Oh the things I learn from you DD folks! I definitely appreciate the info, CS3.
I've taught myself everything I know about art and comics so obviously I'm not perfect with this stuff. I've honestly never heard of the 180 rule until now, but I looked it up! I can see how smoother transitions would make things better and I'm going to try to work on that in future pages. It's tough though, without having to throw in useless angle change frames.
As it is, I try to give as many visual clues as to what's happening as I can. I definitely think that from the zombies to Mia running could've been done better. Ah well, live and learn :)
Thanks again, guys and gals!
I see the jump with the camera as cs3ink is indicating from when she is running towards the wall and then emerging from the other side. I still got it though. Rules like the 180 rule are there to help but there are exceptions. Knowing when is a talent to develop. I am still working on it myself.
my favorite panels is that first one and the last one.
I don't think the 180 rule is getting used too badly. I didn't get confused at all by the changing of angles. However just to be safe you should try and place transition frames when going from front to back.
Perhaps going to the side, or above.
My favorite thing about your action pages is that you give us a lot. Too many comics rely on just a few images on an action page and to me that slows the action down.
The 1st panel is very cool!
Nice page.
If I could offer one bit of creative suggestion, it would be to watch how often you break the 180 rule. You've done so frequently, which, IMO, really steals some of the poetry from the work.
Annie2495 at 12:17AM, July 26, 2009
Ha, they're so stupid.
giovanni at 5:19PM, Oct. 12, 2008
zombies are idiots
Tabitha at 11:59AM, March 31, 2008
like freaking lemmings!
simonitro at 1:49AM, March 31, 2008
This girl does the action parts twice as better than Tom Cruise on Mission Impossible...
korosu at 3:41PM, March 6, 2008
Excellent, excellent art style you have here, and the coloring is just fantastic! I'm definitely adding this to my faves.
CoyoteLongshot at 11:04PM, March 5, 2008
Wow... she's like the hulk in miniature form.
Kiah at 9:08AM, March 4, 2008
Oh the things I learn from you DD folks! I definitely appreciate the info, CS3. I've taught myself everything I know about art and comics so obviously I'm not perfect with this stuff. I've honestly never heard of the 180 rule until now, but I looked it up! I can see how smoother transitions would make things better and I'm going to try to work on that in future pages. It's tough though, without having to throw in useless angle change frames. As it is, I try to give as many visual clues as to what's happening as I can. I definitely think that from the zombies to Mia running could've been done better. Ah well, live and learn :) Thanks again, guys and gals!
TheMidge28 at 8:27AM, March 4, 2008
I see the jump with the camera as cs3ink is indicating from when she is running towards the wall and then emerging from the other side. I still got it though. Rules like the 180 rule are there to help but there are exceptions. Knowing when is a talent to develop. I am still working on it myself. my favorite panels is that first one and the last one.
JustNoPoint at 7:19AM, March 4, 2008
I don't think the 180 rule is getting used too badly. I didn't get confused at all by the changing of angles. However just to be safe you should try and place transition frames when going from front to back. Perhaps going to the side, or above. My favorite thing about your action pages is that you give us a lot. Too many comics rely on just a few images on an action page and to me that slows the action down. The 1st panel is very cool!
DAJB at 12:06AM, March 4, 2008
Great stuff! Again.
BlkKnight at 7:58PM, March 3, 2008
Almost like lemmings...except the zombies will keep going.
cs3ink at 7:56PM, March 3, 2008
Nice page. If I could offer one bit of creative suggestion, it would be to watch how often you break the 180 rule. You've done so frequently, which, IMO, really steals some of the poetry from the work.