Aug 17, 2020
This Quackcast is about the impermanence of online services and the lie that services are provided for fee and providers have no responsibility to the creators and viewers that use them. Hushicho posted in our forum about Tapas newly restricting nudity in comics which suddenly disenfranchises hundreds of creators who've built up followings on that site with comics that were well within the the Tapas content rules. With that one change these comics have been wiped out, destroying all the hard work by creators to build up their audiences over a long period of time. That can happen with ANY digital service, we are at the mercy of the corporations that provide them.
Topics and Show Notes
One might say that these things are “free” services and that the hosts have a right to do whatever they like, they provide it all for us and we just use it, but that's not actually true. ALL digital services are completely dependent on their users and content creators for their existence. Sites like YouTube would not exist if it wasn't for the users that content creators bring in through their own hard work and money. And those passive audiences themselves are also responsible for YouTube existing because it's them who bring in the ad revenue and use the services google sells through the site, as well as exploiting them by onselling statistics about their online viewing habits and information about their other online behaviors. Even us on DD, who make no money of off our users and collect zero information about people, we STILL rely on content creators and their audiences for out existence because if there were no people to post comics on our site and no one to read them then we'd have no point and we'd shut down.
What we chat about here is the fact that you can't rely on any one service, no matter how big the company (i.e. Facebook, Google, Apple) to respect your content and to always be around. Services aren't as free as they seem and they're more than happy to exploit you and then discard you. So the answer is to diversify and use as many different ones as possible! Don't be loyal to them because they're not loyal to you! I'd say the one exception is Drunk Duck because we really DO care about and respect our members but the the reality is that no online service is completely safe: even though we are one of the longest running comic sites (18 years and counting), there have been times in our distant past where our service was unreliable and we were even down for almost 3 months once. So mirror your work and do not become reliant on subscription services.
The musical feature this week that Gunwallace has given us is theme to Ingenimia Aus - The start reminds me a bit of Cowboy by Bon Jovi, It has an awesome mystical, exotic medieval guitar sound. This one really takes you away to another place and time with its atmospheric synths, hand drum percussion, and delicate guitar sounds. I love it when the rhythm is taken over by tapping on the guitar strings, it’s a very pretty sound.
Topics and shownotes
Join the Discord server to chat in real time with other DD comics people - https://discordapp.com/invite/7NpJ8GS
Death-knell for Tapas, by Hushicho - https://www.theduckwebcomics.com/forum/topic/178480/
Filaments a KerBop Story - https://www.theduckwebcomics.com/news/2020/aug/11/featured-comic-filaments-a-kerbop-story/
Ingenimia Aus - https://www.theduckwebcomics.com/Ingenimia_Aus/, by DFlimbingo, rated T,
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Pit Face - https://www.theduckwebcomics.com/user/PIT_FACE/
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Jul 29, 2019
Today we cover the interesting trope of the “old warrior”. This was based upon a newspost Banes came up with last week. He was thinking of Captain Picard in the latest Star Trek series and he also brought up Luke Skywalker from the latest Star Wars movie. The “Old Warrior” makes a really cool protagonist, in this Quackcast we try and discover why that is…
Aug 7, 2018
In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
Mar 12, 2018
Today we interview Princess January, supported by her ever dependable VinoMas! Princess January kicked off the interview in full patriotic fashion as she melded perfectly in commander in chief, wearing looks inspired by George Washington, John Adams, and Thomas Jefferson, and looked very fashionable doing it. The reason for US President Collection was of course to promote the DD fashion forum and the Pageant comic. You should all submit some designs to it. There's noting more fun than dressing your characters in fancy duds and getting waves of appreciation from all their admirers for the sartorial clothing choices! So what are you waiting for? Join the pageant today. Join it! Aren't you proud of how amazing your character's clothing is? Or just pop on over and admire the designs and creativity! This week Gunwallace has given us the theme to Card Commander: American marching band military snare drums blast you into the the beginning of this track, closely followed by a complex interweaving of sound as it builds higher and higher towards the ultimate conclusion!
