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With the release of the new Indiana Jones film comes some questions… We haven't seen it yet but we hear a lot of people don't like it and it's already being called a flop ...

Ok yes. Plot armor in general is considered a mistake. With good reason. Enough plot armor and there are no stakes left in your plot, and the audience isn't worried your plot-armored characters may not make it. And if there's no suspense, there's no engagement or the ...

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We base our images of aliens in comics on aliens in TV shows and movies mostly, because those are the ones we all know.
But movie aliens ...

In the whole “show don't tell” thing that is the holy grail of ‘good storytelling’ (yes but not always, this is for a newspost of another time) what they usually don't tell you is that behavioral patterns are your friend.

To show rather than tell, you need to ...

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Today's topic is Nudity: Nudity in comics, censorship, self censoring, what you can get away with on DD, ratings, nudity on other platforms and how it ...

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Beginners at webcomics make mistakes, rookie mistakes. In fact people tend to make a lot of the same mistakes and we're going to chat about some ...

It’s been quite a bit since I last made a character deep dive, but since I got a bit more time on my hands, here we are! Today’s Character Analysis is about Levana from Vampire Girl by Marie Kerns and J_Scarbrough!

So, first things first! Vampire Girl is ...

This character can be insufferably annoying.

No, this character is insufferably annoying, but it's up to you whether that's to the other characters or the audience. When written correctly, the prattler can be comedy gold or a swift ticket to the most delicious kind of schadenfreude: watching the ...

I watched an interview with Ira Behr, the writer and showrunner on Star Trek Deep Space Nine. He talked about his days in the DS9 writer's room. It was the 90's, and the early days of the Internet. Even in those days, Star Trek discussion was flourishing online ...

Villains are tremendously important for a story. They set the framework and standard for a lot of things in an unsaid but definite manner: how far your villain is willing to go sets up audience expectations for how big and how dire the stakes will be in the story.

If ...