hard for anything, a character that is almost universally admired, and or loved (even by the enemy), a character that masters hard skills with ease and ends up teaching the teachers and beating the masters, a character that's destined to succeed and does in spite of internal story logic… All these things and more can add up to make a Mary Sue.
Aug 24, 2020
First up… HAPPY BIRTHDAY TO TANTZ! This Quackcast is about the topic of whether it's right to change an established character just to fit with the ideas and styles of a new creator or change them in accordance with an idea or political position you want to explore, OR should you instead create a whole new character or story to do that with? Bane's newspost gave the example of the ersatz justice league created for The Boys, where Homelander =/= Superman. The series was made to look at the dark side of superheros, but it doesn't ruin established and much loved heroes to do that…
Jul 26, 2020
It's just Banes, Tantz and me today, chatting about the important topic of continuity! How do you maintain it, what continuity errors have you made, what continuity errors have you noticed in media? What's the difference between character continuity, story continuity and chronological continuity? - Something you notice when you watch or read a series in chronological order that was were NOT produced or meant to be viewed that way.
Feb 23, 2020
The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as.
Jan 20, 2020
Today we have a special guest! Jessica Schab. Jessica works for Mainframe entertainment in Canada, one of THE premier digital animation companies! Before things like Pixar they were THE CGI animation people! Behind the Video for Dire Straights' Money for Nothing video back in the 80s, Transformers Beastwars, Octonaughts, Babrie, and my personal fave: Reboot!
Oct 21, 2019
As promised we dive right into the second half of the Star Wars chat! We cover all the Star Wars stuff besides the original trilogy and the new trilogy. There's a lot to cover and we only touch on most on it: Solo, the Star Wars Christmas special, Droids, the Ewok films, Clone Wars, the games, the books, comics, Solo, Rogue One…
Jun 17, 2019
This Quackcast is about having political agendas in your work and expressing them well! We're talking about deliberately putting in ideas that you want to get across to people, NOT the idea that all work has agendas and ideas no matter what. That's not relevant to this discussion. When you want to want to get your ideas across there are good ways to do it and poor ways. When you do it poorly your work either has the opposite effect (people will laugh at your agenda or despise it), or it becomes propaganda. Propaganda is for preaching to the converted, it's terrible for changing minds. The only thing it's good for is motivating people who are already on-board with you.