Episode 728 - Skinship

Feb 24, 2025

Today we're going into another aspect of creating artwork for webcomics! This time it's painting skin, a topic that Tantz suggested. How do you render skin? It's a super common thing in comics and there are many, many ways to do it! We're not experts on all the methods so we just cover what WE do. We all have different approaches and you'll have to listen to the cast to see what Tantz and Banes say.

Topics and Show Notes

I'll chat quickly about how I do it here. I have 3 main methods but first up it's important to know some things: There are NO such things as different skin colours, that's a dumb socially constructed myth, skin is all shades of brown from very dark to very light, this is because ALL skin is made up of just four main pigments mixed in different amounts, which you can use to mix any skin tone. There are black, Yellow, red, and white. Melanin is the black tone but can be yellowy and reddish, yellow carotenoids from diet, red from blood, and white from the colour of the skin alone. Mix those colours in varying proportions and you'll get exactly the right brown pigment you need for any skin tone.

My first main way of painting skin is the simplest. I just do cell-shading in two colours. I pick a colour for the person which will be the main tone, then I select a slightly darker version of that same colour, dark enough that you can see the difference but not that it's too different. Then I do their whole bod in the main tone and use the second tone for shadows with a hard edge between them, no fading. It works super well!

The next type is the fake painterly approach. I pick three tones. There's a light tone, a darker tone that is reddish or orangish in colour, and a third tone that is muted purple or blue- this is because it's a generic contrasting colour to the yellow and orange tones in skin. The lighter parts of the skin are all painted in the light colour, the reddish tone fills the shadow and the purple tone is just used as a line between the two tones; a penumbra, which is the separation between light and dark, that can often help shadows look darker and more striking than they are. Fade them a bit at the edges so the separation isn't so harsh. This method can work just as well for much darker skin tones too.

My last method is the real painterly approach where colours on the skin are influenced by environmental colours and coloured light sources. You can use a 3 colour approach like the last method but take the colours from the environment. It could be blue, greens, reds etc. This is great for making your figures a part of the image instead of sanding out unnaturally from it.

Some special notes:
Not everyone has the same skin tone even if they're the same ethnicity, there's a large amount or variation between people even if they're related, although then there will be less. I like to vary my skin tones as much as the hair colours. People also don't have an even skin tone across their whole body, there are lighter patches and darker parts all over the place, whether the person is dark or light, unless they're artificially coloured like models in a magazine or people using filters on social media. commercial comics have their own weird way of colouring skin involving gradients, white highlights and black shadows. its a very standardised method and widely used but I find it a bit dull.

How do you do skin? One single tone, shadows, gradients or something more complex?

Gunwallace was kind enough to give us a theme inspired The Inheritors - An interesting mix! It starts off with a slow, stepped drumbeat, that sounds a bit like the intro to “slave” by the Rolling Stones, then crashes to a dubstep and rayguns and scifi blasters, before moving into a classical music inspired race of synth violins, flutes, cellos and other sneaky instruments, ten arrives at its destination: an electrified barrier where yellow and black diagonal lines bar the way!


Topics and shownotes

Links


Featured comic:
History - https://www.theduckwebcomics.com/news/2025/feb/18/featured-comic-history/

Featured music:
The Inheritors - https://www.theduckwebcomics.com/Inheritors/ - by RymanNoodles, rated T.

Special thanks to:
Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Banes - https://www.theduckwebcomics.com/user/Banes/

VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
- https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

Join us on Discord - https://discordapp.com/invite/7NpJ8GS

Episode 726 - Ego!?

Feb 10, 2025

3 likes, 3 comments

Do you have a big ego? Do you know someone who has? This Quackcast is about utilising egos for comic characters for comedic purposes, to humanise character, or to make villains more unlikeable and or funny. Big egos are a sign of poor self esteem, people inflate their egos to cope with feelings of inadequacy and inferiority. For examples of that we have a certain prominent politician and also a tech billionaire as perfect representations of every facet of that concept. :)

Episode 725 - Your fave comics as a kid

Feb 3, 2025

1 like, 0 comments

We're chatting about the comics you liked as a little kiddo this week! The topic was inspired by a thread in the DD forums. This is always a fun topic and I always have to mention Asterix because it was so amazing. This week Tantz had to bow out but we have Gunwallace to replace her, and Banes is back! Gunwallace is a fellow Antipodean, that means he and I share many of the same cultural touch stones, particularity the comic Footrot Flats. (Tantz is still on the Patreon only video)

Episode 724 - America's Plutocratic classism

Jan 26, 2025

3 likes, 0 comments

Is there a culture of plutocratic classism in the USA? I'm inspired by Trump's America and how people think that people like Elon Musk and him are above the law because they're rich, while conversely the lowest rank in society are the homeless and the poor. But what do I mean by “Plutocratic classism”? A plutocracy is a society where people's position is determined by their wealth, classism is our tendency to discriminate based on social class, put that together and you have people determining social value by how much money a person seems to have.

Episode 723 - Changing tech and design

Jan 20, 2025

1 like, 0 comments

We're talking about how technology and design changes so much over the years and how that can change things with plot in story and it can also help pinpoint the date of something sometimes better than other things like fashion. The biggest one we talked about were phones, which have changed so much over the last few decades. Universally connected smartphones mean huge story changes- characters can all look up whatever they need at any time, communicate with people instantly, entertain themselves, take photos and videos etc. That can massively affect plots!

Episode 721 - A plot B plot

Jan 4, 2025

3 likes, 0 comments

A standard thing in stories is to have multiple plot lines. In short stories or when you're just starting out as a writer you tend to have a single line, the A plot, but as soon as you get a bit more experience and write longer stories you'll find the plots tend to branch and multiply, even if you don't always fully intend it. The usual is to have the A and B plots: the A is the main one that drives the story and the B is where you put other interesting junk like character development, villain stuff, comic relief, love interests etc. But it can get a LOT more advanced than that and you can have far more than simply A and B.

Episode 717 - Stories out of order!

Dec 7, 2024

4 likes, 0 comments

Non-linear stories are a different way of telling a tale. There are many famous examples (Pulp fiction, Mulholland Drive etc), where the sequence of events isn't in strict chronological order. This style has gained a false reputation of being superior or more advanced or challenging to an audience than linear stories.

Episode 716 - Identify with characters?

Dec 2, 2024

3 likes, 0 comments

Is it important to Identify with characters? This question occurred to me as I was watching a rather banal sitcom, Rules of Engagement. I love two of the stars, David Spade and Patrick Warburton, but it's not really that engaging a show, the humour is anodyne and a lot of it is based around traditional gender roles and expectations, but I forced myself to watch it anyway just to see more of the aforementioned stars. The only way I was able to get into it was because I somewhat identified with David Spade's character- being a small blonde guy with long hair and a bit of a perv, haha!


Forgot Password
©2011 WOWIO, Inc. All Rights Reserved Mastodon