Jan 30, 2023
My idea was to talk about social pariah characters, people who it's socially acceptable to laugh at, despise, or even hate. They can be the uncool people, the dorks, the dags, the idiots, the overweight, the ugly, the old, the out of touch, the over the hill… On the extreme end they could be monsters and criminals. Generally they're written pretty two dimensionally as a collection of cliches, but when the writing goes beyond that to lend them humanity is when it goes to the next level.
Topics and Show Notes
I'm not talking about underdogs or members of minority groups because people should already know better than to write them as stereotypes or to laugh at them for being what they are. I'm not talking about “punching up” or “down” or sideways either.
A good example would be one of those Mansplaining “M'Lady” characters: a fat, young white guy with a thin goatee beard, in a black stingy brim fedora hat and black trench coat, worn over a t-shirt and cargo shorts. It's socially acceptable to universally despise that person, and it can even feel good to have someone like that who everyone is allowed to laugh at. Other examples are the Boomer, the Karen, the angry vegan woman, nerds, pervs, trainspotters, Furries, Bronies, and Treckies.
My conjecture is that an ordinary or bad writer just uses them as is and leverages the popular social derision surrounding them for humour. While a really good writer goes beyond the cliches and gives the character some humanity. Dwight in the US version of The Office started out as a character we loved to hate, but as the show wore on and he gained more humanity he became an immeasurably better character. King of the Hill is a show entirely dedicated to the sort of people pop-culture gives us permission to mock and deride and yet it shows us their vulnerabilities which makes them so much better than the characters in Family Guy who are similarly despised people but with no other dimension.
One of the main faults of the second Knives Out movie, Glass Onion, is that the characters are mostly all built around cliches we're supposed to despise, and they don't go beyond that. I liked the film but it wasn't as clever it thought it should be.
By all means start off with a boomer, Karen, angry vegan lady or a Mainsplainer, pick the low hanging fruit jokes, get all the easy laughs, but then turn things on their head. Go deeper. Show them as more than a simple cliches, more than a cutout! That will enhance your story supremely, make your characters more interesting, the drama more effective and your jokes funner.
This week Gunwallace has given us the theme to Prince of the Moonlight Stone - Mysterious sounds of the cold, snowy, moonlit, pine-forest… Percussion heats up and leads us down into the steaming jungles in the valleys below, away from the cry of the wolf and the savage bite of the cold mountain winds.
Topics and shownotes
Explorer Chronicles - https://www.theduckwebcomics.com/news/2023/jan/24/featured-comic-explorer-chronicles/
Prince of the Moonlight Stone - - https://www.theduckwebcomics.com/_Prince_of_the_Moonlight_Stone/ - by KillerSandy, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
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Nov 14, 2022
So how do you like comedy that makes you cringe? You know that really awkward humour where you feel embarrassed for those involved and almost in physical pain for them? You feel really bad for them… It could be cruel pranks, or jokes based on lies or misunderstandings that are just carried way too far. Personally I find them hard to take. It CAN be great like in the original version of The Office, but even that was REALLY hard to watch at times. This week Gunwallace has given us the theme to Stick Figure Apocalypse - Relaxing, cool funk groove that cruises along dreamily, hitting turbulent waters hallway through, with a wildly discordant patch of sonic confusion, startling us out of our revere, before slipping back into the same quiet groove again and fading to silence.
Sep 5, 2022
Source material is something that we can love and respect, but it's just as often disregarded, degenerated, and denigrated, especially these days where it seems like everything you see is an adaptation or even an adaptation OF an adaptation or worse. I think it's important to go back to the sources so you can see what was truly great about the original to begin with. It can help you see what was lost in the adaptations and to discover new and important meanings and ideas that you never would have guessed at.
Oct 18, 2021
I was reading an article the other day about the comedy of Sacha Baron Cohen and how that style of comedy is now out of date, along with The Hangover and Hot Tub Time Machine. The idea is that the day for this sort of masculine, bawdy, sleazy humour has been and gone and that we're more advanced, sophisticated and enlightened now. Personally I took issue with this, I think this style of comedy is extremely relatable and eternal because of it. You can see examples of it going back thousands of years across all cultures because many factors of it are universal to the human cultural experience.
Sep 2, 2021
There seemed to be a lull for a while after the 1990s and the massive sequel craze of the 80s, but nowadays we're back in full swing again with sequels, reboots and reinvisioning of film and TV franchises. Banes noticed a distinct pattern of behaviour that occurred around bad or failed franchises: The makers would chose to go against what existing fans liked about the property in the fist place, usually in order to appeal to new fans. When both new fans and old ones dislike what they do, they attack the fans and blame the fans for failure of their version. Then they'll search and find a new franchise to mess up. It's rare that people own up to or admit to failures anymore, it's usually always the fault of the fans for being too “toxic”.
Aug 22, 2016
Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!
Aug 8, 2016
Dialogue is a key part of any comic, it pushes the story along, keys the reader in on things that would be otherwise ambiguous, hints and foreshadows at future happenings, creates humour… well, it's just a big part of comics, that's all! And that's what we're chatting about here in this Quackcast! The topic stems from a forum thread I posted a while ago asking people about their approach to creating dialogue and how people go about it; is it heavily scripted in advance or is it one of the last things you come up with? People had some very interesting responses! Gunwallace's musical theme was Magical Misfits. The sound is magical, classical, threatening, yet full of adventure! Love those creeping cellos, the violin and clarinet sound like a humorous dialogue between the wittier members of the party.
Apr 18, 2016
In Quackcast 266 we interviewed the mad Mr Banes… We turned a giant battleship spotlight around and shone it directly into his eyes and bombarded him with high explosive armour piercing questions until he eventually failed under the onslaught, keeled over and sunk down into the depths, drowning all his brave seamen… Wait a minute, Banes isn't a ship, I got carried away with my metaphors. Anyway, that was then and this is now! THIS time we turned it over the the community instead (Pitface's idea), and they asked him all crazy insane questions. Banes answered with good humour like the amazing guy he really is :) Gunwallace gave us an amazingly cool 1980s videogame and metal themed turn for Satan Ninja 198X!