Jun 28, 2021
We have a chat about historicity in this Quackcast. What IS historicity? It's historical authenticity basically but a nicer way of saying it! It's pretty important for a lot of reasons to make the best effort you can with historical authenticity- it increases immersion of the audience, gives you a better understanding of the story and the world you're looking at (because things will make sense), and leads you to better understanding of your own history and where we came from. BUT, that doesn't mean you always have to be strict. As long as you as a creator properly understand historical context then you've got a lot more leeway to play without creating something stupid. Playing fast and loose with history is ok as long as you know what you're doing, not just being a moron and faking it (hey, many of us are guilty of that). Historical fantasy, myth, classics, fiction, biography etc are all different classes of story where it's more or less forgiveable to mess around.
Topics and Show Notes
Asterix is a great example of a series made by creators who know their stuff. They've set it in a real historical period, used real historical figures and events. But it's fiction and silly comedy and because they know the subject so well they can screw with it, compress history, put Vikings in a time period hundreds of years before they existed, and tell modern satirical stories using a historical stetting. The musical Hamilton is another example of creators who know their subject intimately, so they re-frame the story of a US founding father with a cast of black Americans and create a work of intelligent social commentary that still has historical veracity.
Bad examples typically have an a-historical character who for no reasons at all has fully modern attitudes despite their historical setting- often typified by a lady character who chafes at her “constrictive” corset - this has become a cliché and now a meme for people who are bad at history.
An interesting example to me is the British horror series Penny Dreadful where they did an excellent job of creating a convincing historical setting and environment. They had characters with more “modern” ideas but they had very good reasons to have them in that setting, they had a more modern demographic to the cast and also made that fit perfectly as well: history is often “whitewashed”, especially 19th century London, but they worked around that beautifully and gave us a realistically diverse cast. And yet despite all the effort they'd done to make things fit and work across several seasons, they really undermined it by introducing a kick-arse kungfu-fighting lady doctor in lovely tailored suits in the final few episodes when they knew they were cancelled and couldn't finish the season. The character sort of trod on and peed all over the work the others had done to set themselves up and round themselves off.
Though, as I've said: historical fantasy, myth, classics, fiction, biography etc all have different amounts of leeway for what they are. In the case of Penny Dreadful it's a horror fantasy with a historical setting so it had a LOT of leeway. The trouble was that they set a solid precedent by creating their own style with excellent historicity, even though they didn't have to, which was why it hurt when they broke it. It was a betrayal of the other characters, especially Eva Green's character Vanessa Ives, a woman who struggled for her place in the world and built her strength from within, brick by brick, only to be shown up by an unimaginative standard trope Buffy the Vampire Slayer type character.
This wouldn't be complete of course without a mention of Blackadder: a brilliant historical comedy that knows its stuff enough to break it beautifully! What are your fave “historical” things to enjoy and what are your least fave?
This week Gunwallace has given us a theme to Chatterbox - Starting off down home, country bluegrass, playing the mouthorgan as you cruise around the back roads on your whumptruck… developing into a rollicking, rolling, joyous, fun roadhouse concert, complete with trumpets, piano, bass guitar, lead, old style electric organs, the whole deal! Get up and dance!
Topics and shownotes
Patchwork and Lace - https://www.theduckwebcomics.com/news/2021/jun/22/featured-comic-patchwork-and-lace/
Chatterbox - https://www.theduckwebcomics.com/Chatterbox/ - by Banes, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/banes
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!
Join us on Discord - https://discordapp.com/invite/7NpJ8GS
May 10, 2021
So what IS SciFi? Well it's a pretty wide umbrella term and contains a lot of different things. In some senses it's just an imaginative fiction story where science replaces magic. SciFi can simply be a sciencey setting where genre stories take place (romance, adventure, nior, horror). It can be a magical fantasy space opera with a futuristic skin (Star Wars), it can be “hard SciFi” where the story is set in the future but the science is completely plausible, it can be written with strong themes that examine philosophical questions and make interesting points about the nature of humanity, and it can be so many more things too. It's a broad church!
Apr 19, 2021
Evil superheroes are a stupid fad, that's my contention. My opinion. They've been around for a long time but now they're so popular it's becoming a bit of a fad and might turn into its own genre. I suppose Marvel and others have saturated the superhero market so to stay relevant other companies are doing “twists” on that traditional genre, hence the evil superheroes.
Jun 15, 2020
Emma Clare posted about avoiding burnout on Friday and we thought we'd steal that subject to chat about it. Burnout is something that can affect all of us, most especially when you're stuck at home with lots of time to create, funnily enough. When there's a lot of pressure on you to create it often makes you STOP creating. But there are a lot of ways to void burn out and when it actually does happen to you there are a lot of ways to come back from it and rekindle those exhausted flames of creation. How do YOU come back after being burnt out? What was your longest burnout?
Jun 7, 2020
Tantz's newspost on Saturday about the problems of second guessing yourself and the issues that can arise from that was the inspiration for this week's newspost. Second guessing yourself can have GOOD possibilities and negative ones. The good: it forces you to hone your creative work and improve it, you don't just put things out there, you evaluate them and improve them! The bad: you can get stuck in a loop where you keep on thinking your stuff is not good enough, you might get hung up on one little thing and never move past it.
May 18, 2020
My original idea for this Quackcast was: “Genre fiction is the best place to explore ideas, straight fiction doesn't do it as well” What I meant was that diverting from straight reality in fiction makes it easier to conceptualise, simplify and explain complicated ideas to a general audience for a whole number of reasons. There was some disagreement between Tantz and I because I expressed myself poorly so she'd thought that I was saying it was much easier to write SciFi and fantasy (Genre fiction), and it was easier to write about big ideas, while straight fiction wasn't good for that- Which is fair enough! My initial statement is so badly worded that's a valid interpretation! Fortunately Banes and Pit were on hand to smooth things out and explain things properly. Pit mediated between us and Banes conceptualised my concept FAR, far better than I did! Unfortunately you don't get much of that disagreement on the Quackcast. You DO get a bit of it on the PATREON only video however ^_^
Mar 30, 2020
In this strange time of global pandemic it'd be crazy NOT to acknowledge what we're all experiencing together, so that's what we're talking about today: How the virus stuff is affecting us. Pitface joins us once again so today the quartet is complete: Pitz, Banes, Oz, and Tantz!
Feb 16, 2020
What happens to characters after the big action scene or climactic moment? This could be anywhere in the story but it's usually close to the end. Do they process any of the things that have happened to them to lead them up to that point or do they just forget about everything and simply act as if nothing except the last 4 seconds matter? The later seems to be the trend in a lot of badly written fiction, and it's a notable trope in 80s style action films. Death of family members or lovers are irrelevant when you have a hot action star standing next to you!