Jul 15, 2019
We're discussing spin-offs in this one. Why do them? There are many very different reasons for doing a spin-off as opposed to a sequel, prequel or a totally new story:
Topics and Show Notes
- Spin-offs make promotion and marketing of the work easier because it has an existing audience who are invested in its world.
- It gives you as a creator more freedom because you're not as strongly constrained by the existing cannon of the parent stories, unlike sequels etc. and you don't have to do any new world building!
- For big commercial comic publishers it makes it easier to keep their universes fresh and their audiences connected by spinning side characters off into their own stories .
Indeed, because of their long-running nature, the investment involved and the shifting structures of their creative teams there's a VERY strong commercial imperative to keep birthing new stories through spin-offs rather than create totally new ones.
Webcomics have very different pressures so spin-offs are a lot more rare, but they Do happen. Do you know of any webcomic spin-offs?
This week Gunwallace has given us the theme to The Great Khan: Happy, fun, jollity! This one bounces through your door with glee and excitement, happy to see you and wanting no more than a snack and a belly rub! A happy little dance number.
Topics and shownotes
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Android Blues - https://www.theduckwebcomics.com/news/2019/jul/08/featured-comic-android-blues/
The Great Khan - https://www.theduckwebcomics.com/The_Great_Khan/, by Gr8k4an , rated E.
Tantz Aerine's fantasy novel spin-off from her Art of Veiling series:
Becoming a Healer - https://www.amazon.com/gp/product/B00D0UJ8SM/ref=dbs_a_def_rwt_bibl_vppi_i0
Spin of story in Pinky TA - https://www.theduckwebcomics.com/Pinky_TA/5044382/
Epic of Blitzov, spin-off from Putrid Meat - https://www.theduckwebcomics.com/The_Epic_of_Blitzov/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
May 20, 2019
Betrayal is an interesting thing to use in fiction. You can have betrayal of your nation, your organisation, friends, lovers, religion, beliefs, self. In stories it can be used to add a nasty twist or completely change the flow of events and alter the balance of power in a dramatic way! It can be devastating in relationships. The story of Judas betraying Christ for 30 pieces of silver is one of the most famous betrayal stories and became so iconic that the phrase “30 pieces of silver” or just the word “Judas” became synonymous with the act. Of course the inspiration for the best treachery and betrayal comes from real life and the names of the betrayers often echo down through history. IFrom Rome we have Brutus, in the USA the name “Benedict Arnold” has a similar meaning to “Judas”, the 20th century gave us the term “quisling” after the Norwegian political leader Vidkun Quisling who sold his country out to the Nazis.
Apr 29, 2019
On one side we have creators of content and on the other we have the consumers. The consumers number in their billions and they're voraciously hungry for constant stimulation! Pretty much all creators are consumers too… So why don't they want the beautifully made, clever, spicy, artisanal dish you're selling? Why do they prefer the nice, bland, familiar mass-market high in fat, sugar and salt fast-food of the mainstream instead?
Mar 4, 2019
The entire team is here this time, no one was cut… So we're chatting about CUTTING, as in cutting out scenes to make a story cleaner, leaner and less flabby, but also NOT cutting because in a webcomic you don't have to, and when you cut badly you end up with a “D movie” effect where story scenes don't follow, don't make sense and plots seem to go nowhere or happen for no reason.
Feb 11, 2019
It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.
May 28, 2018
kawaiidaigakusei makes a return to the Quackcast! Together with the crew we chat about some of our favourite comic making tutorials on DD. Yes, there IS a tutorials section on the site and people have created some amazing and clever tutes on how to both write and draw better when making your comics. There are some cool instructions on how to make better pages, write scripts, do rain effects, all sorts of shortcuts and clever tit-bits of info to have you creating like a pro. This week Gunwallace has given us the theme to Potato and Kraut. Feel the gigantic weight this music layers onto your shoulders. A synthesised torrent of gravity, followed by the heavy, deep notes of a piano dropping on top of you like frozen slabs. The torrent slowly eases, brings light and relief, then fades away.
Dec 11, 2017
n this Quackcast we cover a few different things! FIRST up is our latest campaign to give YOU comment and reply notifications so that you can see who has commented on your comic pages easily, you can respond to them right away, then they'll KNOW you replied and they can respond back and so on. But before we can do that we need to raise money via Indiegogo to pay for it. YOU will be helping to pay for a feature that you want. That's how the site works these days, it's our site: yours and mine. In the next part of the Quackcast we have a series of short plays that we act out. They're based on comics here at DD. We start out with custom scripts written by Tantz Aerine for Without Moonlight and Brave Resistance. And then we have a go interpreting comic pages of The Epic of Blitzov, Bottomless Waitress, Typical Strange, and Pinky TA. Which brings us to our next thing: One of the perks you can pay for to help us out with our campaign will be a custom script based on your comic. WE will write it and act it out. YOU don't have to do anything but donate. Finally we have a note from KAM that we read out, informing us of the experience of adapting his comic into a script structure and we talk about that ourselves. If you'd like to write a script for us to act out on the Quackcast, just PQ me and I'll tell you where to send it. :) This week Gunwallce has given us the theme to Bram and Vlad: Welcome to the mysterious, echoing notes of a celestial funhouse. Then settle down to a demonic, yet friendly game of cards accompanied by a jaunty, yet cheeky tune on the piano!
May 1, 2017
We titled this one “Cafecast” on the suggestion of Pitface! Instead of chatting about a subject, we took ourselves off to a metaphorical cafe and all started drawing, working on sketches, our latest comic pages, and chatting as we did. We're all comic artists after all and we talk about doing comic all the time, it's only fair that we actually WORK on them from time to time! Gotta “walk the walk”, not just “talk the talk”. We were also inspired by the video Pitface made of herself drawing her latest page of Putrid Meat for the 10th anniversary (vid linked in the notes). Watch it while you listen to this! So this is just a nice, informal chat from us as we draw. Next week we'll get back to more structured stuff when banes and I talk about how to do comedy and how to make comedic characters in comics. The music for this week by Gunwallace is for Half Hearted Headache. The theme fits very well with the comic title! It brings to mind a desolate wasteland in a post apocalyptic techno future, haunted by cyborgs and the hulks of burnt out military battle robots… Which is not what the comic is about but that’s what it paints for me: Jean Michel Jarre, meets knight Rider!