Episode 592 - Back in MY day!
Jul 18, 2022
History is happening faster now. With the growth of universal high speed communication and cheap world travel, culture and technology move at unprecedented speeds. Because of these factors the rate of change is different to what it was at any time in the past. This is an objective and verifiable truth rather than subjective perception: the current speed and quality of global communication has never been possible before and that has ramifications for how the world changes.
Topics and Show Notes
This topic was inspired by Banes's newspost last week about how a huge stoush on American late night TV only a little over ten years ago is now unrelatable history; something that was so important then is largely meaningless now. A fight over TV time-slots lacks meaning for us now because time-slots are irrelevant, not to mention most people would rather stream than watch TV. And yet at the time it was vitally important, as it would have been in the 60 years or more before that.
My cover image references phones and how they've changed at an ever increasing rate over the years. They've changed so fast and so universally that you can date when something was made to a granular degree just by seeing a phone, to the year. In the past you could read an old comic or see an old TV show and there weren't that many differences to the present day because things changed slower. You could see that fashions and the styles of things had changed but mostly it was still all very relatable and you could not easily pinpoint the date of something to the year it was made from only a single item of tech.
The pace of change means that many stories happen in ways today they couldn't in the past, but it also means much more things from the past are harder to relate to for people who've had no direct experience of them in the historical contexts they came from…
What are some of the things you recall that have no meaning today?
This week Gunwallace has given us a theme to FrayFall - In the words of the maestro: “Still in a soundscape sort of mood. Calmness, but demons lurking is what I was going for”… And this is what we get with a seemingly serene landscape of slightly pulsing tones, fading in and out and overlaying one another like the calls of distant whales in the green-deep open ocean… But the thing about depths is that you never really know what’s lurking down there, just out of sight.
Topics and shownotes
Links
Banes' Newspost about modern period pieces - https://www.theduckwebcomics.com/news/2022/jul/11/you-call-that-a-period-piece/
Featured comic:
Book in Hat - https://www.theduckwebcomics.com/news/2022/jul/12/featured-comic-book-in-hat/
Featured music:
FrayFall - https://www.theduckwebcomics.com/FrayFall/ - by Frae, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Episode 590 - Fave Superhero Movies?
Jul 4, 2022
I wanted to do an easy and fun one this week and just chat about our fave superhero movies, starting with our firsts! For me and Banes it was Superman with Christopher Reeve. It's a real classic, full of positivity, hope, and optimism, all with bright colours and classic iconic imagery… In that way it's a bit like many of the Marvel films and the more popular DC offerings like Aquaman and WonderWoman, but without the overbuilt and over-defined muscles!
Episode 589 - AB positive
Jun 27, 2022
A and B stories… And C, and D etc. It seems that it's more popular than ever to have stories with multiple concurrent threads. This is when you have a main story and a bunch of other sub stories all happening at the same time. These might come together at the end of the story or they might peter out. We don't get many stories just made with just an A-plot and nothing else these days.
Episode 588 - Revisiting Old Ideas
Jun 20, 2022
Sometimes it's worth revisiting old ideas because you can do them better or explore them deeper. This could be in the form of a full reboot, or it could be as simple as reusing a pose in a panel or using the same theme again like Pixar does with 90% of their output i.e. “coming of age”. Like them you don't need to feel obligated to always do something totally original, revisiting old ideas is a great way to refine them, create better work, or explore different aspects of them you hadn't considered before and put new and interesting spins on things. Consider that Pixar's Turning Red, Encanto, Moana, Coco, The Incredibles 2, Ratatouille, Inside Out, Brave, Onward, and Luca all share the same “coming of age/childhood independence” theme and yet all do it in unique and original ways, exploring different aspects of the idea from all sorts of angles.
Episode 587 - Heroes who are Villains
Jun 13, 2022
Our very own Tantz made a newspost last week about the idea of “Heroes” who are really villains… or at least they're actually villains who think they're the hero, but come to realise that they aren't. Sometimes that makes them change their ways and they seek redemption, maybe even becoming a true hero. Sometimes they just lean into and embrace their true villain nature.
Episode 585 - Adaptation
May 30, 2022
Adaptations of one thing into another is an interesting process. What's lost, what's gained, what modifications do you have to do to make it happen? As webcomicers we do it all the time in many ways, we have to adapt our influences into ideas, adapt those to stories, and adapt those to images and comics, which isn't trivial! It's often quite difficult to transform the written word into narrative sequential art- what portion of the writing gets directly turned into images, what's cut, and what becomes dialogue? For me about 20% is cut, 78% becomes art and 2% becomes dialogue or captions.
Episode 583 - Why is it bad?
May 16, 2022
Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?
Episode 580 - Fantasy worlds crossing over
Apr 25, 2022
The full team is assembled yet again! Tantz came up with the idea of having a look at hidden fantasy worlds in fiction that have strong ties with the “real world” and how they function together. Her main example was the world of Harry Potter which has many strong connections to the real world and yet manages to stay very well hidden, which stretches plausibility a bit. The World of Casandra Clare's Mortal Instruments is similar in that regard, it's deeply tied to the mundane world and yet it stays hidden from it to a degree that isn't really possible.
