I recently rewatched the The Rolling Stones Rock and Roll Circus, which is a 1996 released concert actually performed in December 1968. Various performers, including Jethro Tull, The Who, Taj Mahal, and Marianne Faithfull each perform a song. There were a few circus acts as well, including a fire eater. Then, The Dirty Mac, a supergroup put together especially for the concert featuring John Lennon, Eric Clapton, Keith Richards, Mitch Mitchell, violinist Ivry Gitlis, and Yoko Ono did two songs, ‘Yer Blues’ and ‘Whole Lotto Yoko’. Let's just say Yoko's vocals on that second one are an acquired taste I've never managed to acquire.
The Stones then came out and performed six songs, including ‘Jumping Jack Flash’, ‘You Can’t Always Get What You Want', and ‘Sympathy For the Devil’. Three of my faves. However, they sounded a little flat. The tempo isn't as upbeat as it could be, and they looked tired and unrehearsed; which they were. Some of them also looked liked they had partaken of various substances in a high dosage.
In an interview about the concert years later, Pete Townshend recalled that Brian Jones had spent the whole day crying. “Keith (Richards) was yellow from the various substances he was on. I mean, bright fucking yellow, and when he wasn't yellow he was green.” So the Stones sat on the footage for nearly thirty years, especially since The Who's performance of ‘A Quick One While He’s Away' is a top-notch show-stopper.
But what struck me the most about rewatching The Who in that concert is the range of clothes they are wearing. We remember the sixties as the height of the Hippy movement. People wearing tie-dyed shirts, headbands, braids and beads. Or maybe go-go boots and mini-skirts, like something from an Austin Powers movie flashback scene. The Beatles went all ‘cosmic’ with long hair, colourful shirts and coats, etc. What you don't expect from 1968 is the collection of outfits The Who wore that night.
Roger Daltrey looks the most 60s of the four, in his frilled tan jacket and matching pants. Rehearsal photos for that gig show Daltrey wearing another peak-60s outfit, with a colourful sash around his waist. If you were to draw a stereotypical rock singer from the period you could just sketch Daltrey and not go far wrong.
But Pete Townshend looks like he's escaped from a Donnie and Marie Osmond Show episode filming in the same building ten years later. A clean blue shirt with white pants and a white, textured waistcoat. If Daltrey is peak hippy 60s at that gig, then Townshend is peak clean-cut 70s. In fact, there's a 1978 interview with Donnie and Marie where Barbara Walters wears basically the same outfit as Townshend. (sorry for the poor quality of the screen grab).
John Entwistle, meanwhile, appears to have wandered in from a heavy metal band from the 1980s. Severe, skin-tight black and shiny, with studded armbands. Although the pudding-bowl haircut is out of place. If someone just plonked a big-hair wig on him he'd be right at home in the 80s.
Keith Moon is cosplaying and Olympic ice skater. Wearing a sparky black (possibly) one-piece rainbow-sequinned outfit that is cut wide at the neck. He looks like he would get a score of at least a 7.8 from the Russian judge. As he plays on the drumkit his outfit ripples with colour. He doesn't look like anyone else at the concert. It's a unique look, and not one you'd associate with The Who or the time.
Rehearsal pics shoe Entwistle looking like one of The Ramones. While Townshend is at one point in a knitted sleeveless cardigan reminiscent of Wallace (and Gromit). In a behind the scenes pic Kieth Moon is in ‘Swinging London’ era gear.
So what was the point of all this? Well, just my curiosity at how the idea of a time and the reality of it can differ. If you were to use The Who's outfits at this concert as a template for drawing a 60s rock group it might look a bit strange and anachronistic. But that's what they wore. Reality, in this case, is a little at odds with our shared sense of that reality.
How do you deal with the fashion of different time periods in your own comics?
— Gunwallace
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How we remember (the clothing of) a time.
Gunwallace at 12:00AM, May 29, 2025
60s,
barbara walters,
clothes,
clothing,
donny and marie,
donny osmond,
fashion,
history,
marie osmond,
reality,
shared reality,
sixties,
the rolling stones,
the who,
yoko ono
4 likes!


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Ozoneocean at 9:06AM, May 31, 2025
Daltry is the best dressed rockstar ^_^
PaulEberhardt at 1:37PM, May 30, 2025
Anyway, watch the audience in that film - or in any other concert video from the late 60s or early 70s. With Deep Purple or Led Zeppelin it's even more apparent: the band is a whirlwind on stage, making mayhem at full throttle, and the audience just sits there, some of them cross-legged on the floor, listening intently - a few years earlier some might have wanted to try to dance, only to find this type of music is not made for it. - Try that in any concert today! Hell, imagine trying to play to such a seated crowd and give your all. That's probably the most extreme example how appropriate body-language changed, but once you've realised that you can spot it everywhere, and if it's epsiodes from Starsky & Hutch or whatever. When drawing people in period clothing, this is something I always try to pay attention to at the same time.
PaulEberhardt at 1:28PM, May 30, 2025
It's a must-have-seen, even if you can easily see why the Stones didn't want to release it for such a long time. If we didn't have the benefit of hindsight, you could tell Brian wouldn't last much longer, at least not as a performer... Which however brings me to an observation: when drawing people in period clothes - not specifically 60s/70s but anyway I couldn't help noticing that you also take some note of their body language if you want to avoid your characters look as if they were today's people who dressed up. Looking a bit spaced-out or just assuming a certain kind of lazy posture apparently was considered cool - within generous limits of course. Who you thought you were of course always played a bigger role, like it does today, but looking at the body language can indeed help you narrow down a film to a time-period. It's all done unconsciously, and it's hard to put your finger on, let alone to describe...
J_Scarbrough at 9:47PM, May 29, 2025
What I don't understand is why 2010s skinny jeans are still a thing now that we're halfway through the 2020s. I mean, 1970s bell bottoms went out with the 1980s, so why are 2010s skinny jeans still a thing?
plymayer at 12:57AM, May 29, 2025
Generally I over research if doing a period piece. Then ignore the research and go with what looks good.
plymayer at 12:56AM, May 29, 2025
Still wearing the same sort of thing I did in the 70s and 80s. The materials of some of it have changed. The golf shirts of yesteryear were polyester (or should that be plyester?) now they are some sort of cotton blend. Except the work shirts for some reason those are a polyester.