Dec 11, 2017
n this Quackcast we cover a few different things! FIRST up is our latest campaign to give YOU comment and reply notifications so that you can see who has commented on your comic pages easily, you can respond to them right away, then they'll KNOW you replied and they can respond back and so on. But before we can do that we need to raise money via Indiegogo to pay for it. YOU will be helping to pay for a feature that you want. That's how the site works these days, it's our site: yours and mine. In the next part of the Quackcast we have a series of short plays that we act out. They're based on comics here at DD. We start out with custom scripts written by Tantz Aerine for Without Moonlight and Brave Resistance. And then we have a go interpreting comic pages of The Epic of Blitzov, Bottomless Waitress, Typical Strange, and Pinky TA. Which brings us to our next thing: One of the perks you can pay for to help us out with our campaign will be a custom script based on your comic. WE will write it and act it out. YOU don't have to do anything but donate. Finally we have a note from KAM that we read out, informing us of the experience of adapting his comic into a script structure and we talk about that ourselves. If you'd like to write a script for us to act out on the Quackcast, just PQ me and I'll tell you where to send it. :) This week Gunwallce has given us the theme to Bram and Vlad: Welcome to the mysterious, echoing notes of a celestial funhouse. Then settle down to a demonic, yet friendly game of cards accompanied by a jaunty, yet cheeky tune on the piano!
Aug 28, 2017
This week we interview the artist and creator of the comic Kings Club, AmeliaP! Her comic was featured and Gunwallace also gave it a theme tune that was featured in Quackcast 335. AmeliaP is a talented professional comic creator and game designer. We couldn't interview her directly because she's not confident enough in her spoken English, so what we've done instead is read out a written interview that I did with her especially for this Quackcast. Amelia has some surprising and valuable insights for comic creators. You can read the full text of her interview bellow. Gunwallace's theme for the week was for Abejitas - This tune bounces in like a wild thing, spinning and buzzing crazily, full of black striped yellow techno sweet honey madness and rapid wingbeats of energy, this will sting you into full awareness!
Jul 10, 2017
Starwars, Ender's game, Captain America… All these are great examples (or bad ones) of “retcons”. But what IS a “retcon”? What it means is that you go back and change an established work by adding new information that has the effect of changing it in a small or significant way. You might do it in your comic, or a director might do it to a movie series, like George Lucas did famously with Star Wars: introducing concepts like “midi-chlorians” as an explanation for the force, having Han shooting Greedo second, sticking Hayden Christiensen in Return of the Jedi, among other things. A lot of the time this has the effect of pissing off audiences who've consumed the story and enjoyed it because it alters or even destroys the understanding they've built up based on it and the relationship they have wit the work. Retcons happen frequently in the comic world because publishers have to keep their franchises interesting and saleable to audiences, so origin stories get updated all the time for example. A huge recent retcon was Captain America revealing he'd been a long time sleeper agent for Hydra, which has the effect of messing up stories going back over 50 years… The writer Orson Scott Card had a great deal of success with his novel “Ender's Game”, but for some reason he can't stop retconning it, going back and adding and editing new bits and re-publishing it every few years, and most egregiously penning prequels from another character's perspective that retcon the original story entirely. As web comic creators we have the role of god-author so we all have the temptation to retcon at one stage or another. Can it ever be a good thing? Is it worth pissing off readers who have an emotional investment? Gunwallace's theme for the week was for Optimum: the future is here and it’s in space! This tune is so upbeat, positive, fun and futuristic, it really exemplifies the cute colourful graphics of Skreem’s comic.
May 2, 2016
Never let historical accuracy get in the way of a good story… at least that's what Bravo proposes. We stole his thought provoking forum post subject for the topic of this Quackcast. This is how Bravo goes on to explain it: “So how do feel about that? Should exact adherence to the historical record be allowed to wreck your wonderful fiction? If so how much dramatic license is too much? What are your favorite examples of how they got it wrong and how they got it right? And what if just a touch more research would have revealed that the historical story was better than what the fiction writers concocted? How tragic is that? And what about the usage of known historical mythology/hoax as in the Da Vinci code?” The frisson between story requirements and known historical record is pretty interesting. In Hollywood the former wins out EVERY single time and usually it doesn't result in a better story anyway, but as we discuss in the Quackcast there are OTHER reasons than simple bad writing choices for not sticking to the real story and trying to hammer everything into the Hero's Journey template.