There is a poem by one of the most interationally famous Greek poets, Konstantinos Kavafis, called Waiting for the Barbarians. I invite you to give it a read (I've linked its translation) but here's the gist in a nutshell: It's about the Romans waiting for the Barbarians ...

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We're chatting about the comics you liked as a little kiddo this week! The topic was inspired by a thread in the DD forums. This is always a fun topic and I always have to mention ...

If there is one thing my comic partner and I have realised these past few years is this. The first half of the year is manic for us. Every year we get together to inscribe our goals into stone and within two months life has bulldozed its way through them ...

Rush has become a monster, savage, driven by animal instinct for survival, by fear, and dominance. His power is immeasurable, unaccountable, unstoppable! Born a poor slave, the lowest of the low, he faced terrible abuse and trauma beyond imagining. Escaping to the wilderness, left alone with the horrors and monsters ...

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Is there a culture of plutocratic classism in the USA? I'm inspired by Trump's America and how people think that people like Elon Musk and him are above the law because they're rich, while ...

So I slacked a lot in getting interviews prepared for our awesome webcomic artists here on the Duck, but that is going to be remedied!

I'm trying to find a way to establish regularity for all the features for showcasing DDers and their webcomics that I've been handling ...

One of the main drivers of story is the principle of CONTRAST.

A character in a traditional story arc begins one way and ends up in a very different state of being - the underdog to the victorious hero, or the innocent, unaware victim to the final survivor, or the selfish ...

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We're talking about how technology and design changes so much over the years and how that can change things with plot in story and it can also help pinpoint the date of something sometimes better than ...

There's nothing more frustrating when a character dies from a situation that had no reason occuring except perhaps that the writers wanted to be edgy and make the story have more gravitas with a random death that's forced into the plot.

I've talked often over the years ...

Last Week we looked at the “Break Into 2”, the transition between the beginning of a story: The “Before” picture of the Protagonist and their world, and the “Upside Down World” of Act 2.

So, a little later in your average story will come the “Break Into 3”. This leaves ...