

Episode 728 - Skinship
Feb 24, 2025
Today we're going into another aspect of creating artwork for webcomics! This time it's painting skin, a topic that Tantz suggested. How do you render skin? It's a super common thing in comics and there are many, many ways to do it! We're not experts on all the methods so we just cover what WE do. We all have different approaches and you'll have to listen to the cast to see what Tantz and Banes say.
Topics and Show Notes
I'll chat quickly about how I do it here. I have 3 main methods but first up it's important to know some things: There are NO such things as different skin colours, that's a dumb socially constructed myth, skin is all shades of brown from very dark to very light, this is because ALL skin is made up of just four main pigments mixed in different amounts, which you can use to mix any skin tone. There are black, Yellow, red, and white. Melanin is the black tone but can be yellowy and reddish, yellow carotenoids from diet, red from blood, and white from the colour of the skin alone. Mix those colours in varying proportions and you'll get exactly the right brown pigment you need for any skin tone.
My first main way of painting skin is the simplest. I just do cell-shading in two colours. I pick a colour for the person which will be the main tone, then I select a slightly darker version of that same colour, dark enough that you can see the difference but not that it's too different. Then I do their whole bod in the main tone and use the second tone for shadows with a hard edge between them, no fading. It works super well!
The next type is the fake painterly approach. I pick three tones. There's a light tone, a darker tone that is reddish or orangish in colour, and a third tone that is muted purple or blue- this is because it's a generic contrasting colour to the yellow and orange tones in skin. The lighter parts of the skin are all painted in the light colour, the reddish tone fills the shadow and the purple tone is just used as a line between the two tones; a penumbra, which is the separation between light and dark, that can often help shadows look darker and more striking than they are. Fade them a bit at the edges so the separation isn't so harsh. This method can work just as well for much darker skin tones too.
My last method is the real painterly approach where colours on the skin are influenced by environmental colours and coloured light sources. You can use a 3 colour approach like the last method but take the colours from the environment. It could be blue, greens, reds etc. This is great for making your figures a part of the image instead of sanding out unnaturally from it.
Some special notes:
Not everyone has the same skin tone even if they're the same ethnicity, there's a large amount or variation between people even if they're related, although then there will be less. I like to vary my skin tones as much as the hair colours. People also don't have an even skin tone across their whole body, there are lighter patches and darker parts all over the place, whether the person is dark or light, unless they're artificially coloured like models in a magazine or people using filters on social media. commercial comics have their own weird way of colouring skin involving gradients, white highlights and black shadows. its a very standardised method and widely used but I find it a bit dull.
How do you do skin? One single tone, shadows, gradients or something more complex?
Gunwallace was kind enough to give us a theme inspired The Inheritors - An interesting mix! It starts off with a slow, stepped drumbeat, that sounds a bit like the intro to “slave” by the Rolling Stones, then crashes to a dubstep and rayguns and scifi blasters, before moving into a classical music inspired race of synth violins, flutes, cellos and other sneaky instruments, ten arrives at its destination: an electrified barrier where yellow and black diagonal lines bar the way!
Topics and shownotes
Links
Featured comic:
History - https://www.theduckwebcomics.com/news/2025/feb/18/featured-comic-history/
Featured music:
The Inheritors - https://www.theduckwebcomics.com/Inheritors/ - by RymanNoodles, rated T.
Special thanks to:
Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
Banes - https://www.theduckwebcomics.com/user/Banes/
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Episode 726 - Ego!?
Feb 10, 2025
Do you have a big ego? Do you know someone who has? This Quackcast is about utilising egos for comic characters for comedic purposes, to humanise character, or to make villains more unlikeable and or funny. Big egos are a sign of poor self esteem, people inflate their egos to cope with feelings of inadequacy and inferiority. For examples of that we have a certain prominent politician and also a tech billionaire as perfect representations of every facet of that concept. :)

Episode 516 - comics and your mental state
Jan 31, 2021
Pitface asked people how doing webcomics has helped to shore up your teetering mental state this past year. We got some responses to that and we also added our own thoughts to it. It's an interesting question though isn't it? This is a webcomic focused site, we're all creative people so webcomics tend to be a big outlet for us. How does having personal control over something YOU create and that YOU are responsible for, help you stay stable and centered when the rest of the world has seems pretty chaotic, with the crazy virus and the even madder, childish politics coming from the top leadership of the world's biggest superpower?

Episode 514 - how fiction gets your job wrong
Jan 18, 2021
When our jobs are shown in fiction they usually get it wrong. We talk about HOW they get it wrong here… Pit tells us all how she's basically Indiana Jones and Lara Croft rolled into one LOL! …or the opposite of that, I can't remember. How does YOUR job differ from what they show in movies and TV? Special… -SEE the led Zeppelin shirt Pit harangues me for in our Patreon vid

Episode 512 - Fire and Ice Commentary
Jan 3, 2021
Happy 2021 everybody!!!!! For this fun first of year Quackcast We do a commentary and reaction to the Ralph Bakshi and Frank Frazetta classic sword and sorcery animated movie from 1983, Fire and Ice! Tantz and Banes have never, ever seen it before so it was a new experience to them and maybe to YOU as well? Fire and Ice is a simple fantasy story about evil prince Necron who wants to rule over all the lands using his control of a huge glacier. Brave Princess Teegra, Larn (mullet head), and Darkwolf (the Deathdealer), team up to battle to stop him destroying the southern lands. It was done with rotoscoped animation which made the figures look quite realistic. Rotoscoping is basically filming real actors and then taking out the background and painting over their bodies and turning them into cartoons. It's an analogue old fashion way of doing motion capture, like they do in modern 3D CGI animation.

Episode 510 - STUFF WE SPEND OUT MONEY ON
Dec 21, 2020
This is the time of year you typically spend your money on other people… but we wanted to talk about what we spend our money on when we're spending on ourselves and indulging our own passions… just because this is the time of year we can digress and get a bit less serious about things. I talk about my passion for collection unusual vintage hats and antique sabres from the Napoleonic era and on. Tantz talks about her vintage 1940s era newspapers and the history behind them. Pitface talks about her stainglass window skills and her warhammer figures. Banes gives us the lowdown on the amazing muppet band playsets and figures he collected!

Episode 508 - Fan Service
Dec 6, 2020
The Mandalorian on Disney Plus is a very popular series, it's particularly known at the moment because of the “fanservice”, i.e. fan rewards in the second series. a couple of Clone Wars characters are in it now… but we won't spoil that. Tantz, Banes and I chat Fan Service! What IS Fan Service and why is it a thing? When did we first learn about it?

Episode 506 - The fightcast
Nov 22, 2020
Today we chat about fight scenes! This was spurred by a post in our forums about how bad fight choreography can spoil a film. Our Patron vid was mainly about fights in our comics, while the Quackcast is more about fights in movies. One of the things about REAL fights is that they're usually very fast, ugly, stupid looking, and not very exciting. It's important to remember that boxers and UFC fighters are entertainers and sports people, those people are performing for an audience - their fights are real but they're designed to be showy and exciting, whereas true fighting on the street or in war etc is very different, it's more deadly and more stupid looking.