Oct 28, 2019
Tantz is dressed fabulously as a queen and I'm a skull faced monstrosity… I'm also wearing a costume, hahaha! Which you can see in our Patreon video ;) Queen Tantz Bathory and prince of horror Banes join me to talk about Horror movie franchises, what makes them work and what doesn't- as franchises rather than just a stand alone movie. The problems facing a movie series about horror are different from other genres and focus more on formula than just characters the way they do in most other types of film so it's an interesting discussion.
Topics and Show Notes
When doing a horror franchise like Halloween, The conjuring, Killer Clowns from Outerspace, Friday the 13th, or Child's Play for example, do you keep repeating the formula over and over like Friday the 13th? Do you go deeper into the monster lore like Hell Raiser? Do you mix up the format or make the sequels a completely different kind of film like Army of Darkness in the Evil Dead franchise? Or even simply just change the abilities of the monsters like in Tremors? There are a limited bunch of choices you can make in horror because people don't really care too much about character development in the genre, what they want out of it are scares and visceral reactions to the on screen action. They can't become too attached to characters or it's no fun when they die and they can't learn too much about the monster lore or the monster loses its scariness.
This week Gunwallace has given us the theme to The True Face… Tumbling, bouncing jollity, skipping ahead this tune flows like a crystal clear stream over coloured stones, winding its way past vivid viridian grass banks, joining other brooks and rills, till they all come together to disperse into the vastness of the ocean!
Topics and shownotes
Risk it for a Biscuit - https://www.theduckwebcomics.com/news/2019/oct/22/featured-comic-risk-it-for-a-biscuit/
The True Face - https://www.theduckwebcomics.com/The_True_Face/, by Marcorossi, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Feb 11, 2019
It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.
Dec 23, 2018
Merry Christmas one and all! And all that stuff. This year our release date falls exactly on the 25th! It was a busy year for us, lots happened. But in this Quackcast what we chat about is something rather different: the difference between pros and amateurs, specifically when it comes to comics. There's this common misconception that an amateur is a novice that will produce work of a lower quality, while a professional is an experienced person who knows what they're doing and will always produce things of the highest quality… The REAL story is more complex than that.
Jan 11, 2016
Doing stories that start with the climax, then flash back, tell what happened to get there: the old narrative style of switching the first few chapters around to make a more interesting story. Sometimes it works GREAT because it throws you right into the middle of things and you have to work your way back to that point… It works very nicely in The Hangover for example! Often it's used very badly- in anime particularly, where they use it for foreshadowing and a tease to try and get you interested in the rest of the story- but anime story structure is so formulaic that all it really does is give you a cheap spoiler. Other times it doesn't work well is when the writer isn't very good so the viewer loses their way in the plot… If the writer is GOOD though you end up with Pulp Fiction. You'll love Gunwallace's theme here- a super funky jazz track for the comic Nothing Important Happened Today. Enjoy!
Aug 24, 2015
Here we go again, back to formulas! This time we got some external input. Fellow DDers had a say about their idea about the utility of formulas and how they use them in their writing and comics. It's important to understand formulas in writing so you know what works and why it works, it can help you in your own work. And when you need to and you've got the ability you can create your OWN writing formula. But remember: the formula is just the bare skeleton, you have to add all the meat and flesh to it with the rest of your writing, don't let the bones show through! Listen to Gunwallace's beautiful theme for Brave New World! Oh, and one last thing… HAPPY BIRTHDAY TANTZ AERINE!!!!
Aug 3, 2015
We've talked about formulas before, but mostly in the context of escaping formulas and reinventing them. NOW however we're talking about using existing formulas to create a story, or creating new formulas and sticking to them to come up with your stories. Formulas can be a good tool to write with, along with their close sibling “the trope” they take elements that are proven to work and stick them on a solid framework for you to more easily create your story around. All you need to do is plug in your characters and situation and see how it all fits. Formulas are comfortable for people and make it easier for a writer to structure their story faster AND in a way they know should appeal to people. Enjoy Gunwallace's lovely theme for Rismo!