Time for a change of pace! I don’t usually like to do a lot of these types of articles but this topic might benefit from a touch of experience. So bear with me and my small trip into self-indulgence.

Some of you might know that I am actually part ...

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This week's Quackcast was inspired by a newspost that Banes made about propaganda. We used that as a jumping off point to talk about political messages and social agendas in creative works- when it's deliberate and when it's not. Tantz Aerine made a great point that ...

Emotional Charges and Diminishing Returns

Many writing methodologies suggest mapping out the emotional change of each scene. The scene either starts positive, and goes to either negative or “extra positive”, or starts negative and goes to positive or “extra negative” by the end of the scene.

So if a lovelorn ...

Last Thursday I talked a little about writing a scene, in terms of the change that happens, what the character wants, and what obstacle is in the way of achieving that want.

But what about dialogue? Eh?

One way to help define what's going on in a scene is ...

This beautiful image is from the movie Metropolis by Fritz Lang, it shows Atlas the giant carrying the weight of the entire city on his shoulders. In this image Atlas represents the combined might and labour of the working class. Interestingly the same theme in imagery is often used for ...

In any work of art where storytelling is concerned, dialogue (should) play a central part. The relatability of the characters hinges on how they behave, and a lot of that behavior is verbal, especially in movies, theatre and comics (but also books. And everything else.)

So how do we create ...

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Jerky, jerk, jerks! Let's talk about this type of character…
This topic is based on Banes' newspost from Thursday, he based it on characters like Reggie from the Archie comics. Jerks can be pretty good characters in their own right. They can be villains, heroes, antagonists or protagonists ...

Emotional Charges and Diminishing Returns

Many writing methodologies suggest mapping out the emotional change of each scene. The scene either starts positive, and goes to either negative or “extra positive”, or starts negative and goes to positive or “extra negative” by the end of the scene.

So if a lovelorn ...

Recently I wrote a throwaway character for my comic based on a real-life friend of mine. In short, he’s a loveable misanthrope. And because he’s based on a real human being, I felt like I owed the character something: he won’t grow, or change, or become a ...

I have a high interest in comedy. Writing and drawing it, reading and watching it, studying and cuddling it.

Trying to be funny is a way of life for me. When I have the time, I want to bury myself in trying to be funny in my comics as often ...