Jul 16, 2018
The idea for this Quackcast came from a rant by the irascible PitFace. She was talking about how there's a trend in modern SciFi and horror movies to bash you over the head with constant action and it doesn't allow you time to relax and take in the story, you're just bounced from one relentless scene to the next. In the biggest classics of the genre like Alien, Ghost in the Shell (animated 90's version) or Blade Runner they DO allow the viewer slow moments of reflection and it helps to make the action feel more intense by contrast as well as allowing the viewer time to assimilate and understand all the ideas and themes they've been presented with so far.
Topics and Show Notes
This applies to comics of course! We call it a “decompressed” storyline. Banes asserts that's a negative term but I see it as neutral, “slow burn” is another term (The more compressed a story is the faster the action happens). If you take things too far and extend out your “slow moments” then you'll just make your audience bored as they wait around for something to happen, so be careful of that! Don't drown them in action, but don't bore them to tears either.
One of my favourite things about slow moments in films and comics is that it allows you to look down side-paths and to get to know the characters and their world a bit better, which helps with immersion (suspension of disbelief). In a lot of TV and movie DVD commentaries you'll hear directors talk about how they cut out this or that scene because it didn't help “advance the plot” while you as a viewer internally scream because you realise that it would have filled out the story so much better and help you understand the characters more.
Basically, a story should NOT always be beholden to the plot as the main driving force. Characters are what people generally fall in love with, this is especially important with long form webcomics! Don't be afraid of having slow moments.
Gunwallace gave us a lovely theme to Stop Watchers. It’s tiiiime to go! No time to great ready, just head straight for the door, you’ve dilly-dallied around enough already. It’s down to the crunch now. Get going. Now, now, now, now NOW!!!
Topics and shownotes
Children Of The Gods - https://www.theduckwebcomics.com/news/2018/jul/10/featured-comic-children-of-the-gods/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - http://www.theduckwebcomics.com/user/Banes/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
Stop Watchers - https://www.theduckwebcomics.com/Stop_Watchers/, by StopWatchers, rated E.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Mar 5, 2018
All the planning and set up in the world will never count for anything if you never start your webcomic, so just put your own to paper and begin! “Getting started on a webcomic” is what we chat about here. I was inspired by PitFace's newspost about a crappy horror film and how the creators just went for it. As a webcomicer that is what you HAVE to do! You can plan, research and gather resources for years, but the reality is that it just makes you more and more scared to take the plunge. You'll develop a LOT faster as a webcomicer if you throw caution to the wind and go for it. I'm not saying that research and planning are uneeded, it's just that most if it can be done while you're actually working. Do not worry about putting out a perfect piece of genius work from the getgo- your comic WILL get there regardless if you're dedicated and put the work in AS you work, but the first few pages or chapters don't have to be there. Your audience will appreciate the chance to grow with you a lot more than if you put out a polished gem to begin with. Starting out at a place like Drunk Duck is your best bet. It's a nurturing, easy to use, creator run platform, focussed around promoting webcomics. So what are you waiting for? This week Gunwallace has given us the theme to Flesh and Wires: Dirty and distorted electric guitar and determined fuzzy bass, weaving together over a haunting synthesized Melodica. Portentous and evocative, this music tells a story in it’s own runtime! The main riff reminds me a little of my fave part for We don’t Need Another Hero from Tina Turner.
