Episode 422 - Positive promotion and controversial characters

Apr 15, 2019

The entire gang comes together today for two topics that were taken from recent newsposts: Emma Clare's Positive self promotion, and Tantz Aerine's Handling Controversial Characters. First up we chat about why it's always a great idea to sell yourself positively, NOT be arrogant or douchey, but rather by talking enthusiastically about what you genuinely love about your work and using that REAL and SINCERE enthusiasm to infect others with your love of what you do. Emma was mainly talking about the way you introduce your comics to friends and family but it definitely applies more broadly to self promotion in general: Don't try and get sympathy through self depreciation (oh, it's not very good…), and don't be an arrogant ass (My stuff is AWESOME!), rather you should just be honest about what you love about it (This story was so FUN to write!).

Topics and Show Notes

There are exceptions. “READ HARKOVAST” become a great catchphrase for the author of that comic ;)

Next up we talk about Tantz's subject of handling controversial characters: Real controversial characters and established characters in fiction that have very different interpretations and views about them can be tricky to use in fiction. WHICH of the popular interpretations do you choose? - The one that says they were an insane dictator or the one that says they're a hero of their people? Whichever you do you'll have audience members who're angry about it in some way. Examples are characters like Jesus (comics linked bellow), and Mother Theresa. Jesus obviously means a lot of things to different people, there's around about 2000 years of culture focussed on him and people during the time he was meant to have lived would have regarded him very differently to the later worshippers. Mother Theresa during her lifetime was almost universally regarded as a living saint, her name was common shorthand for being extremely caring. After her death opinions changed and fractured desperately. To many she was either a monster, a scheming witch, or a stupid naive backwards woman who was used as a promotional tool. Which approach do you as a writer take?

This week Gunwallace has given us the theme to Tusk. Fast tribal beat that makes you want to shake your hips, stamp your feet, wiggle, twitch, and vibrate all over! A nice, stompy, vibrating rhythm booms into the centre and slows things down for a change of pace. This is the ultimate dance track. Get hot, sweaty and show off your crazy moves as best you can. Put the other dancers to shame!

Topics and shownotes

VIDEO exclusive!
Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
https://www.patreon.com/DrunkDuck
Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

Featured comic:
Breached - https://www.theduckwebcomics.com/news/2019/apr/09/featured-comic-breached/

Featured music:
Tusk - https://www.theduckwebcomics.com/Tusk/, by Fallopiancrusader, rated T.


LINKS

Positive promotion newspost by Emma Clare - https://www.theduckwebcomics.com/news/2019/mar/30/talking-about-your-comic-to-others-and-why-you-should/
Controversial characters newspost by Tantz Aerine - https://www.theduckwebcomics.com/news/2019/apr/12/handling-controversial-historical-characters/

READ HARKOVAST - https://www.theduckwebcomics.com/Harkovast/
Holy Bible the Albino Ginger version - https://www.theduckwebcomics.com /Holy_Bible_the_Albino_Ginger_version/
Jesus 2016 - https://www.theduckwebcomics.com/Jesus_2016/
Look who's back (movie) - https://www.imdb.com/title/tt4176826/


Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Banes - https://www.theduckwebcomics.com/user/banes
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pit Face - https://www.theduckwebcomics.com/user/PIT_FACE/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/

Episode 421 - Dreamcast

Apr 8, 2019

2 likes, 8 comments

Today we're talking about all the ways nightmares can be used in stories. This is based on a newspost by our very own dreamboat Tantz Aerine. Nightmares are great for foreshadowing through premonitions, forcing characters to confront things and change their minds, ratcheting up tension in a story and all sorts of other useful things that you'd never consider.

Episode 413 - Breaking structure

Feb 11, 2019

3 likes, 0 comments

It's just Ozoneocean and bouncy Banes today. This time we're chatting about breaking and subverting structures, formulas and conventions in webcomics. Commercial creative projects need to use formulas and familiar structures because that's what audiences expect, it's also what studio executives, creative editors, publishers, producers and all the people that greenlight those projects need and expect as well. The Hero's Journey and other conventions and formulas aren't just used because they make good stories but because of the commercial realities and risk averse nature of the industry (there's a lot of money and jobs on the line). Webcomics don't have those pressures so we're talking about why webcomics shouldn't necessarily adhere to popular formulas and structures and why many don't.

Episode 403 - Eat yer serial!

