Black Tiger, also known as Rico Ramirez is an excellent vigilante and a high school zombie slacker. Rico can be found using super human senses while investigating crime scenes alongside the police. The late nights and difficult-to-stomach nature of the crimes committed have become Rico’s priority and dreams of ...

One of the best ways to absolutely nail the climax of your comic arc is by using foreshadowing. It’s like planting little breadcrumbs for your readers—tiny hints or clues scattered throughout your story that point to future events or a character’s big moment. When done well, foreshadowing ...

There is nothing more humbling against human hubris than Nature herself.

Even at humanity's peak expansion, technology, sophistication, education, or intelligence, all it takes for its eradication is for the earth to sneeze in just the right way.

Nature cannot be beaten or tamed. It can only be appeased ...

We are finally back with interviews, and who better to kick it off than with Genejoke, one of the most prolific, helpful, and active creators in the Duck!

Genejoke is invaluable in many group projects, including our top event, the Drunk Duck Awards, and its side event the Red Carpet ...

There is a poem by one of the most interationally famous Greek poets, Konstantinos Kavafis, called Waiting for the Barbarians. I invite you to give it a read (I've linked its translation) but here's the gist in a nutshell: It's about the Romans waiting for the Barbarians ...

If there is one thing my comic partner and I have realised these past few years is this. The first half of the year is manic for us. Every year we get together to inscribe our goals into stone and within two months life has bulldozed its way through them ...

So I slacked a lot in getting interviews prepared for our awesome webcomic artists here on the Duck, but that is going to be remedied!

I'm trying to find a way to establish regularity for all the features for showcasing DDers and their webcomics that I've been handling ...

One of the main drivers of story is the principle of CONTRAST.

A character in a traditional story arc begins one way and ends up in a very different state of being - the underdog to the victorious hero, or the innocent, unaware victim to the final survivor, or the selfish ...

There's nothing more frustrating when a character dies from a situation that had no reason occuring except perhaps that the writers wanted to be edgy and make the story have more gravitas with a random death that's forced into the plot.

I've talked often over the years ...

Last Week we looked at the “Break Into 2”, the transition between the beginning of a story: The “Before” picture of the Protagonist and their world, and the “Upside Down World” of Act 2.

So, a little later in your average story will come the “Break Into 3”. This leaves ...