Feb 19, 2018
In this Quackcast we chat about all the different options for hosting your webcomic. At the moment it seems the fashionable new young kiddies on the block are Webtoons and Tapastic, but they're certainly NOT the only choices for webcomic hosts out there and certainly not the best choices. I think we make a good case here for why Drunk Duck is a better choice in many ways, but we also bring up other host sites like twitter, comic fury, comic Genesis (used to be Keenspace), Tumblr, Deviant Art, Smack Jeeves, Fur Affinity, self hosting on a Word Press site etc. In the early days of the millennium there were just two hosts for your comic: Drunk Duck and Keenspace. Drunk Duck was a better choice for most since it was a lot easier to customise and it had a friendlier, smaller community. Keenspace had a two tier system: the picked comics with all the best stuff were in their “keenspot” site while the rabble were stuck with the slower hosting and slower updates. The main thing they had going was a gigantic member base. But they even changed the site's name from “keenspace” to “comic genesis” to further separate KeenSpot from the rabble, which left a sour taste in the mouth. By contrast Drunk Duck was always dedicated to being fully egalitarian. One of our main strengths is that we accept all without stigma: manga, furry, adult comic, sprites, American style, superhero, slice of life comedy, photocomics, professional published comics or stick figure amateur work and we welcome them all the same with the same level of enthusiasm. The big young Webtoons and Tapastic have some of the same issues Keenspace used to have: a big community where you will be lost in the crowd. And no site has as solid and safe programming and hosting as Drunk Duck does. Plus we're community run so you're same from corporate oversight and interference in the content you're allowed to post. You can read more about comic hosting sites in Emma Clare's news posts linked bellow. This week Gunwallace has given us the theme to Odd Days. Sometimes you just have one of those days… or many of them in a row! Odd days. The sound here has a positive, optimistic theme overlayed with a harsh zigzag of electric guitar. This tune does well to illustrate the twisted euni, the off-balance and askew takes on everyday life and situations dealt with in this slice of life, humorous comic.
Jan 7, 2018
READERS are a massive part of Drunk Duck! Actually readers are a huge part of ANY comic. But Drunk Duck tends to focus far more on creators than perhaps we should… This idea was inspired by a newspost of Tantz's. We talk about ways to make DD more accessible to readers, including highlighting comics in similar genres and guest representatives giving us recommendation lists of comics they like from a genre so we can promote them on the front page. Emma_Clare has done some GREAT mockups for a redesign of DD and in those is an example of the DD front page where we highlight comics by genre! We chat about comic listing sites like Comic Rocket, Top Webcomics and the brand new Archive Binge, along with other various topics like who are the best hosts for adult comics, cross promotion etc. This week Gunwallce has given us the theme to Blood and water: Cool, quiet, and creepy. This one will have you on edge from start to finish. There’s an undertone of cool nonchalance that’s surprisingly at odds with the on-edge feel! Please donate to our our Indiegogo drive to raise many for the latest improvement to DD: Comment notifications! We know that everyone wants those.
Oct 30, 2017
It caaaammmmme from outerspace… An unimaginably gigantic multi-tentacled green horror, Banes'thulu'Ary'lth! We only caught a glimpse of his heaving, slimy, scaled bulk but our minds couldn't fully comprehend what we saw and we were all driven insane! In this Halloween Quackcast we discuss Bane's newspost subject of Thursday: Existential cosmic horror! We also Made a Halloween Quackcast VIDEO - https://youtu.be/TvIGQqCbRAk, so check that out and see Tantz dressed as a beautiful black widow, me as a black clad gravedigger, Banes as a hellhound and Pitface as the invisible ghostgirl! We talk about the stories of HP Lovecraft, biblical horror in Revelations, The Path by James Riot, the stories and the writing of Guy de Maupassant. This week Gunwallce has given us the theme to The Sunless Children: Flute, violins, and kettle drum stitching together a complex tapestry of melody, weaving a fantastical visual saga though music alone, leading us down an exciting and dark path… till the climax in a clash of bright silver cymbals!
Sep 11, 2017
Tantz Aerine did a great newspost the other day about how the clothing of comic characters can be used to communicate information and emotions just as much as any other element in your comic making arsenal. And that's what we discuss in this Quackcast! Clothing can communicate state of mind, occupation, status, personality, era, class and a host of other things. Have a listen to our Quackcast to learn more! Gunwallace's theme this week was for RUNRUN - a symphony of urgent electronica. This track wants to get you moving in a linear fashion, faster and faster, rhythmic and regular like the pace of a runner. Run into a bright, white high tech future with RUNRUN!
Aug 28, 2017
This week we interview the artist and creator of the comic Kings Club, AmeliaP! Her comic was featured and Gunwallace also gave it a theme tune that was featured in Quackcast 335. AmeliaP is a talented professional comic creator and game designer. We couldn't interview her directly because she's not confident enough in her spoken English, so what we've done instead is read out a written interview that I did with her especially for this Quackcast. Amelia has some surprising and valuable insights for comic creators. You can read the full text of her interview bellow. Gunwallace's theme for the week was for Abejitas - This tune bounces in like a wild thing, spinning and buzzing crazily, full of black striped yellow techno sweet honey madness and rapid wingbeats of energy, this will sting you into full awareness!