Jul 23, 2018
In this Quackcast we talk about where the line is for YOU in your work about what subjects and imagery are too far for you. What is too horrible, too controversial, too extreme for you to approach? Is it blood and gore, something controversial and political, swearing, religious, sexual? Maybe you have other borders… perhaps something is too cute, sickly sweet and saccharine?
Topics and Show Notes
We used Tantz's newspost for inspiration and read out all the comments of the fantastic DDers who told us about their own personal limits.
This week Gunwallace has given us the theme to Ink LaRue. Oooooh yeeeaah, melodic vocals tied with a gentle pop funk sound. This is a sexy track that doesn’t take itself too seriously. It just wants to have a bit of fun.
Topics and shownotes
Savannah Cat Adventures - https://www.theduckwebcomics.com/Savannah_Cat_Adventue
Tantz's newspost, Drawing The Line - https://www.theduckwebcomics.com/news/2018/jul/13/drawing-the-line/
Usedbooks - https://www.theduckwebcomics.com/user/usedbooks
PaulEberhardts - https://www.theduckwebcomics.com/user/PaulEberhardts
Bravo - https://www.theduckwebcomics.com/user/bravo1102
Genejoke - https://www.theduckwebcomics.com/user/Genejoke
Ironscarf - https://www.theduckwebcomics.com/user/Ironscarf
KimLuster - https://www.theduckwebcomics.com/user/KimLuster
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Banes - http://www.theduckwebcomics.com/user/banes
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean
Ink LaRue - https://www.theduckwebcomics.com/Ink_LaRue/, by Unka John M.
May 28, 2018
kawaiidaigakusei makes a return to the Quackcast! Together with the crew we chat about some of our favourite comic making tutorials on DD. Yes, there IS a tutorials section on the site and people have created some amazing and clever tutes on how to both write and draw better when making your comics. There are some cool instructions on how to make better pages, write scripts, do rain effects, all sorts of shortcuts and clever tit-bits of info to have you creating like a pro. This week Gunwallace has given us the theme to Potato and Kraut. Feel the gigantic weight this music layers onto your shoulders. A synthesised torrent of gravity, followed by the heavy, deep notes of a piano dropping on top of you like frozen slabs. The torrent slowly eases, brings light and relief, then fades away.
May 7, 2018
Millennials are so dumb, Gen Xers are SO lazy, and those Baby-boomers are just greedy as hell aren't they? But seriously, in THIS Quackcast we chat about the different generations of webcomicers and what's changed and what we have to learn from each other. The first generation of real webcomics came in with Sluggy Freelance, 8 bit theatre and a few others. Webcomics started out in the mid 90s as the web version of “Zines”: independent creator driven personal projects. The second generation came about in the 2000s. Sites like Drunk Duck and Keen Space were a huge part of that. It made it easier for creators to make the jump online. We'd seen what those first guys did and now it was OUR turn, there were a lot of copy-cats in this generation, but a lot of experimentation and creativity too, with sound, animation, interactivity and infinite canvas being a mainstay. Later there was an explosion in hosting sites like DD and comicers moved on to other formats like Tumbler and Twitter etc. The pro comic publishers saw how things were going and tried to get in on the act with online comics too. I think the 3rd generation saw a lot of commercial focussed projects. Comicers saw it as a way to make money so we had a lot of slick, pro work flooding in. In the 4th generation I think we have people doing comics for mobile devices or ON mobile devices. A lot of the comic hosting sites have far more limitations on work than they used to in terms of content and format, a lot of stuff has a bit of a pre-packaged feel, you see almost no experimentation with format now. On the upside though quality is a lot higher and comic sites will reliably work a lot better than they used to. Styles have changed over the generations: In the old days most comics were fully drawn and scanned. Tablets were rare and very expensive and so were graphics programs. If you saw a fully digital comic back then you knew the artist was either a pro or they were at university with access to high level equipment - or it was dodgy work done with a mouse and Windows Paint. Those tools have become far more accessible now and the barriers have come right down. Most work is digital. What generation are you? This week Gunwallace has given us the theme to DreamcomicbookDOTcom! Journey into a claustrophobically narrow electronic service tunnel, filled with high voltage wires humming with unimaginable power and mysterious cables running off endlessly into the dim, dark shadows in the distance. The creepy patterings and low hum of this music will take you there!
