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Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation ...

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This week's Quackcast was inspired by a newspost that Banes made about propaganda. We used that as a jumping off point to talk about political messages and social agendas in creative works- when it's deliberate and when it's not. Tantz Aerine made a great point that ...

For this week, I wanted to begin a new series of articles inspired by the most recent podcast “JUST DO IT!”. Part way through our discussion, the topic of creating stories came up and I, quite clumsily, tried to explain the theory of narrative circles and arcs as told by ...

One of the most prevalent motifs in fantasy, science fiction/ space operas and similar folklore style genres is that of the Chosen One- the one character (99% the main character/protagonist) that is destined to save the world from the big bad- the evil sorcerer, the overlord, the empire, the ...

Considering that a lot of comics have politics embedded in their stories or worldbuilding or actively part of their characters’ parameters, what would constitute a political comic as opposed to a comic containing politics?

In my opinion and from the general descriptions of this budding genre, a political comic is ...

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First up: Happy birthday to Kawaii! Happy 32nd birthday and 4 year of doing admin stuff on DD ^_^
We all love and respect you on DD XX

A psychopomp is a physical manifestation of death. These are of course impossible in reality since death is a process, not ...

Amnesia is a very frequently used plot device in narrative works, especially in genres like romance or mystery or melodrama. It’s a perfect way to achieve either of the following (or all):
(a) Draw out a story that should have wrapped up already
(b) Reuse a character’s ‘naïve ...

I was watching the 2015 series of Poldark the other day and I noticed something strange;
None of the characters have the moral grey areas and twists that we expect of characters in modern stories, where they behave one way but it turns out they were thinking the opposite all ...

Having decided that shock value is needed in your comic and you must scare, disgust or generally traumatize your audience in some way in order to get the emotional reaction to serve your theme and your subject matter, how do you decide when and where to draw the line? (note ...

We’ve heard it and experienced it many times: For a creator to make an impact, to truly etch his/her message in the brains of his/her audience when it comes to art, from novels to films to comics, imagery with a high shock value is employed or simulations ...