Episode 497 - It's just kid's stuff

Sep 21, 2020

Today we're talking about the idea that entertainment aimed at kids can only be enjoyed by kids and the reason that adults often don't like kids things is because adults just don't “get” them. I contend that everyone, of all ages should be able to enjoy General or kid rated media and the true reason we don't is not because it “isn't meant for us”, it's because it's simply badly written - specifically, it's not the content that's annoying, it's the structure.

Topics and Show Notes

The reason why some kid's shows are so boring and awful to an adult audience is mainly because the creators are lazy with their use of tropes, cliches, plotting etc, which they do because they're underestimating their audience. They don't think their audience is worth the time and trouble to write a decent story for so they reuse plots and take shortcuts. To some extent they can get away with it because children don't have the experience to spot a lot of that but it really doesn't take long till they do and then they quickly become bored.

I contend that producing such media for kids is criminal because the media we consume as children informs us creatively and culturally as adults as we remember back on our early influences. By foisting trash on kids we're doing them a horrible disservice.
How can we judge this stuff? Well, if a show aimed at kids can be enjoyed just as easily by an adult, then it's a success. Great examples are things like Bug's Bunny, Tom and Jerry, Dexter's Lab, Powerpuff Girls, Total Drama Island, The Lion the Witch and the Wardrobe, Cinderella, the Muppet Show, etc. These things are well written and have extra layers that can be enjoyed by different age groups simultaneously.

This week Gunwallace has given us the theme to Filaments a Kerbop Story - The mysterious, dark shadowy reaches of space, glowing tendrils of a pink gassy nebula, dimly seen, distant stars, shadowy pockmarked asteroids turning lazily… a happily little junty turn plucked out on strings winds its way through the gloom, spreading cheer and light!

Topics and shownotes

Links

Featured comic:
Small Gods - https://www.theduckwebcomics.com/news/2020/sep/15/featured-comic-small-gods/

Featured music:
Filaments a Kerbop Story - https://www.theduckwebcomics.com/Filaments_a_KerBop_story/, by Caliway, rated E.

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
Pitface - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/


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Episode 473 - Genre vs Setting

Apr 5, 2020

3 likes, 3 comments

In this Quackcast we talk about the differences between genre and setting and what genre really is. For instance: Fantasy and SciFi aren't genres, they're settings… Mostly. It's complicated but they both pretty much USED to be genres, now they're mainly just settings for genre stories to take place in. What does that mean? Well, Fantasy wasn't even considered a genre back in the day, not really till after the success of Tolkien. Later on a lot of writers began using that same style and consumers really wanted it, so it became a “genre”. It was only later on when it graduated out of that to become a setting that has genre stories set within it.

Episode 471 - Fantasy

Mar 23, 2020

2 likes, 0 comments

Today we're having a chat about fantasy fiction! Mainly books and the fantasy writing that inspired us and that we love! Faves like Tolkien, Fritz Leiber and Piers Anthony! Just to define, we're talking swords, elves, armour, dragons etc, in a “medieval” context, generally European. As a subset there's native, Arabian, Asian, Mayan etc, also high fantasy, low fantasy, sword and sorcery, historical fantasy and even mythology…. And then techno fantasy, contemporary fantasy, steampunk, fantasy cyberpunk and so on… but we mainly stick to the mainstream stuff and only just touch on the weird little variations for now.

Episode 462 - Jessica Schab, Studio animation, Guru, sceptic, leader

Jan 20, 2020

4 likes, 5 comments

Today we have a special guest! Jessica Schab. Jessica works for Mainframe entertainment in Canada, one of THE premier digital animation companies! Before things like Pixar they were THE CGI animation people! Behind the Video for Dire Straights' Money for Nothing video back in the 80s, Transformers Beastwars, Octonaughts, Babrie, and my personal fave: Reboot!

Episode 452 - Storytelling styles change!

Nov 11, 2019

3 likes, 0 comments

Storytelling styles change over time for various reasons: fashion, audience expectations, competition for audience attention due to increased choice and availability of media, technological limitations and abilities, and culture. We chat about the reasons for the changes and how styles have changed.

Episode 441 - Cooperation = cool

Aug 26, 2019

2 likes, 0 comments

Cooperation Vs Competition. For decades the mantra was competition is good: it produces progress and makes things better… Well that's actually false. Competition is what you're forced into as a response to limited resources, so you do what you have to to win, which mainly involves losing everything that doesn't serve that specific objective. Competition is massively harmful to progress in general, it ONLY helps you excel in one small area to massive cost. Think of it in terms of an Olympic sprinter: they become the fastest runner in the world, but to what point? Only the artificial structure of a sporting event… they spend years training, exercising, eating right, wasting a huge portion of their lives, creative, and intellectual potential on that one meaningless goal, and IF they achieve it they might get a bit of fame and money and a footnote in history because someone else will inevitably take their spot. More likely though they won't achieve the goal and instead be forgotten.

Episode 425 - Pay-off or rip-off?

May 6, 2019

3 likes, 0 comments

In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up in the story and pay them off at the end. If you fail to pay-off then you get a rip-off, it's pretty simple. Your audience will be really disappointed. That's not to say disappointing and unsatisfying ends to stories are wrong, not at all! Often those are fully intended. We're just talking about satisfying audiences, not “good” endings.

Episode 423 - Fave weapons in fiction?

Apr 22, 2019

4 likes, 0 comments

What's your favourite weapon in fiction? Mine are ridiculously giant swords, huge anti-tank rifles, and mecha. There are a lot of complex reasons for weapon choices in fiction, a Kalashnikov assault rifles for example signals certain things about the person carrying it: They're usually a bad guy for a start. This originated during the cold war, with certain types of bad guys using AKs. First it was Soviet Bloc soldiers, then it was Viet Con and rebels from South East Asia, then it became the “terrorist” weapon. The sub machine gun is the weapon of the bad guy. Terrorists used to use Uzis (before they turned to AKs), bank robbers used to use Mac 10s, now it's the HK MP5. Good guys carry an M-16 or AR-15 rifle. In historical fiction traditionally the bad guys carries curved swords while the good guys had straight swords, this came from crusades. Minor characters carry spears and heroes carry swords. Women, weaker characters and rebels carry bows. Giant swords and guns are often given to smaller characters in anime (usually female), as an obvious contrast with their small size. It's meant to emphasis the fact they're sort of a “mighty mouse”.


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