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*Cover by Tantz Aerine

Interview with Dwight L Macpherson, creator of The surreal adventures of Edgar Allen Poo, now known as The imaginary voyages of Edgar Allen ...

Astrid is a young woman living in Glasgow with her mum. She's a pretty solitary person, with no friends or connections. She takes solace and pleasure in the fantastical worlds of the comics she delves into and lives through, becoming the heroines in the stories; a space explorer, last ...

When I was growing up in the 80s, stories that were marketed as ‘children’s' were occasionally brutal.

Characters got maimed or killed, tortured or traumatized, met with horrid ends in worlds that were anything but rosy. And this was a pattern that wasn't limited to, say, English literature ...

I think a lot of us have dreams of growing up and changing the world. Impacting it in some great way. Or if you’re villain type, maybe in a bad way.

Anyway, now that I got your attention with changing the world.
I’m not talking about changing “our ...

The world is set during the Great War in the early twentieth century through the 1940s. Part historical, part fantastical steampunk future. A group of Axis members look for ways to take control; while an escaped prisoner finds his way into a nurse’s quarters. This is a story of ...

I was browsing my twitter a few weeks ago and I noticed someone I follow ask if there’s any webcomic hosts out there. Of course I said the duck, wings down. One thing led to another and the conversation turned to when I could read it. They said they ...

LISTEN on our new player!
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Image from Genghis Khan by Miike Snow.

Sexual tension between characters is a great way to augment the conflict that drives a story. The audience really wants ...

The physical space that a character inhabits often seems far more passive than it really is. Space is more than a matter of creating a backdrop, though. Why is it that some characters feel as if they’re moving against a wall paper background while others inhabit a far more ...

We've all been told how in story telling, showing is a lot better than telling.

Showing gets hard if your main character is a loner that interacts with nobody. Even harder if he/she is a stoic that emotes very little. The audience will have no way of knowing ...

I just finished a rewatch of The Mandalorian series and one of the things I thought about was the vicious profiteering and scramble for money (or ‘credits’, or valuable metals or what have you) that indicates what kind of economy is at work in that show.

Granted, so far we ...