Episode 592 - Back in MY day!
Jul 18, 2022
History is happening faster now. With the growth of universal high speed communication and cheap world travel, culture and technology move at unprecedented speeds. Because of these factors the rate of change is different to what it was at any time in the past. This is an objective and verifiable truth rather than subjective perception: the current speed and quality of global communication has never been possible before and that has ramifications for how the world changes.
Topics and Show Notes
This topic was inspired by Banes's newspost last week about how a huge stoush on American late night TV only a little over ten years ago is now unrelatable history; something that was so important then is largely meaningless now. A fight over TV time-slots lacks meaning for us now because time-slots are irrelevant, not to mention most people would rather stream than watch TV. And yet at the time it was vitally important, as it would have been in the 60 years or more before that.
My cover image references phones and how they've changed at an ever increasing rate over the years. They've changed so fast and so universally that you can date when something was made to a granular degree just by seeing a phone, to the year. In the past you could read an old comic or see an old TV show and there weren't that many differences to the present day because things changed slower. You could see that fashions and the styles of things had changed but mostly it was still all very relatable and you could not easily pinpoint the date of something to the year it was made from only a single item of tech.
The pace of change means that many stories happen in ways today they couldn't in the past, but it also means much more things from the past are harder to relate to for people who've had no direct experience of them in the historical contexts they came from…
What are some of the things you recall that have no meaning today?
This week Gunwallace has given us a theme to FrayFall - In the words of the maestro: “Still in a soundscape sort of mood. Calmness, but demons lurking is what I was going for”… And this is what we get with a seemingly serene landscape of slightly pulsing tones, fading in and out and overlaying one another like the calls of distant whales in the green-deep open ocean… But the thing about depths is that you never really know what’s lurking down there, just out of sight.
Topics and shownotes
Links
Banes' Newspost about modern period pieces - https://www.theduckwebcomics.com/news/2022/jul/11/you-call-that-a-period-piece/
Featured comic:
Book in Hat - https://www.theduckwebcomics.com/news/2022/jul/12/featured-comic-book-in-hat/
Featured music:
FrayFall - https://www.theduckwebcomics.com/FrayFall/ - by Frae, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Episode 591 - Superhero types?
Jul 11, 2022
The Superhero movie cast last week was popular, I wanted to chat to Tantz about different types of superheroes. We all know that the same kinds of superheroes seem to popup and reoccur in multiple forms all the time, even within the same worlds, i.e god-like superheros like Superman, Captain Marvel, Omni-man, Homelander, or Magical types like Doctor Strange, Zatana etc. It was a fun chat about all the categories and subcategories we could think about!
Episode 588 - Revisiting Old Ideas
Jun 20, 2022
Sometimes it's worth revisiting old ideas because you can do them better or explore them deeper. This could be in the form of a full reboot, or it could be as simple as reusing a pose in a panel or using the same theme again like Pixar does with 90% of their output i.e. “coming of age”. Like them you don't need to feel obligated to always do something totally original, revisiting old ideas is a great way to refine them, create better work, or explore different aspects of them you hadn't considered before and put new and interesting spins on things. Consider that Pixar's Turning Red, Encanto, Moana, Coco, The Incredibles 2, Ratatouille, Inside Out, Brave, Onward, and Luca all share the same “coming of age/childhood independence” theme and yet all do it in unique and original ways, exploring different aspects of the idea from all sorts of angles.
Episode 586 - Working with disability
Jun 6, 2022
How do you keep on with your creative output when something happens to you? When you lose function or are impaired in some way, how do you adapt or relearn so you can keep on as you were before? Maybe you can't and have to change to another medium that's a better fit for your abilities? Comic creator Bravo1102 once talked about how he moved from drawing to using action figures to make his comics partially because of his eyesight. My own eyesight has suddenly started to go bad and I'm having to adapt to that, and Tantz tells us how her deteriorating eyesight forced her to work digitally.
Episode 584 - Drawing gender
May 23, 2022
We start off with the idea of talking about art techniques, tips and tricks we've mastered and could help people with but the cast turned into a discussion about drawing male and female characters- also trans, androgynous, etc. There's an art to representing gender in imagery! It's super important to remember that the way we see gender in art is mainly culture based rather than an innate biological reaction and the perception of gender in art is different according to your cultural background. It's basically a visual language that everyone learns, but as an artist you have to learn to actually “speak” it, and that's not as straight forward as you think.
Episode 583 - Why is it bad?
May 16, 2022
Spoiler- we don't actually talk much about Yu-Gi-Oh! But I feel it's a good example of a pretty bad a so-bad-it's-good story, but bad nevertheless. The idea we're talking about here is that it's useful to look at bad stories and stick with them because they can really help you write better. They're a lot more useful than good stories because you'd rather just enjoy those and it's a bit harder to examine them for technical details, but with “bad” stories the faults stand out strongly. Instead of simply dismissing a bad story or making fun of it, it's more useful and valuable to try and “fix” it: try and work out why it seems bad and think about what would be needed to make it better, then think about how that applies to your own work. Maybe you're actually making many of the same mistakes?
Episode 582 - Time travel
May 9, 2022
Let's go forward in time to the past so we can get back to the future and kill our grandfather and be our own ancestor while we step on a bug and change the course of evolution 200 million years in the future and doom the Morlocks to a date with Doctor Who, while Bill and Ted drive a Delorean in the Old West and save Fry's dog as it waits out the front of the Pizza place… Time travel is fun to talk about, but it's easy to mess up because paradoxes in plots pop up all over the place as timelines intersect and cross over and over, getting tangled and logically prevent events that have already happened from happening!
Episode 580 - Fantasy worlds crossing over
Apr 25, 2022
The full team is assembled yet again! Tantz came up with the idea of having a look at hidden fantasy worlds in fiction that have strong ties with the “real world” and how they function together. Her main example was the world of Harry Potter which has many strong connections to the real world and yet manages to stay very well hidden, which stretches plausibility a bit. The World of Casandra Clare's Mortal Instruments is similar in that regard, it's deeply tied to the mundane world and yet it stays hidden from it to a degree that isn't really possible.
