Episode 248 - Interview with Dario Di Donato of Barbarian Adventure
Dec 6, 2015
Today we interview Dario Di Donato, the creator of the great webcomic Barbarian Adventure! You may recall that Gunwallace did an amazing theme to Barbarian adventure that we played in Quackcast 244, AND the comic was featured a few weeks ago too! Anyway, this time around, Banes, Pitface and I interview the creator of this fine work and he fills us in on his many classic 1980s pop culture sources of inspiration. Dario brims with a positivity, dedication and enthusiasm that is infectious! And you can listen to Gunwallace's dark punky theme to Monster Soup!
Topics and Show Notes
Topics and shownotes
Featured comic:
Jesus 2016 - http://www.theduckwebcomics.com/Jesus_2016/
Links:
Quackcast 248 VIDEO - https://youtu.be/AbB2ur2IlL0
Dario's Links:
Barbarian Adventure - http://www.theduckwebcomics.com/BARBARIAN_ADVENTURE/
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
The theme song by Gunwallace this week was for:
Monster Soup - http://www.theduckwebcomics.com/Monster_Soup/ by TheGhost, rated M.
Episode 241 - The Vampcast - Costumecast - Part 2
Oct 19, 2015
I vant to suck yer blud… Well Tantz Aerine does anyway. This is the second part of our Vampcast, talking about vampires in comics, lore, movies and popculture in general. We were STILL in costume, watching each other on vid at the time, getting distracted and Ozone was getting drunker and drunker on some very RED wine. Tantz was of course the vamp, Pit was a deathknight fairy princess, Banes was the scary polar werewolf, and Ozone fieldmarshal bigpants! You can see the vids of our exploits I uploaded last week. There exists an elusive 3rd vid, but we were all too drunk and tried by that stage… at least Ozone was. Gunwallace provided us the lovely Alt rock '90s style theme to the SciFi anime comic Throviria!
Episode 240 - The Vampcast - Costumecast
Oct 12, 2015
Happy October, the month of Halloween! For this quackcast we had Tantz Aerine and Pitface along and we did the entire thing full dressed in costume WHILE vidcasting, which was very distracting. We got a few minutes and iffy quality video of the event too. Unfortunately I'm not very skilled with the process yet. We chat about vampires, using the great contributions of the community! Vampires are fun, but what's MORE fun is costumes. Tantz was a librarian vamp, Pit was a deathknight fairy princess, Banes was a werewolf, and Ozone (me) was a costumed idiot. Gunwallace provided us the lovely theme to the vampy comic Danielle Dark!
Episode 237 - The Songcast
Sep 21, 2015
For Quackcast 237 we asked people about the songs that inspire them when they do their comics, which songs go with which parts of their comics, what would be the ideal comic movie theme, what songs or music get you in the MOOD to do your comic, and finally; just how great are Gunwallace's fantastic comic theme tunes? And speaking of theme tunes, the masterful Gunwallace has given us a Salsa theme for Taco El Gato!
Episode 236 - The Songcast/Drunkcast
Sep 14, 2015
Pitface, Banes, Tantz Aerine and Ozoneocean reunited for a repeat of the legendary Drunkcast of Quackcast 137! Almost exactly 100 Quackcasts later we hit the booze again, but this time we had a goal to pursue with our drunken ramblings: music. We decided to talk about what themes inspire our comics, inspire us and represent our comic characters… and we came up with a LOT, too bloody much for me to link to dammit! We've also included all the links to the Quackcasts where themes for our comics appeared, AND Gunwallace has done the theme to Putrid Meat so it means ALL our comics have themes now!!! So enjoy our silly drunken chatting, this is who Drunk Duck Quackcasts are SUPPOSED to be!
Episode 234 - Climactic Climaxes!
Aug 31, 2015
What's best? One big climax, multiple small ones, early, or delayed? How much should you work UP to a climax? What about anticlmactic events, how important are they? Climaxes are really important in stories. Often you work up to them over the course of a whole series, but each episode or chapter can have them, maybe even every single page. I find writing “up” to climaxes a bit stressful because you have a lot of preasure and expectation there. And when it's over and you've actually achieved it, it can be a bit depressing: where do you go to from there? You can feel a little lost, at least I do. TALKING ABOUT WRITING HERE. My preference is for multiple climaxes. Do you always need climaxes in stories? I don't think you do personally… there are times when things work fine without one, but it does help better with endings. Sometimes climaxes can be TOO big. Way too much of a story can be invested in a climax, it subsumes everything, everything has to tie in with that specific story flow and that can be REALLY had to pull off. If it's not done right it can be massively disappointing. Anticlimactic. Pitface Joins Banes and Ozone to chat about climaxes in stories and read out the contributions from our climactic contributors. Gunwallace gave us a gorgeous theme for Just Another Day!
Episode 230 - Getting the formula RIGHT
Aug 3, 2015
We've talked about formulas before, but mostly in the context of escaping formulas and reinventing them. NOW however we're talking about using existing formulas to create a story, or creating new formulas and sticking to them to come up with your stories. Formulas can be a good tool to write with, along with their close sibling “the trope” they take elements that are proven to work and stick them on a solid framework for you to more easily create your story around. All you need to do is plug in your characters and situation and see how it all fits. Formulas are comfortable for people and make it easier for a writer to structure their story faster AND in a way they know should appeal to people. Enjoy Gunwallace's lovely theme for Rismo!
Episode 228 - Conflicting conflicts conflict
Jul 19, 2015
This time we're talking about conflict in webcomic writing, and any writing in general really. Conflict is one of the main drivers of a story, so you pretty much have to have it in there somewhere! But how do you approach it? Do you set it up really carefully or just put a bunch of volatile characters together and see what happens? I think for a lot of us we don't think too much about the science of our conflicts, rather we approach it artistically and develop things by feel and instinct because conflict is such an intrinsic trait. But understanding how you use it can be very useful when you're writing satisfying resolutions and climaxes. A good understanding of the types of conflict in your story is also pretty essential when you're writing a good comedy (it's a great source of humour!), and also when you're explaining or selling your work to the public: It's all very well to chat about your clever setting and your funky characters, but conflict is the reason they're IN a story to begin with and that's really what will get people wanting to read out it. I hope you enjoy Gunwallace's great porn style music type theme for Tales of Two Tiny Titty bars!
