Episode 535 - the teachcast
Jun 14, 2021
Webcomicers need to learn to draw and write in order to become webcomicers. There are many other skills and also different ways to make webcomics, BUT most of us draw and or write. Here Tantz and I talk about terrible teachers of these skills and better ways to learn :) (Also, Jason from Friday the 13t is a big fat buttface)
Topics and Show Notes
When it comes to creativity it's a tricky thing to learn and teach, Mainly the most important thing is learning the raw skills you need in order to produce that creativity. A bad teacher will try and impose their own notion of creativity on you, use jargon, skip steps and basically not explain to you WHY you do certain things. Good teaching in creative feilds is about skills, techniques, tools, learning the terminology, and the reasoning behind things.
What were some of the worst and best expereinces YOU had when learning to draw or write? Who were the bad teachers, the good teachers, the bad lessons and the good ones?
This week Gunwallace has given us a theme to Necroblivion - The raw, bussing fuzz of distorted electric guitar over calm, almost celebratory rhythm driven music brings to mind the sounds of North African Tuareg band Tinariwen. This is quite a positive vibe and a very African sound.
Topics and shownotes
Links
Featured comic:
Fatman - https://www.theduckwebcomics.com/news/2021/jun/08/featured-comic-fatman/
Featured music:
Necroblivion - https://www.theduckwebcomics.com/Necroblivion/ - by Paneltastic, rated M.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
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Episode 532 - Fixing art to make it less sexy?
May 23, 2021
Tantz made a great newspost about this little trend of “fixing” people's art to make it less sexy, as if there was something wrong with sexy art. I think worst about it though is the implied moral superiority of the “fixer”. They're judging the art as non-realistic and “bad” (because it's sexy), and they set about “fixing” it to gain some sort of social kudos, slimming busts, increasing the girth of the figure, making their pose less provocative etc… I think the exercise would be perfectly fine if the context and the attitude wasn't one of “I judge this art to be BAD because it's sexy, I am fixing it to make it non-sexy and that will make it better! And you will all agree that the original was shit and I have improved it!”.
Episode 526 A return to Mary Sue!
Apr 12, 2021
Mary Sues are always a fun topic! There are some misconceptions about them though… Mary Sues aren't all female, they can be any gender. Being super powerful or super popular or super pretty etc doesn't equal a Mary Sue, not even if your character super stands out next to all the others, those things ONLY indicate they might possibly be one. What equals a Mary Sue is a character that doesn't have to struggle very hard for anything, a character that is almost universally admired, and or loved (even by the enemy), a character that masters hard skills with ease and ends up teaching the teachers and beating the masters, a character that's destined to succeed and does in spite of internal story logic… All these things and more can add up to make a Mary Sue.
Episode 525 - Sexual Tension
Apr 5, 2021
Sexual tension between characters is a great way to augment the conflict that drives a story. The audience really wants that to resolve into a relationship or at least an assignation of some sort… The longer it goes on though, the bigger they want the coming together to be, which can be dangerous for the creator because it's so easy to disappoint. it's usually better to resolve the tension earlier than later, OR keep it going forever but keep it interesting and don't ever sour it or make it turn stale.
Episode 507 - Say my name again!
Nov 30, 2020
Coming up with character names isn't easy. It can actually be really, really hard! Tantz did a couple helpful Newsposts about it and we decided to spin that into a fun Quackcast about naming and names! The names behind stuff often has interesting stories, the Quackcast itself is no exception. When Wowio told us we had to do a podcast back in the day we tossed around a few names and the one they came up with was “Quackcast”, because of the whole “duck” theme we have going here. I protested because there was a highly regarded skeptical medical podcast with that name already run by Dr Mark Crislip, but I didn't have any real say and so the name stuck! When I DID have the power to change it, it was already way too entrenched.
Episode 496 - titular titularity!
Sep 14, 2020
Titles are surprisingly important for your comic! We don't often realise that when we first start them, but a title is one of the very first ways people come across your work. You have to sell it to them and give them an idea of what to expect in only a very few words. You can take a lot of different approaches to that, like teasing and intriguing them with a title that suggests something interesting or mysterious, character names are great for that. You can be completely literal and obvious. You can use a pun… you can take an existing popular title and alter it in a slight way… There are so many things you can do!
Episode 494 - No antagonist is the best antagonist?
Aug 31, 2020
Does a story always need an antagonist embodied in the form of an active character? I don't think they do! We chat about examples of stories without antagonistic characters that work just as well, if not better than the reverse! This is based on Bane's newspost from last Thursday (link in the notes). Tantz and I have a long argument about what the main antagonist in Wall-E was! I think that a lot of the better Pixar movies don't have their main antagonising force embodied in characters- Inside Out, Moana, Coco, Wall-E etc, and we they do they're not quite as strong or as touching. Even in Up the villain in that only plays the main antagonist for a short time. What d you think?
Episode 481 - Fun with history?
May 31, 2020
Today we're chatting about using historical stuff in your story and knowing how to use it right! Sometimes it's good to change stuff and sometimes it's not. The thing is that you should ONLY change it if you know what you're doing and why you're doing it. A good example is A Knight's Tale- It has a historical setting and there are a lot of deliberate historical anachronisms in it, and they're all very obvious, they do not pretend to be anything but what they are.
