If you want to design a memorable character it doesn’t just stop at their looks. How they speak, write and use body language is integral to who they are as a person as well as how other character’s may react to them. When you read a comic or ...

Noako is an unusual lady, slightly… draconic… but she looks human enough. She lives with her best friend Ebony, a vamp who also happens to be a vampire, a very slutty one. And then comes along young Holly, a red-headed lesbian, to be their lodger. Along the way they meet ...

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What are the different expectations for female and male audiences? This almost entirely a culture based thing, it changes depending on where and WHEN you are from ...

Guilt is a powerful tool in the creative process.

No, I'm not talking about the guilt you feel because you haven't updated in six months which pushes you to sit down and finish that darn page (though that helps too, we've all been there).

Guilt is very ...

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Betrayal is an interesting thing to use in fiction. You can have betrayal of your nation, your organisation, friends, lovers, religion, beliefs, self. In stories it can ...

by Frank Miller

SHOWING MOVEMENT

I was talking to my brother about writing scripts for comics and mentioned that I sometimes forget that what I'm writing can't move. I'd start accidentally writing as if it were a movie script, with characters moving around, then realize that I ...

It was never supposed to be this way! The stupid, stinky, nasty wolverine steels the magical items from the moon-bunny and totally messes up the magical girl plan in the worst way possible… without feet, face hands or even a functioning brain how will the magical girl Seaman scout fulfil ...

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Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many ...

There comes the time when you may have a scene that starts off quite innocuously. It might even start all fun and games. But sometime during it, the atmosphere changes drastically, and things escalate, seemingly out of nowhere.

What used to be a chill scene, now is suddenly a strife ...

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In this Quackcast we chat about set-ups. pay-offs, and rip-offs. To make your climaxes and endings more satisfying you have pay-offs for audience expectations: set them up ...