There are lots of fantastic things about making webcomics. Many nice things it has over traditional printing and publishing.

The speed of publishing and presenting your work to the world, the lack of a barrier to entry so anybody with an internet connection can make and publish comics…

…and if ...

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In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the ...

So there's a lot of talk and discussion on how to approach the creation of your webcomic (or novel, or short story) regarding planning out your plot, the degrees of planning out, and the option of flying by the seat of your pants.

I have done both, both in ...

The other day, I was discussing my creative process to a poor, unsuspecting soul, who, to their credit, seemed content to put up with a bit of a ramble. They had mentioned that they enjoyed the facial expressions of the characters in our comics, (I did mention they were super ...

Last week there was a post about smaller regular casts in a series - The Loner series, the Duo, and the Trio. Here's that post:

https://www.theduckwebcomics.com/news/2018/aug/01/casting-characters-in-comics-123/

With a larger cast, things start to get more complicated - but with more possibilities for different ...

The votes have been tallied up and the trophy award with the most vote is Emevsa's design!

Not far in second place is the award by KimLuster!

Also, to piggyback on last week's call for volunteers, usedbooks wrote a very nice statement on volunteering for the awards:

usedbooks ...

Every hero goes up against a villain. Every protagonist against an antagonist. This is the main clash that drives your story, any story, forward be it slice of life or epic drama.

One of the elements that can make this driving force compelling, that will make the clash interesting and ...

I have fallen off the comic horse quite a few times now and, no doubt, I will be bucked off a few more times yet. I have tried six comics and so far only two are looking like they’ll ever get finished. I have one finished novel, (which no ...

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In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual ...

We all talk about the sheer necessity to create characters that don't appear cardboard, that are fleshed out, that generally feel like real flesh-and-blood, living, breathing people (regardless of your character's species or nature) with personalities that ring true to the audience.

There are several elements that contribute ...