Episode 560 - When Fiction Meets Reality
Dec 5, 2021
We all know that fiction and reality are separate things, but fiction mirrors reality and we suspend disbelief to ignore the parts that are unrealistic so that we often treat fiction the same way AS reality. But there are many tropes and aspects of fiction that ONLY work in fiction and can't work in reality. I was inspired to examine this idea because of our Fetish-cast with Fallopian Crusader and his idea that certain fetishes can only exist in comics.
Topics and Show Notes
An obvious example of this is superheroes and their costumes. Of course there are many stories that try and make more “realistic” versions of superheroes (Kickass etc), but that's beside the point. The vast majority of superhero stories create their OWN reality that we just accept- amazing superpowers, magic, horrific acts, feats of amazing heroism, and super amazing costumes. It's possible to have heroic vigilantes in reality, without powers, but classic superhero costumes just never work, even though marvel has shown better than anyone else that they can work amazingly in live action movies.
A lot of fiction sets us up with unrealistic expectations- raunchy comedies about university life all gave us a very unreal idea of what goes on there (this was parodied in the Simpsons), and romantic comedies and romances give us a terrible idea of how to court a person! If we were to do a lot of these things in reality they'd be regarded as criminal acts; assault, stalking, theft, or just plain creepy, unethical, crazed and horrible.
What were some of the unrealistic expectations you had about reality from fiction? What are some of the things that only work in fiction but don't really exist in reality?
This week Gunwallace has given us the theme to Ferda Boys - The sounds of the crowd ebbing and flowing, Ice hockey sticks clacking, a whistle blows and the action is on! Heavy piano, light drums and soaring distorted guitar burn through this 70s sports power ballad, singing the plays while the match progresses. The music fades and the crowd roars in appreciation as the puck strikes the back of the net!
The sound effects come from https://Zapsplat.com, a royalty free sound library.
Topics and shownotes
Links
FetishCast, Fallopian Crusader tells us about how some fetishes ONLY exist in comics - https://www.theduckwebcomics.com/quackcast/episode-557-fetishes-in-comics
Featured comic:
Ferda Boys - https://www.theduckwebcomics.com/news/2021/nov/30/featured-comic-ferda-boys/
Featured music:
Ferda Boys - - https://www.theduckwebcomics.com/Ferda_Boys/ - by Hockey Webcomics, rated E.
Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/Banes/
Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
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Episode 559 - DD Fashion Spotlight
Nov 29, 2021
Today we're chatting about the NEW news feature that we're doing every Friday: The DD Fashion Spotlight. This is a new way to promote comics without all the restrictions of the featured comic system. To be eligible for a normal Wednesday feature a comic has to have at least 15 pages, be currently updating, not in the top ten, have good writing and artwork, not be adult rated, and not have been featured before. That cuts down the playing field quite a lot but it's what we have to do to make it worth a feature.
Episode 556 - That's What She Said!
Nov 8, 2021
The other day Tantz Aerine wrote a newspost about an article critical of Squid Game. The crux of things was that the Squid Game creator had said their message was anti-capitalist, while this critic was saying that the author's message with the Squid Game was an anti communist critique and not a very good one at that. The issue here is that isn't how you do criticism. At all. You can give an interesting reading of something and tell us why YOU think it's anti-Communist, or tell us how it looks through the lens of post-colonialism or new wave feminism etc, but you can't say that is what the author is saying or what the work means, especially if the author explicitly says WHAT they are saying. This may seem like a small distinction but it's actually very, very important. Bad criticism often tells us what the creator is saying. Don't do that. Don't be that person.
Episode 548 - Foreign Influence
Sep 8, 2021
Translating cultural concepts so they can be understood in a different country can be really tricky, most people never bother. Often the audience is just left to guess what's behind certain concepts and idioms. As an Australian, growing up as a little kid we were bombarded by media from everywhere, but mainly Britain, the USA, Canada and New Zealand. There was so much about American media that was utterly alien to us and we were just left to puzzle it out, especially American high school concepts: The level of seriousness with which they regard team sports in schools, cheerleaders, jocks, jockstraps, school kids driving cars, homecoming, pep rallies, summer camp, proms, tick or treating, thanksgiving… We just had to make sense of those things ourselves. Some we could work out from context but others I never really understood and never really will.
Episode 537 - Historicity
Jun 28, 2021
We have a chat about historicity in this Quackcast. What IS historicity? It's historical authenticity basically but a nicer way of saying it! It's pretty important for a lot of reasons to make the best effort you can with historical authenticity- it increases immersion of the audience, gives you a better understanding of the story and the world you're looking at (because things will make sense), and leads you to better understanding of your own history and where we came from. BUT, that doesn't mean you always have to be strict. As long as you as a creator properly understand historical context then you've got a lot more leeway to play without creating something stupid. Playing fast and loose with history is ok as long as you know what you're doing, not just being a moron and faking it (hey, many of us are guilty of that). Historical fantasy, myth, classics, fiction, biography etc are all different classes of story where it's more or less forgiveable to mess around.
Episode 523 - The Resonance of Folk tales
Mar 22, 2021
Folk tales are the primordial ooze of culture. Nobody knows where these stories began, nobody owns them, They're added to and expanded by successive generations. They spread and grow because they have resonance to all sorts of different people across time, different languages, and ethnicities. We talk about that resonance and why these stories still have meaning for us today, why new ones are still being created, and why you're free to use Beauty and the Beast or Snow White and the Seven Dwarves for your own creative projects without worrying about copyright issues.
Episode 517 - money in Scifi Utopia
Feb 8, 2021
Weird one this week! A monneyless system in a working Scifi utopia. This was based on an idea Banes came up with talking about Star Trek and how the federation has “evolved beyond money”, We discuss if this is possible, why it is and how it is. That means no need for money substitutes like credit or barter either. It's a really interesting topic and a brave choice for a world setting. The most common type of scifi world by FAR is a dystopia so the fact that Star Trek is a working utopia (at least in the original and 1990s series) is a very brave and unique choice and the idea that it functions without money is even more clever and interesting.
Episode 494 - No antagonist is the best antagonist?
Aug 31, 2020
Does a story always need an antagonist embodied in the form of an active character? I don't think they do! We chat about examples of stories without antagonistic characters that work just as well, if not better than the reverse! This is based on Bane's newspost from last Thursday (link in the notes). Tantz and I have a long argument about what the main antagonist in Wall-E was! I think that a lot of the better Pixar movies don't have their main antagonising force embodied in characters- Inside Out, Moana, Coco, Wall-E etc, and we they do they're not quite as strong or as touching. Even in Up the villain in that only plays the main antagonist for a short time. What d you think?
