Oct 26, 2020
What is the most definitive version of your character? Where does it pop up in your comic? What part of your work most defines your main character and why? What about TV, movie, comic, and story characters?
Topics and Show Notes
For example, Pinky from my OWN comic, Pinky TA, is best characterised by her version in Chapter 6. Looks-wise the prime Pinky is the original from the first couple of pages of Chapter 1, but the version in Chapter 6 is best defined in her thinking and attitude due to her direct interactions with other characters.
One of my fave characters in the media is Major Motoko Kusanagi from Ghost in the Shell, her first debut was her manga and then the excellent 1990s movie… but personally I feel the definitive version of her is in the TV series Stand Alone Complex. That best defined her look, taking the best from the manga and the film, as well as defining her as a thinking and feeling character and the leader of her team within section 9. If someone were to ask me how to get into Ghost in the Shell I'd direct them right to that series.
And THAT is what we're taking about in this Quackcast. :)
Please share your own prime versions of your characters or ones from TV and other sources.
The musical feature this week that Gunwallace has given us is theme to Small Gods. It's classical, melenholly and stately. The cello sings us in and the rhythm guides us. The music layers and builds upon itself, crafting a stately pile. Hints of chaos flash through as the theme continues… then all of a sudden it comes crashing down with a clash of cymbals!
Topics and shownotes
Tantz's newspost on cultural appropriation and Mulan - https://www.theduckwebcomics.com/news/2020/sep/25/cultural-significance/
How Blade Got His Name - https://www.theduckwebcomics.com/news/2020/oct/20/featured-comic-how-blade-got-his-name/
Small Gods - https://www.theduckwebcomics.com/Small_Gods/, by Boy Phaff, rated T.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Oct 12, 2020
Finally we got to the five hundredth Quackcast! Wow! That's so many. We've been doing these for 10 years now. That's a long running podcast! To celebrate we invited our DD members aboard. We had a great fun time, lots of laughs and a really good chat. We even had time to introduce special cotributions from the people who couldn't be live with us. I'm making our exclusive patreon video of this week's cast free for all to view! Just click on the youtube link bellow.
Oct 5, 2020
What is the worth of human life in your stories? This isn't something people often consider, we just tend to have a fairly accurate guess based on our experience of the real world, but sometimes stories get it really wrong and that can harm suspension of disbelief.
Sep 28, 2020
This week we're talking about cultural appropriation, cultural adaption and adoption, also stereotypes and all sorts of related stuff. It was inspired by a newspost from Tantz discussing the recent live action Mulan movie by Disney. Cultural appropriation is when you take an aspect that is sacred or important to one culture and own it yourself: decontextualising it, stripping it off it's meaning, making a cartoon version of it, commodifying it, commercialising or cheapening it in some other way.
Sep 21, 2020
Today we're talking about the idea that entertainment aimed at kids can only be enjoyed by kids and the reason that adults often don't like kids things is because adults just don't “get” them. I contend that everyone, of all ages should be able to enjoy General or kid rated media and the true reason we don't is not because it “isn't meant for us”, it's because it's simply badly written - specifically, it's not the content that's annoying, it's the structure.
Sep 14, 2020
Titles are surprisingly important for your comic! We don't often realise that when we first start them, but a title is one of the very first ways people come across your work. You have to sell it to them and give them an idea of what to expect in only a very few words. You can take a lot of different approaches to that, like teasing and intriguing them with a title that suggests something interesting or mysterious, character names are great for that. You can be completely literal and obvious. You can use a pun… you can take an existing popular title and alter it in a slight way… There are so many things you can do!
Aug 31, 2020
Does a story always need an antagonist embodied in the form of an active character? I don't think they do! We chat about examples of stories without antagonistic characters that work just as well, if not better than the reverse! This is based on Bane's newspost from last Thursday (link in the notes). Tantz and I have a long argument about what the main antagonist in Wall-E was! I think that a lot of the better Pixar movies don't have their main antagonising force embodied in characters- Inside Out, Moana, Coco, Wall-E etc, and we they do they're not quite as strong or as touching. Even in Up the villain in that only plays the main antagonist for a short time. What d you think?
Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.