Sep 21, 2020
Today we're talking about the idea that entertainment aimed at kids can only be enjoyed by kids and the reason that adults often don't like kids things is because adults just don't “get” them. I contend that everyone, of all ages should be able to enjoy General or kid rated media and the true reason we don't is not because it “isn't meant for us”, it's because it's simply badly written - specifically, it's not the content that's annoying, it's the structure.
Topics and Show Notes
The reason why some kid's shows are so boring and awful to an adult audience is mainly because the creators are lazy with their use of tropes, cliches, plotting etc, which they do because they're underestimating their audience. They don't think their audience is worth the time and trouble to write a decent story for so they reuse plots and take shortcuts. To some extent they can get away with it because children don't have the experience to spot a lot of that but it really doesn't take long till they do and then they quickly become bored.
I contend that producing such media for kids is criminal because the media we consume as children informs us creatively and culturally as adults as we remember back on our early influences. By foisting trash on kids we're doing them a horrible disservice.
How can we judge this stuff? Well, if a show aimed at kids can be enjoyed just as easily by an adult, then it's a success. Great examples are things like Bug's Bunny, Tom and Jerry, Dexter's Lab, Powerpuff Girls, Total Drama Island, The Lion the Witch and the Wardrobe, Cinderella, the Muppet Show, etc. These things are well written and have extra layers that can be enjoyed by different age groups simultaneously.
This week Gunwallace has given us the theme to Filaments a Kerbop Story - The mysterious, dark shadowy reaches of space, glowing tendrils of a pink gassy nebula, dimly seen, distant stars, shadowy pockmarked asteroids turning lazily… a happily little junty turn plucked out on strings winds its way through the gloom, spreading cheer and light!
Topics and shownotes
Small Gods - https://www.theduckwebcomics.com/news/2020/sep/15/featured-comic-small-gods/
Filaments a Kerbop Story - https://www.theduckwebcomics.com/Filaments_a_KerBop_story/, by Caliway, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
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Jul 13, 2020
Boundbun joins us to talk about the plans for the upcoming Drunk Duck Anthology that the proud people of the DD Discord (Aggie and Mel), are talking about. It hopes to be a true mammoth of a project at something like 130 pages! So if you'd like to get in on this and have your work actually published then join the Discord and navigate to the correct chat. You can have your say on what form the anthology takes.
May 31, 2020
Today we're chatting about using historical stuff in your story and knowing how to use it right! Sometimes it's good to change stuff and sometimes it's not. The thing is that you should ONLY change it if you know what you're doing and why you're doing it. A good example is A Knight's Tale- It has a historical setting and there are a lot of deliberate historical anachronisms in it, and they're all very obvious, they do not pretend to be anything but what they are.
Jan 13, 2020
Today Banes and I chat about our top tips for doing a great comic page: What is most important? I mainly focus on art and Banes is talking about page design and writing tips. Bellow are our top 5s for ways to make better comics! We expand on these and explain them in the Quackcast.
Nov 18, 2019
Where does your main audience come from? And how do you change your work to accommodate them? For a lot of us it's north Americans (mainly from the USA), which is interesting, especially for those of us outside of there because our cultures are slightly different. We THINK we totally understand each other but there ARE differences. So to make ourselves properly understood with the original intent of the story we often have to translate things slightly (much more in Tantz's case!). This goes doubly when a story is set in a different era. How much do you localise your story for the audience, how much SHOULD you?
Aug 12, 2019
Tantz's clever idea was that the weather isn't just a backdrop… it's an important prop in it's own right. Weather can be used to drive a plot: the wind snatches a hat and makes a person chase it, which causes them to meet another character. It can be an antagonist: people fighting a storm for example or running form a tornado. It can signal and enhance emotions: rain for a sad funeral or sun for happy for a happy event. Growing shadows can signal an ominous turn of events, wind billowing out a cloak signals a dramatic character! You can just use it for fancy visual effects if you like, snow and rain are great fun to draw, and stormy skies are the best! We chat about all things weather and give examples of how we've used it ourselves.
Jul 29, 2019
Today we cover the interesting trope of the “old warrior”. This was based upon a newspost Banes came up with last week. He was thinking of Captain Picard in the latest Star Trek series and he also brought up Luke Skywalker from the latest Star Wars movie. The “Old Warrior” makes a really cool protagonist, in this Quackcast we try and discover why that is…