Nov 19, 2018
This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.
Topics and Show Notes
Stan Lee was instrumental in creating a unified fantasy universe populated by a pantheon of godlike superheroes with very human thoughts and failings. Not only that but he helped elevate comics as a medium to the mainstream. No longer are comics seen as something just for children. Cartoons, fantasy, Scifi, and comics have been rightfully elevated to the mainstream where they belong as valid forms of artistic expression. People no longer have to apologise for or feel ashamed of liking them either. You're free to consume or create the media of your choice and Stan Lee was a massive part of that.
This is why the remarks by Mr Maher about Stan Lee are problematic and ill-judged. He said that the veneration shown for a creator of comics, which are “only meant for children”, shows how the US has been dumbed down and why someone like Donald Trump could have been elected.
I'd contend that the reason for “Trump” and people's idea of politics being dumbed down is that we now get most of our political commentary through comedians. They have helped turn complex subjects into simplistic black and white caricatures because that's how comedy works. It's great for breaking down ideas and giving you a simple primer to understand them, but when comedians and partisan talking heads are your main sources then things are going very, very wrong. Bill Maher IS the problem, not people liking comics. If anything, Stan Lee worked to do the opposite; his characters weren't simple 2D cut-outs (like Maher's version of political figures), they were complicated and human. These were A-political characters who strived to do what was right outside of mere party affiliations.
Then we transition into my idea of the “new puritans”.
There's a slow tide of people coming out against sexuality in art. It comes from both the left and right so there's no real political platform. I feel it's very much related to the same point of view that Bill Maher has about comics: this is media for children and we must protect them from anything grown up. When in reality all we end up doing is insulting and infantilising adults when we attack sexuality in media, whether in games, cartoons, books, comics or movies.
This is no more clearly shown than in the word these people use most often: “Sexualise”
They claim that characters are “sexualised”. You cannot sexualise an adult or teen. By biological, physical definition we are ALL sexual past puberty. That doesn't mean we have or even want sex, it means we have sexual traits and that's all it means. You can “sexualise” a non-sexual thing like a toaster or a car but it's impossible to do that to a teen or adult. Sexual traits in adult characters are healthy and normal. I contend that the need to remove them is a perversion.
This is NOT to say that sexual traits in characters should be over-emphasised. What these people really mean when they focus on sexuality is “EROTICISM”, and that is a very important distinction. It has little to do with sexuality though so it's NOT a mistake that should be overlooked. There is a time and place for eroticism and we should never foist erotic depictions where they don't belong or onto audiences that should not be exposed to them. But we should also guard against hyper-vigilance or start attacking any depiction that shows sexual traits.
Ask yourself: Is the character sexual? If yes, then is the depiction erotic? Then is eroticism appropriate for the context of the work, its audience and where it is sold? Those are the questions to ask, not weather or not a male has a bulge or a girl has prominent breasts.
This week Gunwallace has given us the theme to Quixote Coyote… Let’s get a little chaotic with this quixotic jazz jam for Quixote Coyote! Let the organs fill your body (no, not those sorts of organs), let the drums be your heartbeat, and the trumpet will chase the electric, eclectic thoughts in your brain.
Topics and shownotes
Only for Patrons who donate $5 or more, here:
Belle Starr - https://www.theduckwebcomics.com/news/2018/nov/12/featured-comic-belle-starr/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Quixote Coyote - - https://www.theduckwebcomics.com/Quixote_Coyote/, by cjoe1377, rated E.
Nov 12, 2018
In this Quackcast DD members tell us about their history with us as well as the pros and cons of webcomicing. This is the 400th episode of the Quackcast! That means we've been doing these for over 8 years now. That's quite a milestone for a podcast. We have JustNoPoint over to help us out, he's a Patron at the $20 “Royal” level so he gets a few perks. JustNoPoint has been with us since 2006 with his comic The Devon Legacy. He managed the awards for many years and was crucial to us getting the site back online when we had our hard crash in August of 2013 that destroyed the site so thoroughly that it had to be rebuilt, a job which took us all TWO months!
Jul 23, 2018
You may have read about how a conspiracy theorist dug up some 10 year old tweeted jokes by director James Gunn and got him fired from Disney… Well that incident inspired this Quackcast, which is a re-take on the whole personal brand idea that we discussed in Quackcast 289.
Jul 2, 2018
We talk about all the new upgrades that DD has just gotten: the new comment notification and reply features (a huge thank you to all who donated and helped out with that!!!), our new notification icons, getting HTTPS on the site, moving to the new ad system after the fall of Project wonderful, maybe starting a Patreon for DD, and Tantz's Sunday Twitter features. We also chat about Tantz's latest newspost and Mks Monster's thread that it was based on: basically the idea of forcing creators into boxes. The idea that women should create certain kinds of work and men should create others. Gunwallace gave us a lovely theme to Sky Commander. This is a very futuristic sounding track, at first glance it’s a little modern for the 1940s set comic but I like to think of it as the flight theme of the Sky Commander as he zooms through the clouds in his shiny metal Streamline Moderne gear, producing an expanding vapour trail behind him, crisp and white against the eggshell blue sky.
Jun 18, 2018
ALL the tropes!!!! Based on Emma Clare's newspost, tropes are damn useful but they can also be your undoing if you handle them badly. Tropes are shortcuts to meanings, scenes, procedures or jokes that take too long to set up in their own right. You can use them like prefabricated parts to build your story, Lego if you will. You really should know how to use them correctly though. If it's for jokes, then work on them and expand on them, if it's for more serious stuff then you should know WHERE those tropes come from so you use them correctly. We chat about tropes, boob-slips, Doki Doki, Baka and Test, Kung Fury, Satan Ninja 198X, and Vaporwave among other things. Gunwallace gave us a lovely theme to Yasu no Monogatari this week: Floating out on a blue river of dreams into an echoing crystal cave illuminated by thousands of refracted glittering lights, traveling on your way further underground, deeper and deeper to more exciting and mysterious sites.
May 28, 2018
kawaiidaigakusei makes a return to the Quackcast! Together with the crew we chat about some of our favourite comic making tutorials on DD. Yes, there IS a tutorials section on the site and people have created some amazing and clever tutes on how to both write and draw better when making your comics. There are some cool instructions on how to make better pages, write scripts, do rain effects, all sorts of shortcuts and clever tit-bits of info to have you creating like a pro. This week Gunwallace has given us the theme to Potato and Kraut. Feel the gigantic weight this music layers onto your shoulders. A synthesised torrent of gravity, followed by the heavy, deep notes of a piano dropping on top of you like frozen slabs. The torrent slowly eases, brings light and relief, then fades away.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Apr 30, 2018
In this Quackcast we use the movie Avengers: Infinity War as an excuse to chat about grey characters and how that applies in the Marvel universe. In truth we don't touch much on that movie but we do chat about a few of the other marvel superhero movies and “grey” characters in general, Tantz is of the opinion that “grey” characters are rarely truly grey.. My favourite quote from Tantz was “It's hard to punch the bad-guy while you're punching yourself”. Do the Marvel movies follow the comics or do the comics follow the movies? We'd love to know! This week Gunwallace has given us the theme to Alienated: This is as if Joni Mitchell wrote a classical adventure anthem. This tune urges you on into the vastness and glory of nature. You are Caspar David Friedrich, A Wanderer Over A sea Of Fog, with the world in all its awesomeness spread out far below you.