Dec 2, 2018

2 likes, 0 comments

This Quackcast was inspired by a newspost by Tantz. There seems to be this prevailing idea at the moment that serialised storytelling is better than episodic style stories. Tantz informs me that it's one of the many Twitterverse controversies! So let me explain what I mean here: Episodic story telling is when most of the story you're telling can be parcelled into the course of an episode: you can have a strong beginning, middle and satisfying conclusion in the course of your episode, whether that takes the form of a comic chapter, a page, a strip, or a half hour TV show. The Serial style has things stretching over multiple chapters or TV episodes. What we talk about in this Quackcast is that it's an utterly false dichotomy: You do not have to have either or, in fact most projects have elements of BOTH at the same time and it's a little foolish to think that one style could possibly be inherently superior to the other since they're just tools for telling a story. It is up to the creator to pick which one is right for their own work and the context in which it's going to be shown.

Episode 401 - Stan Lee, a stupid comedian, and the new prudes

Nov 19, 2018

3 likes, 4 comments

This is Quackcast 401! Error, error! Pitface and Tantz were absent so Banes and myself were left to go quietly off the rails and expostulate all sorts of radical, half formed, badly articulated thoughts. This is an interesting one! We cover the death of the great Stan Lee, titan of the comics and superhero world. Then we sidestream into talking about comedians trying to be political commentators (re: Bill Maher)… I must apologise for my Ad Hominems. And lastly our focus is on a “new puritanism” in some aspects of pop-culture. It all ties together, if a little awkwardly.

Episode 399 - How many characters is too many?

Nov 4, 2018

3 likes, 2 comments

How many characters is too many? Ensemble casts can be fun and the interaction between characters can be more interesting than the actual plot of a story! But keeping track of characters from the audience point of view or even from the creator's perspective can be hard when you have a lot. Characters can copy each other and just become bad clones or you can forget what some are meant to be doing and create plot holes, audiences can stop caring about some of them or just become really confused. So how do you keep track? I think breaking them into small groups can be one good way to do it… What are some others?

Episode 372 - Marvel heroes and an infinity war against greyness

Apr 30, 2018

4 likes, 6 comments

In this Quackcast we use the movie Avengers: Infinity War as an excuse to chat about grey characters and how that applies in the Marvel universe. In truth we don't touch much on that movie but we do chat about a few of the other marvel superhero movies and “grey” characters in general, Tantz is of the opinion that “grey” characters are rarely truly grey.. My favourite quote from Tantz was “It's hard to punch the bad-guy while you're punching yourself”. Do the Marvel movies follow the comics or do the comics follow the movies? We'd love to know! This week Gunwallace has given us the theme to Alienated: This is as if Joni Mitchell wrote a classical adventure anthem. This tune urges you on into the vastness and glory of nature. You are Caspar David Friedrich, A Wanderer Over A sea Of Fog, with the world in all its awesomeness spread out far below you.

Episode 364 - JUST DO IT!

Mar 5, 2018

6 likes, 7 comments

All the planning and set up in the world will never count for anything if you never start your webcomic, so just put your own to paper and begin! “Getting started on a webcomic” is what we chat about here. I was inspired by PitFace's newspost about a crappy horror film and how the creators just went for it. As a webcomicer that is what you HAVE to do! You can plan, research and gather resources for years, but the reality is that it just makes you more and more scared to take the plunge. You'll develop a LOT faster as a webcomicer if you throw caution to the wind and go for it. I'm not saying that research and planning are uneeded, it's just that most if it can be done while you're actually working. Do not worry about putting out a perfect piece of genius work from the getgo- your comic WILL get there regardless if you're dedicated and put the work in AS you work, but the first few pages or chapters don't have to be there. Your audience will appreciate the chance to grow with you a lot more than if you put out a polished gem to begin with. Starting out at a place like Drunk Duck is your best bet. It's a nurturing, easy to use, creator run platform, focussed around promoting webcomics. So what are you waiting for? This week Gunwallace has given us the theme to Flesh and Wires: Dirty and distorted electric guitar and determined fuzzy bass, weaving together over a haunting synthesized Melodica. Portentous and evocative, this music tells a story in it’s own runtime! The main riff reminds me a little of my fave part for We don’t Need Another Hero from Tina Turner.


Forgot Password
©2011 WOWIO, Inc. All Rights Reserved Mastodon