Episode 584 - Drawing gender

May 23, 2022

We start off with the idea of talking about art techniques, tips and tricks we've mastered and could help people with but the cast turned into a discussion about drawing male and female characters- also trans, androgynous, etc. There's an art to representing gender in imagery! It's super important to remember that the way we see gender in art is mainly culture based rather than an innate biological reaction and the perception of gender in art is different according to your cultural background. It's basically a visual language that everyone learns, but as an artist you have to learn to actually “speak” it, and that's not as straight forward as you think.

Topics and Show Notes

A rough example of of how culture based our perception of gender in imagery is:

- In most Western art the “male” is the default. We take for granted that a figure is male in art unless it's augmented in some way, the most basic version is the stick figure. These are men. To make a female stick figure you add long hair, a dress or boobs. Some or all of that, it doesn't matter. And this scales up to other representations. A natural, more realistic depiction of a female person won't always read as a woman in art unless they are “feminised” in some way, i.e. a prominent bust, removing angles and lines and adding soft, rounded features, featured lips, larger eyes, thin waste, wide hips, long legs, large thighs, styled hair, thin neck, large head. And doing any of that to a male figure is a way to “feminise” them or blend their gender.

-In comic art from places like Japan and Korea it's the opposite somewhat, especially manga. The female form there is more of the default. Male characters involve a lot more augmentation to create a “masculine” effect, sometimes bordering on caricature, as can happen with female characters in Western art. A generic male manga character would typically read as more “feminine” if dumped straight into a western context.

In times past the focus was more on primary (genitals), or secondary (beards, boobs etc), sexual characteristics, i.e the Venus of Willendorf (a very female form) and male figures with disproportionately sized penises. While early Egyptian sculpture is pretty androgynous in his regard, male and female are not well differentiated, the main focus is on the build - eg. men having slightly broader chests. Early Greek sculpture even more so with simple abstract forms representing “humans”. Much later on this changed into a more separated, codified style: men being heavy, muscular, bearded, women being soft and slim, with youth of both sexes being more androgynous. Interestingly genitals were very diminished in this art, penises were small and flaccid, while vaginas were never depicted.
Though it was a different story with the art intended for more secular, “common” consumption, which could show pornographic scenes (mainly 2D). Art featuring Satyrs or Priapus massively exaggerated the genitals for deliberate comedic effect. For them focus on genitals didn't indicate masculinity or femininity so much as comedy, stupidity, shame, or porn.

Basically gender in art isn't about genitals or genetics, it's all culture based and you need to learn the visual language of your audience to make yourself understood by them, as well as to confuse them or subvert their expectations!
What trouble have you had when depicting gender? I always run into issues myself. I make my women too angular and my men are too slim.

This week Gunwallace has given us a theme to Gyor - Charged up, magnetically accelerating into clean, sweeping, panoramic electronic tones, momentarily overrun by a furious chaotic electric discharge, only to return to serenity once more.


Topics and shownotes

Links

Featured comic:
Gyor - https://www.theduckwebcomics.com/news/2022/may/17/featured-comic-gyor/

Featured music:
Gyor - https://www.theduckwebcomics.com/Gyor/ - by Tuxie, rated E.


Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/

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Episode 583 - Why is it bad?

May 16, 2022

2 likes, 0 comments

Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?

Episode 582 - Time travel

May 9, 2022

5 likes, 0 comments

Let's go forward in time to the past so we can get back to the future and kill our grandfather and be our own ancestor while we step on a bug and change the course of evolution 200 million years in the future and doom the Morlocks to a date with Doctor Who, while Bill and Ted drive a Delorean in the Old West and save Fry's dog as it waits out the front of the Pizza place… Time travel is fun to talk about, but it's easy to mess up because paradoxes in plots pop up all over the place as timelines intersect and cross over and over, getting tangled and logically prevent events that have already happened from happening!

Episode 561 - You are being manipulated

Dec 13, 2021

4 likes, 1 comment

This interesting Quackcast topic was influenced by a DDer who has been subsumed by anti-CoVid conspiracy. This inspired me to delve into the reasons for the massive growth in these types of conspiracy and how the current state of the internet contributes to it. I had some theories, but I thought I should do some reading on the subject to see what the real reasons are rather than using guesses to fill the gaps like conspiracy thinkers tend to do. I was quite shocked by what I found.

Episode 548 - Foreign Influence

Sep 8, 2021

4 likes, 0 comments

Translating cultural concepts so they can be understood in a different country can be really tricky, most people never bother. Often the audience is just left to guess what's behind certain concepts and idioms. As an Australian, growing up as a little kid we were bombarded by media from everywhere, but mainly Britain, the USA, Canada and New Zealand. There was so much about American media that was utterly alien to us and we were just left to puzzle it out, especially American high school concepts: The level of seriousness with which they regard team sports in schools, cheerleaders, jocks, jockstraps, school kids driving cars, homecoming, pep rallies, summer camp, proms, tick or treating, thanksgiving… We just had to make sense of those things ourselves. Some we could work out from context but others I never really understood and never really will.

Episode 547 - Franchise fail

Sep 2, 2021

4 likes, 2 comments

There seemed to be a lull for a while after the 1990s and the massive sequel craze of the 80s, but nowadays we're back in full swing again with sequels, reboots and reinvisioning of film and TV franchises. Banes noticed a distinct pattern of behaviour that occurred around bad or failed franchises: The makers would chose to go against what existing fans liked about the property in the fist place, usually in order to appeal to new fans. When both new fans and old ones dislike what they do, they attack the fans and blame the fans for failure of their version. Then they'll search and find a new franchise to mess up. It's rare that people own up to or admit to failures anymore, it's usually always the fault of the fans for being too “toxic”.

Episode 537 - Historicity

Jun 28, 2021

4 likes, 0 comments

We have a chat about historicity in this Quackcast. What IS historicity? It's historical authenticity basically but a nicer way of saying it! It's pretty important for a lot of reasons to make the best effort you can with historical authenticity- it increases immersion of the audience, gives you a better understanding of the story and the world you're looking at (because things will make sense), and leads you to better understanding of your own history and where we came from. BUT, that doesn't mean you always have to be strict. As long as you as a creator properly understand historical context then you've got a lot more leeway to play without creating something stupid. Playing fast and loose with history is ok as long as you know what you're doing, not just being a moron and faking it (hey, many of us are guilty of that). Historical fantasy, myth, classics, fiction, biography etc are all different classes of story where it's more or less forgiveable to mess around.

Episode 525 - Sexual Tension

Apr 5, 2021

5 likes, 0 comments

Sexual tension between characters is a great way to augment the conflict that drives a story. The audience really wants that to resolve into a relationship or at least an assignation of some sort… The longer it goes on though, the bigger they want the coming together to be, which can be dangerous for the creator because it's so easy to disappoint. it's usually better to resolve the tension earlier than later, OR keep it going forever but keep it interesting and don't ever sour it or make it turn stale.


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