Mar 14, 2021
Today we chat about the disappearance of another Drunkducker. This fellow was a politician in his daily life and a furry in his downtime. On DD he was the author of the adult furry comic Tina's story, an exceptionally well written slice of life comedy comic with adult elements, staring an anthro poodle lady and her human partner. This man had his online activity taken and used to destroy his political career. The comic which was his passion was used as ammunition to ruin him. We chat about this in our Quackcast! In light of what happened to Gina Carano for her silly words this is interesting.
Topics and Show Notes
This week Gunwallace has given us the theme to Stickman And Cube - Slow, simple. Lo-Fi, like a careful stepping dance between two partners, competing with their moves. First one has a go, then the other, then they start complimenting each other’s movements with their own and eventually dancing together in a single unified performance.
Topics and shownotes
Tina's Story and Grey Muzzle - https://www.theduckwebcomics.com/forum/topic/178628/
Councilman Gray Muzzle - https://medium.com/@isaacforn/councilman-gray-muzzle-42fd2285401f
Shu’Halo: The Balance Overture - https://www.theduckwebcomics.com/news/2021/mar/09/featured-comic-shuhalo-the-balance-overture/
Stickman And Cube - https://www.theduckwebcomics.com/Stickman_and_Cube/ - by Pieguy259, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Sep 7, 2020
Fanfiction is a massive subject, there are so many aspects to it, from the bad stuff with the Mary Sues, rampant shipping, author inserts and wish fulfilment etc to homages and great works that extend the story and characters beyond what they were in the original and add interesting and fun aspects to fan favourites. There are many good reasons to do fanfiction: It's fun, you're inspired and want to use that inspiration, all the characteristics of the story are readymade so you don't have to do world building or character development, the work has a built in audience so you're going to have readers no matter what and hopefully some feedback, it can help make you more popular as a creator because of the fans of the original work, and you get to experiment because you can't sell the work or do anything serious with it so you may as well have fun and enjoy it!
Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.
Mar 1, 2020
The nature of online communities and making connections with people you meet in them is quite different from what happens with “social media”. The connections are deeper and longer lasting while social media is more about communication, staying in contact, and finding out what's popular at the time rather than sharing creations and forming strong bonds.
Jun 24, 2019
Just Banes and I for this one! Today we have 3 topics: 1. Being positive and how that really helps us in online communication and social networking, as well as giving a boost to those we talk to- very important in comic communities. 2. How to get more eyes looking at your work. We always need to build our audiences! 3. Updates for drunk duck to modernise the site… We're going to have to raise a lot of money for this! How is the best way?
Nov 12, 2018
In this Quackcast DD members tell us about their history with us as well as the pros and cons of webcomicing. This is the 400th episode of the Quackcast! That means we've been doing these for over 8 years now. That's quite a milestone for a podcast. We have JustNoPoint over to help us out, he's a Patron at the $20 “Royal” level so he gets a few perks. JustNoPoint has been with us since 2006 with his comic The Devon Legacy. He managed the awards for many years and was crucial to us getting the site back online when we had our hard crash in August of 2013 that destroyed the site so thoroughly that it had to be rebuilt, a job which took us all TWO months!
Jul 23, 2018
You may have read about how a conspiracy theorist dug up some 10 year old tweeted jokes by director James Gunn and got him fired from Disney… Well that incident inspired this Quackcast, which is a re-take on the whole personal brand idea that we discussed in Quackcast 289.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!