Episode 645 - AI-cast
Jul 24, 2023
We're chatting about the current state of AI, it's use, abuse, and the moronic way it's typically being utalised by mid-level businesses to screw over creative people and save money in the short term.
Topics and Show Notes
“AI” is the current big thing on the market, specifically “generative” AI that's been illegally trained on copyrighted datasets like chat GTP, Mid-Journey, Stable-Diffusion and more. This sort of AI could be extremely useful IF used in the correct ways: things like sifting through masses of data to filter results in crucial and important ways, instead it's being criminally abused by completely untalented, uncreative, pathetic, greedy losers with nothing more than a business degree, to steal work from their creative superiors and produce mindless pablum in the form of copy-editing, scripts, illustrations and more. And that's just scratching the surface.
The biggest problem with the technology is that it can't actually create and it can't understand what it produces. It simply gives you a remix of existing data as an image, script, sound-file, or video. A moron might tell you that people do this as well, but they'd be completely wrong. The way humans create is far more complex and is never simply based on things that match a theme like it is with AI, but on things we actively WANT to represent. We have layers of intention, reasons, justifications, and even things like cultural background having a strong influence behind the sources we draw on. AI is the direct opposite of this as much as it's possible to be, there IS zero intent behind any of it, it's totally and absolutely mindless. The closest it gets is the human “prompter”, and their contribution is utterly laughable because the “prompts” are so limited, basic and stylised compared to the vastness of actual creative influence and skill.
What this means is that the “creative” possibility of AI is extremely limited since it HAS to draw on real creative work in order to fake its own. If it comes to dominate the market it will kill off genuine human creatives and then it won't have any new sources to steal from, which will be its downfall because it will be forced to draw from the crap it produces itself and we will get degenerated copies of copies of copies.
We're already seeing all sorts of interesting a terrible abuses. Production companies want to be able to digitise actors images and voices in order to keep them working forever but not have to pay them. They're doing the same with scripts from certain authors. This will kill off creative jobs, but it will also harm ALL of us as viewers. The harm this cheap, commerce driven garbage can do to culture is immeasurable and could be generational. There really need to be laws in place to govern the abuses of “generative” AI.
An idiot might say “the cat's out of the bag now, we can't go back”, but they'd be wrong and stupid: society always has the ability to correct for abuses. This is why we haven't had the use of a nuclear weapon in anger since 1945, people can't just use full auto machine guns willy-nilly whenever they feel like it, people aren't walking around nude in the cities and having sex where they feel like it, and you can't just steal what you want. When the internet became popular in the later half of the 90s, illegal downloading of music, movies and software was universal and endemic, but now none of that is a big issue anymore. The “cat” is never irreversibly “out of the bag”.
You can tell what side I'm on :)
This week Gunwallace has given us a theme inspired by Domestic HellLand - Full of optimism and hope! Great things are jusssst around the corner. Life is amazing and wonderful things are about to happen. This is a very positive sounding piece, it’s all synth, piano and electric guitar. It’s full of happiness and light.
Topics and shownotes
Future cast: TRON and TRON 2
Links
Featured comic:
Eco Crew - https://www.theduckwebcomics.com/news/2023/jul/18/featured-comic-eco-crew/
Featured music:
Domestic HellLand - https://www.theduckwebcomics.com/Domestic_HellLand/ - by SheepSheket, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 373 - Stupid millennials, greedy baby-boomers and lazy Gen Xers!
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Episode 285 - Ride the wave of the Anti-heroes
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!