Episode 492 - Impermanence of the new digital age
Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.
Topics and Show Notes
One might say that these things are “free” services and that the hosts have a right to do whatever they like, they provide it all for us and we just use it, but that's not actually true. ALL digital services are completely dependent on their users and content creators for their existence. Sites like YouTube would not exist if it wasn't for the users that content creators bring in through their own hard work and money. And those passive audiences themselves are also responsible for YouTube existing because it's them who bring in the ad revenue and use the services google sells through the site, as well as exploiting them by onselling statistics about their online viewing habits and information about their other online behaviors. Even us on DD, who make no money of off our users and collect zero information about people, we STILL rely on content creators and their audiences for out existence because if there were no people to post comics on our site and no one to read them then we'd have no point and we'd shut down.
What we chat about here is the fact that you can't rely on any one service, no matter how big the company (i.e. Facebook, Google, Apple) to respect your content and to always be around. Services aren't as free as they seem and they're more than happy to exploit you and then discard you. So the answer is to diversify and use as many different ones as possible! Don't be loyal to them because they're not loyal to you! I'd say the one exception is Drunk Duck because we really DO care about and respect our members but the the reality is that no online service is completely safe: even though we are one of the longest running comic sites (18 years and counting), there have been times in our distant past where our service was unreliable and we were even down for almost 3 months once. So mirror your work and do not become reliant on subscription services.
The musical feature this week that Gunwallace has given us is theme to Ingenimia Aus - The start reminds me a bit of Cowboy by Bon Jovi, It has an awesome mystical, exotic medieval guitar sound. This one really takes you away to another place and time with its atmospheric synths, hand drum percussion, and delicate guitar sounds. I love it when the rhythm is taken over by tapping on the guitar strings, it’s a very pretty sound.
Topics and shownotes
Links
Join the Discord server to chat in real time with other DD comics people - https://discordapp.com/invite/7NpJ8GS
Death-knell for Tapas, by Hushicho - https://www.theduckwebcomics.com/forum/topic/178480/
Featured comic:
Filaments a KerBop Story - https://www.theduckwebcomics.com/news/2020/aug/11/featured-comic-filaments-a-kerbop-story/
Featured music:
Ingenimia Aus - https://www.theduckwebcomics.com/Ingenimia_Aus/, by DFlimbingo, rated T,
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Pit Face - https://www.theduckwebcomics.com/user/PIT_FACE/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Episode 439 - weather flavour enhancer!
Aug 12, 2019
Tantz's clever idea was that the weather isn't just a backdrop… it's an important prop in it's own right. Weather can be used to drive a plot: the wind snatches a hat and makes a person chase it, which causes them to meet another character. It can be an antagonist: people fighting a storm for example or running form a tornado. It can signal and enhance emotions: rain for a sad funeral or sun for happy for a happy event. Growing shadows can signal an ominous turn of events, wind billowing out a cloak signals a dramatic character! You can just use it for fancy visual effects if you like, snow and rain are great fun to draw, and stormy skies are the best! We chat about all things weather and give examples of how we've used it ourselves.
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We're discussing spin-offs in this one. Why do them? There are many very different reasons for doing a spin-off as opposed to a sequel, prequel or a totally new story:
Episode 373 - Stupid millennials, greedy baby-boomers and lazy Gen Xers!
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Episode 363 - The Art Of Comments
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Jason Moon, author of Crater's Edge, messaged me about some comments he had. He was perturbed about reader reaction to his storyline and wasn't sure how to handle the comments. I told him that those sorts of comments are the very greatest compliment an author can get, because once you get them you've reached the stage where people care about your work enough to get angry: they're invested emotionally in the characters. Yes. It is initially confronting to have someone commenting like that but what you really need to do is step back for a moment and realise what a gigantic compliment it is in actuality. It means you affected them strongly, and that's quite an important thing to be able to do. It doesn't happen much but it's quite a GOOD thing when it does. It's not an easy thing to do to get people that invested. What it really means is you have succeeded as a writer and reached an important milestone. We also have a chat about getting comments in general and also GIVING comments! Hopefully our new comment notification feature will be a boon for this kind of interaction. This week Gunwallace has given us the theme to Kitty Kitty Bang Bang: Multilayered Chinese video-game war anthem with a modern twist! That’s how I’d describe this complex little piece. It’s the final boss battle, you’ve got no spare lives, you’re down to your last powerup and time is running out!
Episode 337 - Interview with AmeliaP of Kings Club
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Episode 285 - Ride the wave of the Anti-heroes
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Comedy anti-heroes are a great deal of fun. My faves are characters like Tankgirl and Flashman; they can be selfish, greedy, violent, lustful, out for their own needs first but they still manage to do the “right” thing and vanquish the bad guy along the way regardless, or a character like George Costanza from Seinfeld who's jealous, pathetic, cowardly and greedy but we still love him anyway because identify with him and root for him against the unloving forces of the universe. To be a GOOD comedy anti-hero you have to keep the audience on their side though and that can be a tricky balancing act, you have to surf a number of factors (especially in a long running project), since to actually BE an anti-hero they need to have things about them that an audience would normally despise, these need to be counteracted by things like sympathy and pathos, traits we strongly identify with, intelligence, luck, charm, humour, sexiness, coolness, allowing them to win sometimes, or even redeeming some of their anti-hero behaviours occasionally. Get that balance wrong and they can so easily completely lose audience favour and sour the rest of the story/show/film. Pitface, Tantz, and Banes weigh in on this with me. And there are more opinions in the forum thread from which this evolved. Gunwallace's musical theme this week was for Pestilent. It's thoughtful, haunting, reminds me a little of a classic horror film soundtrack. Pretty scary!
Episode 215 - A guide to Good characters, part 3
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OMG! This is the third part in our long running series of discussing good and bad character traits in webcomics and everything else. Bravo, Tantz and Pit are all along with Banes and I for another go around and doing their best German accents as a tribute to Abt Nhil to start off. As usual we read out some very enlightening contributions and then discuss them jointly afterwards. This Quackcast ran a little long because of it- we had a LOT to say! And do not forget Gunwallace's great musical theme, this time it's for Clint which also happens to be that week's featured comic!
