Episode 501 - Horrorcast

Oct 19, 2020

We are the Pretty Things That Live in the House! We all dressed up for a Halloween themed cast today! You can see our weird looks in our Patreon video ($5 and up subscribers). Pitface was a yellowfaced corn vampire with amazing teeth (very midwest), Banes was an old, oooooold terrifying baldy vampire, Tantz was a beautiful, big eyed doctor vampire, and I was an 18th century Vamp (Lestat/Varny), with a face messy with the blood of my victims! And I had in rubber fangs held in by chewing gum, just like a REAL vampire, because the denture glue didn't hold in my good fangs… it just filled my mouth with disgusting glue that stuck all over my teeth XD

Topics and Show Notes

We had a loose discussion this week about the amazing tradition that is Halloween, and it being a very cool North American export. They say it has European roots and things, but that's not what Halloween really is, North America turned it into something amazing and that's how we all know it. People think of it as vaguely pagan or maybe demonic, but the truth is that it comes from an extremely Christian culture. It's a sort of transgressive, fun celebration in the vein of Carnival where people use it as an excuse to play on a darker side that they'd normally avoid as well as have fun and get into costumes. Ironically, only a very Christian, puritan culture could produce such a festival.

We also chat about our favourite horror movies, ones we've recently seen, what works in horror and what doesn't! For example, I think that the movie Hereditary is a wonderful unintentional laugh riot for so many reasons, while Pitface has a very different view. We talk about how clowns are related to trickster traditions and can be scary, nasty things in culture well before John Wayne Gacy and later IT. Our converstation wonders but we try and keep it focussed on horror and scary stuff! We even chat about 200AD comics, which have long included many horror elements. Indeed the horror film “Hardware” was plagiarised from a 2000AD comic called SHOK.

This week Gunwallace has given us the theme to Space Pirates of the Black Quarter - Space techno future! Dinging pulses launch us into a star speckled hyperspace. We’re lulled by the gentle techno rhythm, till a glaring buzz comes along to disturb us, a warning of what’s the come… The lulling rhythm soothes us once more till we’re shocked by a sudden burst of acceleration and a return of the fuzzing buzz!

Topics and shownotes

Links
Quackcast 500 video from last week with a whole lot of DDers! - https://www.youtube.com/watch?v=i8dic_cB0mU

Featured comic:
Matriarch - https://www.theduckwebcomics.com/news/2020/oct/13/featured-comic-matriarch/

Featured music:
Space Pirates of the Black Quarter - - https://www.theduckwebcomics.com/Space_Pirates_of_the_Black_Quarter/, dpat57, rated T.

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Banes - https://www.theduckwebcomics.com/user/Banes/


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Episode 417 - Can we be better?

Mar 11, 2019

3 likes, 0 comments

What is Social Marketing? Basically its word-of-mouth and viral marketing smashed together and weaponised: Marketing companies hijack hot-button social issues and hitch their client's brand to them in clever campaigns (“We can be better”, etc). The purpose isn't really to make a brand seem progressive, modern or new, rather it's another way of getting it trending on social media that's guaranteed to work, unlike the legion of hit or miss but mostly failed “Viral” campaigns. Whether people say negative or positive things about this issue is irrelevant to the marketer, as long as people are talking about the brand is all that matters. Free advertising is the goal, but it has a social cost.

Episode 405 - Escape from Tumblr!

Dec 16, 2018

2 likes, 5 comments

On the 18th of December people who post things with nudity on Tumblr will be kicked off the site. That means all the adult bloggers, comicers and things that made that journalling site stand out above the rest of the vast sea of blog sites and image hosts are being screwed out of what they helped build up! The reason of course is to make the site more attractive to advertisers and so it can more easily fit the standards of puritanical companies like Apple and Google who have taken it upon themselves to scrub the world clean of anything that defines us as adult human beings.

Episode 378 - Your best work, Comicsgate, Mark Wade, Tantz comic spotlight, Twitter

Jun 11, 2018

3 likes, 6 comments

We have community contributions for this Quackcast! Many DDers told us about their best work and we read that out and chat about in on the Quackcast. We talking about promoting comics through DD's Twitter account. The DD awards have begun, get in on them and get nominated! Tantz Aerine wants to promote comics so send stuff to her.The we had a really long and interesting chat about Comisgate and Mark Wade and then Pitface had a meltdown :D This week Gunwallace has given us the theme to Completely unrelated. Slide into coooooool. This is crystal white acrylic decor, this is a level above, this is music for the sophisticated. Feel your stresses melt way as you float off with the smooth jazz. Pure pleasure.

Episode 348 - Action Talking

Nov 13, 2017

3 likes, 2 comments

Special treat at the start of this Quackcast, a Spang news announcement from the oooooold days of DD! This week's Quackcast is on the interesting notion that talking CAN be action. It's based on a newspost of Tantz's. I'm not quite bright enough to fully explain it here so I'll quote Tantz: “Often in making webcomics, creators may try to have more action than discourse, as it tends to make the comic more visually interesting and give opportunities to avoid ‘talking head’ scenes. However, I think that sort of conundrum is a potential trap that might prevent creators from truly making use of all the potential their story and characters have- because if done right, everything on the webcomic page IS action. Discourse or discussions between characters have a natural dynamic and pacing that has to be tapped in, in order to make the scene itself dynamic and powerful even though the character’s aren’t physical with each other.” Basically, even the talking IS action, not separate from it. The talking give the action meaning and context after-all! This week Gunwallce has given us the theme to Energize: Serious beats, plodding purposefully, harsh guitar, flashing like the pulse of a police light, eclectic electric rock, flavours of early 80s ska and post-punk create an unusually tasty mixture!

Episode 345 - Horror no horror

Oct 23, 2017

3 likes, 3 comments

Does a horror film without the horror still make sense? If it does then it's probably a really good film… that's what we're talking about in this Halloween themed month! The idea was based on a recent newspost by Banes. We also tapped the massive resource that is Banes for our cover image, which comes from a horror short by Bane's film director brother. Check it out, the link is down bellow. That film, Little Matthew, is a good example of the topic… I won't spoil it, but the scenario and the setup of the film could work just as well without the horror part. The characters are believable and you want to know more about them, this helps you start to care about them, which makes the advent of the horror scenes more effective. In the Quackcast we chat about that, examples that fit the model and possible exceptions. This week Gunwallce has given us the theme to Pulse Comics. It's Creepy, creepy pulsing electronica, like the burrring, burning and zapping sounds of industrial lasers and mechanical robot arms moving in precise, regular rhythm with delicate movements in a vast, echoing fully automated factory of the future.

Episode 325 - walk the line

May 29, 2017

3 likes, 1 comment

In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site.

Episode 309 - boring action scenes

Feb 6, 2017

3 likes, 0 comments

What makes an action scene boring? Action scenes should be exciting and fun, but often it's just the opposite! In this Quackcast we discuss the topic of Tantz's newspost from the other day and tackle this hard question. These were Tantz's conclusions: - You don’t yet care enough for the characters involved in the action to worry about them; - If the action is introductory you don't get to understand what's happening enough to care; - The action is badly choreographed or ‘cut’ in a way that the audience can’t understand what is going on; - The action is too much too soon, and back to back; In this Quackcast we try to delve a little more into that :) The featured music this week by Gunwallace was for Starfox Adventures The Comic: Firing the main rockets and racing through space, laser pulses and bolts of plasma streak past in glowing lines of destruction as you smoothly barrel roll to avoid them.


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