Oct 28, 2019
Tantz is dressed fabulously as a queen and I'm a skull faced monstrosity… I'm also wearing a costume, hahaha! Which you can see in our Patreon video ;) Queen Tantz Bathory and prince of horror Banes join me to talk about Horror movie franchises, what makes them work and what doesn't- as franchises rather than just a stand alone movie. The problems facing a movie series about horror are different from other genres and focus more on formula than just characters the way they do in most other types of film so it's an interesting discussion.
Topics and Show Notes
When doing a horror franchise like Halloween, The conjuring, Killer Clowns from Outerspace, Friday the 13th, or Child's Play for example, do you keep repeating the formula over and over like Friday the 13th? Do you go deeper into the monster lore like Hell Raiser? Do you mix up the format or make the sequels a completely different kind of film like Army of Darkness in the Evil Dead franchise? Or even simply just change the abilities of the monsters like in Tremors? There are a limited bunch of choices you can make in horror because people don't really care too much about character development in the genre, what they want out of it are scares and visceral reactions to the on screen action. They can't become too attached to characters or it's no fun when they die and they can't learn too much about the monster lore or the monster loses its scariness.
This week Gunwallace has given us the theme to The True Face… Tumbling, bouncing jollity, skipping ahead this tune flows like a crystal clear stream over coloured stones, winding its way past vivid viridian grass banks, joining other brooks and rills, till they all come together to disperse into the vastness of the ocean!
Topics and shownotes
Risk it for a Biscuit - https://www.theduckwebcomics.com/news/2019/oct/22/featured-comic-risk-it-for-a-biscuit/
The True Face - https://www.theduckwebcomics.com/The_True_Face/, by Marcorossi, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Oct 29, 2018
This week in the Quackcast we were going to talk about fear in general. What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such things inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? It's that Halloween time of year once again so it's time to focus on such things. We had Emma Clare on board as well! Oh it was going to be so amazing and fun! Little did we know…
Oct 22, 2018
Fear: What are we afraid of? Why do we like or do not like media that may reflect these fears or lead us to new ones? How do such comics inspire fear or similar reactions within us. DO we like horror because we like fear to an extent? This Quackcast is about horror comics, how they work and why we like them. We chat about many of the horror comics on DD.
Oct 15, 2018
Amelius of the magnificent and eternal Charby The Vampirate returns to the Quackcast today! Amelius was the first person we every interviewed and Charby the Vampirate has been on Drunk Duck exactly as long as Pinky TA: since January 2004! Tantz and I chat to her about the new Patreon she has going for Charby and all the amazing bonus perks you can get on it. If you're a Charby fan you should definitely get in on that. Amelius has also agreed to join us on DD to do newsposts every week! So you will be seeing some cool content from her regularly. She has a LOT of comic making experience to impart.
Jul 16, 2018
The idea for this Quackcast came from a rant by the irascible PitFace. She was talking about how there's a trend in modern SciFi and horror movies to bash you over the head with constant action and it doesn't allow you time to relax and take in the story, you're just bounced from one relentless scene to the next. In the biggest classics of the genre like Alien, Ghost in the Shell (animated 90's version) or Blade Runner they DO allow the viewer slow moments of reflection and it helps to make the action feel more intense by contrast as well as allowing the viewer time to assimilate and understand all the ideas and themes they've been presented with so far.
Mar 5, 2018
All the planning and set up in the world will never count for anything if you never start your webcomic, so just put your own to paper and begin! “Getting started on a webcomic” is what we chat about here. I was inspired by PitFace's newspost about a crappy horror film and how the creators just went for it. As a webcomicer that is what you HAVE to do! You can plan, research and gather resources for years, but the reality is that it just makes you more and more scared to take the plunge. You'll develop a LOT faster as a webcomicer if you throw caution to the wind and go for it. I'm not saying that research and planning are uneeded, it's just that most if it can be done while you're actually working. Do not worry about putting out a perfect piece of genius work from the getgo- your comic WILL get there regardless if you're dedicated and put the work in AS you work, but the first few pages or chapters don't have to be there. Your audience will appreciate the chance to grow with you a lot more than if you put out a polished gem to begin with. Starting out at a place like Drunk Duck is your best bet. It's a nurturing, easy to use, creator run platform, focussed around promoting webcomics. So what are you waiting for? This week Gunwallace has given us the theme to Flesh and Wires: Dirty and distorted electric guitar and determined fuzzy bass, weaving together over a haunting synthesized Melodica. Portentous and evocative, this music tells a story in it’s own runtime! The main riff reminds me a little of my fave part for We don’t Need Another Hero from Tina Turner.
Oct 30, 2017
It caaaammmmme from outerspace… An unimaginably gigantic multi-tentacled green horror, Banes'thulu'Ary'lth! We only caught a glimpse of his heaving, slimy, scaled bulk but our minds couldn't fully comprehend what we saw and we were all driven insane! In this Halloween Quackcast we discuss Bane's newspost subject of Thursday: Existential cosmic horror! We also Made a Halloween Quackcast VIDEO - https://youtu.be/TvIGQqCbRAk, so check that out and see Tantz dressed as a beautiful black widow, me as a black clad gravedigger, Banes as a hellhound and Pitface as the invisible ghostgirl! We talk about the stories of HP Lovecraft, biblical horror in Revelations, The Path by James Riot, the stories and the writing of Guy de Maupassant. This week Gunwallce has given us the theme to The Sunless Children: Flute, violins, and kettle drum stitching together a complex tapestry of melody, weaving a fantastical visual saga though music alone, leading us down an exciting and dark path… till the climax in a clash of bright silver cymbals!
Oct 23, 2017
Does a horror film without the horror still make sense? If it does then it's probably a really good film… that's what we're talking about in this Halloween themed month! The idea was based on a recent newspost by Banes. We also tapped the massive resource that is Banes for our cover image, which comes from a horror short by Bane's film director brother. Check it out, the link is down bellow. That film, Little Matthew, is a good example of the topic… I won't spoil it, but the scenario and the setup of the film could work just as well without the horror part. The characters are believable and you want to know more about them, this helps you start to care about them, which makes the advent of the horror scenes more effective. In the Quackcast we chat about that, examples that fit the model and possible exceptions. This week Gunwallce has given us the theme to Pulse Comics. It's Creepy, creepy pulsing electronica, like the burrring, burning and zapping sounds of industrial lasers and mechanical robot arms moving in precise, regular rhythm with delicate movements in a vast, echoing fully automated factory of the future.