Episode 641 - Bodycast
Jun 26, 2023
Injuries, especially to the head can be extremely bad but people are hit over the bonce and knocked out in popculture all the time. In violent sports like boxing or MMA it's often a goal, it's a common thing in games too, the “KO” is a staple. In TV shows, movies and comics it's seen as a kind way to deal with an enemy, people will even do it to their very best friends to protect them from going through with some scary activity, often knocking them out and tying them up and then taking their place or something. Knocking people out has become so memed that the fantasy version has replaced the real version and it's even influenced how we think about it.
Topics and Show Notes
We do the same thing with spies (no spy mission is ever like James bond, Mission Impossible, Kingsman or Archer, which actually tackles the knockout meme realistically), the concept of losing one's virginity (no, “popping a cherry” in not a thing, hymens do not need to be broken), Ninjas (nothing at all like popculture), and the idea that anyone would ever wear a giant sword on their back to go into battle (no one ever did that because it's impossible to use).
The reality is that loss of consciousness caused by sudden force to the head is incredibly dangerous and can lead to brain damage and even death. Even “putting someone to sleep” using a sleeper hold, a pill, injection, or gas is dangerous and not to be taken lightly, unlike the moronic idea we have of its safety from pop culture.
The inspiration for this cast was my own experience with unconsciousness due to a riding accident I had last week where I fell off an cantering horse, was knocked out and then had amnesia till I came back to full awareness some time later with no memory of the incident. So we're chatting about injuries in webcomics and pop culture and how the handling of them is different from reality. i.e all those times people get shot harmlessly or dig out bullets from their shoulders… (doctors will often leave bullets inside a person and not dig them out unless there's a safety issue).
What stupid pop culture versions of injuries are you aware of or have you used yourself?
This week Gunwallace has given us a theme inspired by Conscripted - Wiry electric guitar burns into the hot desert sands with this metal meta version of the classic “Arabian Riff” (also known as “The Streets of Cairo”, “The Poor Little Country Maid”, and “the snake charmer song”). A very interesting tune popularised in the late 19th century by American Sol Bloom and has since become the characteristic sound of the middle east in pop culture. Gunwallace’s version for Conscripted is heavy, fiery and strong.
This is Gunwallace’s second take on Conscripted, the first was a more calm and contemplative piece in Quackcast 545.
Topics and shownotes
Links
Featured comic:
The sagas of Seelhoe - https://www.theduckwebcomics.com/news/2023/jun/20/featured-comic-the-sagas-of-seelhoe/
Featured music:
Conscripted - https://www.theduckwebcomics.com/Conscripted/ - by Dragonsong12, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 534 - Biting off more than you can chew
Jun 7, 2021
Taking on more than you can handle - i.e. James Cameron and JJ Abrams are good directors and writers but neither could handle the demands of a complex Sci-Fi project that needs full world building and internally consistent logic etc (Avatar and Star Wars). They're great with more simple SciFi that's based on 21st century earth and simpler stories, but epic SciFi was clearly a long way beyond the capabilities of either. We're talking about when WE have been caught taking on stuff we couldn't handle, how we dealt with that and also how other creators dealt with it too.
Episode 526 A return to Mary Sue!
Apr 12, 2021
Mary Sues are always a fun topic! There are some misconceptions about them though… Mary Sues aren't all female, they can be any gender. Being super powerful or super popular or super pretty etc doesn't equal a Mary Sue, not even if your character super stands out next to all the others, those things ONLY indicate they might possibly be one. What equals a Mary Sue is a character that doesn't have to struggle very hard for anything, a character that is almost universally admired, and or loved (even by the enemy), a character that masters hard skills with ease and ends up teaching the teachers and beating the masters, a character that's destined to succeed and does in spite of internal story logic… All these things and more can add up to make a Mary Sue.
Episode 459 - 2019 Year in review!
Dec 30, 2019
It's been a great year! DD has continued to grow bit by bit, we've been stable and a great host for many many webcomics. DD is one of the only truly independent community focused webcomic hosting sites left. Most of the rest are commercial hubs that are not community centered. Part of our commitment to the community on DD is showcasing our best webcomics every week, which we've been doing for 17 years now, and I've personally been doing that for about 13.
Episode 454 - Are Marvel movies "Despicable"?
Nov 24, 2019
This week we look at the famous quote by respected film director Martin Scorsese that “Marvel movies aren't Cinema” and also the quote by fellow director Francis Ford Coppola that Marvel films are “despicable”. We try and look at the proper context of these remarks outside of the twitter garbage and social media outrage to see if either had any point or whether they're way off the mark and deserving of criticism.
Episode 453 - Lost in Translation
Nov 18, 2019
Where does your main audience come from? And how do you change your work to accommodate them? For a lot of us it's north Americans (mainly from the USA), which is interesting, especially for those of us outside of there because our cultures are slightly different. We THINK we totally understand each other but there ARE differences. So to make ourselves properly understood with the original intent of the story we often have to translate things slightly (much more in Tantz's case!). This goes doubly when a story is set in a different era. How much do you localise your story for the audience, how much SHOULD you?
Episode 392 - Outside hobbies
Aug 19, 2018
In this Quackcast we chat about what interests we have outside of webcomics and we want to know what YOU do as well. What are your hobbies and interests? Our interests and hobbies really inform what we do as comic creators in all sorts of ways, it can be fascinating to learn about what drives a person and what led them to be where they are now. For Banes it was music, keyboards, drums, magic and ventriloquism. For Tantz it's writing and a fascination with surgery. For Pit it's archaeology, heavy metal, and art. For me it's making, art, costume and sewing. What about you?
Episode 276 - Time management, Deadlines and Organisation
Jun 20, 2016
For Quackcast 276 we had a discussion about the topics of time management, organisation and deadlines- all things essential to the practitioners of webcomics, and even more-so to people involved in webcomic collaborations! This is tricky stuff to handle, you have to balance your webcomicing with your other life activities as well as audience expectation for updates! And as you go on it gets harder and harder to stick with self imposed deadlines, so how do you combat that? Well one way is to make a Patreon account so people will put money towards you updating, That can make an excellent incentive to stick to a deadline, when there's money involved! Collaborations can be easy or hard to keep alive, as long as everyone is equally eager to take part and everyone wants it to succeed then you're good, if not then your group project needs a good leader: not someone who WANTS to be a leader, rather someone who's dedicated to getting the project DONE and needs to be the leader to make that happened, sort of like my role at Drunk Duck. They need to be willing and able to coordinate people and tell them what to do, handle their strengths and weaknesses right to get the work done. The last part to remember is contingencies for when things go wrong! What are your safeguards? i.e. buffers, finishing early so you've got extra time to work on the project if it needs it, have backup people lined up to do work for you, filler art at the ready, guest strips, maybe even simplified techniques or just posting line art instead. How do YOU stick to deadlines (if you do), how do you handle time management and organisation with your comics and collaborators? Gunwallace's theme music this week was Z74's Star Knights. It's An operatic swarm of hornets on a massed bombing run over enemy territory.
