Episode 473 - Genre vs Setting
Apr 5, 2020
In this Quackcast we talk about the differences between genre and setting and what genre really is. For instance: Fantasy and SciFi aren't genres, they're settings… Mostly. It's complicated but they both pretty much USED to be genres, now they're mainly just settings for genre stories to take place in. What does that mean? Well, Fantasy wasn't even considered a genre back in the day, not really till after the success of Tolkien. Later on a lot of writers began using that same style and consumers really wanted it, so it became a “genre”. It was only later on when it graduated out of that to become a setting that has genre stories set within it.
Topics and Show Notes
Scifi was much the same. We backdate the “genre” to Mary Shelly, Jules Verne, HG Wells etc, but that's actually a little silly. SciFi was invented back in the 1920s by publisher Hugo Gernsback as a niche marketing term for his pulp magazines. He bundled together a whole bunch of futuristic stories and works of speculative fiction to sell under that name and created a market for it. That created the genre that people started to write within and to. Now however SciFi is really just a setting that has genre stories within it: detective fiction, nior, action, romance, Western, apocalypse, etc.
This happens when the genre becomes so diverse and ubiquitous that the commonality between stories within it becomes less important than the differences- i.e. the fact that a story is a romance is more significant than the fact it's set in the future, we really don't care too much about the future setting. While in the past it's that future setting which would have been the main selling point.
Think of it in terms of anime, if you have a good familiarity with it. Years ago people thought of anime as a monolithic “genre”, with all the cartoons roughly sharing a lot of themes and styles. This was mainly because only a small amount of it got exported to the west. Now however a massive amount is available and it's very easy to see how different it is. Now “Anime” really only indicates where the cartoon came from, not what kind of product you're going to get.
This week Gunwallace has given us the theme to Just wanna do porn webcomics - A dark room, the air is warm and close. Sweat, passion, heat… the only sound is heavy breathing… as the webcomicer furiously draws the latest issue of their racy webcomic! A lot of moans, vocal distortion and sexy synth music in this one.
Topics and shownotes
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Links
Banes Newspost, webcomics and genre - https://www.theduckwebcomics.com/news/2020/mar/31/webcomics-and-genre/
Trope talk - https://www.youtube.com/user/RedEyesTakeWarning/videos
DD on Discord! - https://discordapp.com/invite/7NpJ8GS
Moderated by Boundbun - https://www.theduckwebcomics.com/user/BoundBun/
Featured comic:
O Sarilho - https://www.theduckwebcomics.com/news/2020/mar/31/featured-comic-o-sarilho/
Featured music:
Just wanna do porn webcomics - https://www.theduckwebcomics.com /Just_Wanna_Do_Porn_Webcomics/, by Arspitzer, rated A.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
Episode 471 - Fantasy
Mar 23, 2020
Today we're having a chat about fantasy fiction! Mainly books and the fantasy writing that inspired us and that we love! Faves like Tolkien, Fritz Leiber and Piers Anthony! Just to define, we're talking swords, elves, armour, dragons etc, in a “medieval” context, generally European. As a subset there's native, Arabian, Asian, Mayan etc, also high fantasy, low fantasy, sword and sorcery, historical fantasy and even mythology…. And then techno fantasy, contemporary fantasy, steampunk, fantasy cyberpunk and so on… but we mainly stick to the mainstream stuff and only just touch on the weird little variations for now.
Episode 469 - The cartoons that date us and Discord
Mar 9, 2020
We're talking about the cartoons that made us! This was inspired by kawaiidaigakusei's newspost from last week about Daria. Daria was a really cool cartoon from the late 90s. It was influential to her, to me as well, and I thought it would be a great idea for a Quackcast to talk about the other cartoons that were influential to us at certain points in our lives.
Episode 467 - Adaptions and Transmogrification!
Feb 23, 2020
The process of adaptation is quite interesting. Stories go through all sorts of changes when they're transferred from one medium to another. A lot of the time we bemoan that as “not staying true to the original” or “the book was better”, but there are many times where the adaption is really interesting in its own right, even though it's quite different from what it started out as.
Episode 460 - Enough trope to hang yourself with
Jan 5, 2020
Happy 2020 all you lovely people who listen to us! What we're talking about today are tropes in fiction that bother us because they don't exist in reality: they ONLY exist in fiction pretty much. In the cover pic we have an image from The Witcher: he has two big longswords on his back. In fantasy people always carry longswords on their backs. This is a trope that only exists in fiction because you can't draw a sword longer than about 60cm from your back. So people just didn't carry swords like this. Even if it was only to transport them (although ta transport only option makes a sort of sense). This was only even rarely done with Asian swords. We'd LOVE to hear about more of these that other people have noticed!
Episode 416 - Making cuts
Mar 4, 2019
The entire team is here this time, no one was cut… So we're chatting about CUTTING, as in cutting out scenes to make a story cleaner, leaner and less flabby, but also NOT cutting because in a webcomic you don't have to, and when you cut badly you end up with a “D movie” effect where story scenes don't follow, don't make sense and plots seem to go nowhere or happen for no reason.
Episode 388 - Coding for Men and women
Aug 15, 2018
In this Quackcast we discuss the artistic coding used to represent males and females in comic art in a simple, minimal way. Pitface joins us, along with Banes and Tantz Aerine! Much like an expert physicist is able to simplify enormously complex equations into something seemingly simple like E=MC2 a good comic artist simplifies the essence of what they're drawing into something that's immediately recognisable without a lot of complexity. We're mainly talking here in terms of drawing men and women. It sounds like the most basic, silly thing, but even pros with years of experience have trouble with it. Some of the art for the new She-Ra cartoon is a great example of that.
Episode 387 - History and Pastiche
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