Jan 29, 2018
Covers are a very important part of books and comics! They entice us to pick them up and read them, they encourage us to BUY them. But how much are they really needed for webcomics? You hardly ever look at the front cover and what you really want in a webcomic is the meat of it, not the packaging, they're not waiting on racks outside a shop… and yet we still make them anyway, not just for the front cover but also chapter covers as well! This was the idea behind a thread Pitface came up with in the DD forums and we thought it was an interesting topic. Personally I love drawing covers, they give me a chance to break out of the comic format and be all arty and play with title text. How about you? What's your position on webcomic covers? This week Gunwallce has given us the theme to Kawaiidolia: A dreamy journey into a world of green shade, damp, fresh air, and dapple golden sunlight. This is a pretty track , full of beauty.
Oct 9, 2017
How do YOU feel when drawing or writing about something sexy? That was the question put to the erotically charged ladies and guys of DD, who answered in a full frontal, frank and unashamed manner! It's a harrrrd question to answer but we were wiiiide open about it. ;) Does writing sexy stories and doing sexy art make you feel erotically charged, leave you feeling cold, or a little pervy? I contend that if you're doing it right then it should turn you on just as much as you intend to turn on the viewer! Pit, Tantz and Banes agreed with me… but many DDers did not and we read out their comments on the subject. *A few new comments were posted after we'd already done the Quackcast so we couldn't get to them. This week Gunwallce has given us the theme to 9th Life: A warm symphony of interlacing guitars, weaving their riffs ecstatically in and out and around each other into a self supporting tower of pure cool.
Aug 28, 2017
This week we interview the artist and creator of the comic Kings Club, AmeliaP! Her comic was featured and Gunwallace also gave it a theme tune that was featured in Quackcast 335. AmeliaP is a talented professional comic creator and game designer. We couldn't interview her directly because she's not confident enough in her spoken English, so what we've done instead is read out a written interview that I did with her especially for this Quackcast. Amelia has some surprising and valuable insights for comic creators. You can read the full text of her interview bellow. Gunwallace's theme for the week was for Abejitas - This tune bounces in like a wild thing, spinning and buzzing crazily, full of black striped yellow techno sweet honey madness and rapid wingbeats of energy, this will sting you into full awareness!
Aug 7, 2017
Let's get physical! let me hear your body technique! As a follow up to my newspost on Friday about figure drawing, we all got together to do a Quackcast about it, along with contributions in the form of comments from DDers on my newspost. Figure drawing is hard, it takes a lot of practise, but there are a lot of approaches you can take to improve like wire frame drawing, gestural sketches, geometric shapes, drawing shapes and silhouettes, using mirrors, photos, and copying what others have done to try and understand and improve your technique. We add our own insights and use silly accents to read out the contributions :) Gunwallace's theme for the week was for Cerintha: Classical, careful, creepy, The clarinet plods along methodically while the violin skips, leaps and dances, pure piano tones ring out like tinkling bells, sparkling with light and joy.
Jun 12, 2017
FLASHbacks… you have to do them right or they will screw up the flow of your story. That's the theme of the newspost by Tantz Aerine that we stole this podcast topic from. :) Flashbacks can be expository, they can explain story elements and plot to you, they can push the narrative forward in a (seemingly) non-linear way, they can do all sorts of things, but one of the very worst is when they ruin the flow of your story and irritate your audience! That's what we're chatting about today, the poorly handled flashback and how to avoid it! Now let me tell you about that time… JUST KIDDING! Our music theme by Gunwallace this week was Galactic Nebula Race. This is all about speed! Racing, acceleration, hyper-velocity!! Watch those lights fly past faster and faster until they become just a single coloured blurred line… only to see your rival speed past as if you were standing still.